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Your search for vietnam in title found 7 book(s).
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1. cover
Title: Understanding Vietnam
Author: Jamieson, Neil L
Published: University of California Press,  1995
Subjects: Anthropology | Politics | Cultural Anthropology | Asian History | Southeast Asia
Publisher's Description: The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding.Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese - both our friends and foes, and those who wished to be neither - to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences.By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.   [brief]
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2. cover
Title: Vietnam 1945: the quest for power
Author: Marr, David G
Published: University of California Press,  1997
Subjects: History | Southeast Asia | Asian History | Politics
Publisher's Description: 1945: the most significant year in the modern history of Vietnam. One thousand years of dynastic politics and monarchist ideology came to an end. Eight decades of French rule lay shattered. Five years of Japanese military occupation ceased. Allied leaders determined that Chinese troops in the north of Indochina and British troops in the South would receive the Japanese surrender. Ho Chi Minh proclaimed the Democratic Republic of Vietnam, with himself as president.Drawing on extensive archival research, interviews, and an examination of published memoirs and documents, David G. Marr has written a richly detailed and descriptive analysis of this crucial moment in Vietnamese history. He shows how Vietnam became a vortex of intense international and domestic competition for power, and how actions in Washington and Paris, as well as Saigon, Hanoi, and Ho Chi Minh's mountain headquarters, interacted and clashed, often with surprising results. Marr's book probes the ways in which war and revolution sustain each other, tracing a process that will interest political scientists and sociologists as well as historians and Southeast Asia specialists.   [brief]
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3. cover
Title: Carried to the wall: American memory and the Vietnam Veterans Memorial
Author: Hass, Kristin Ann 1965-
Published: University of California Press,  1998
Subjects: American Studies | United States History | Sociology
Publisher's Description: On May 9, 1990, a bottle of Jack Daniels, a ring with letter, a Purple Heart and Bronze Star, a baseball, a photo album, an ace of spades, and a pie were some of the objects left at the Vietnam Veterans War Memorial. For Kristin Hass, this eclectic sampling represents an attempt by ordinary Americans to come to terms with a multitude of unnamed losses as well as to take part in the ongoing debate of how this war should be remembered. Hass explores the restless memory of the Vietnam War and an American public still grappling with its commemoration. In doing so it considers the ways Americans have struggled to renegotiate the meanings of national identity, patriotism, community, and the place of the soldier, in the aftermath of a war that ruptured the ways in which all of these things have been traditionally defined. Hass contextualizes her study of this phenomenon within the history of American funerary traditions (in particular non-Anglo traditions in which material offerings are common), the history of war memorials, and the changing symbolic meaning of war. Her evocative analysis of the site itself illustrates and enriches her larger theses regarding the creation of public memory and the problem of remembering war and the resulting causalities - in this case not only 58,000 soldiers, but also conceptions of masculinity, patriotism, and working-class pride and idealism.   [brief]
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4. cover
Title: The country of memory: remaking the past in late socialist Vietnam online access is available to everyone
Author: Tai, Hue-Tam Ho 1948-
Published: University of California Press,  2001
Subjects: History | Southeast Asia | Film | Gender Studies | Postcolonial Studies | Popular Culture | Asian History
Publisher's Description: The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. The Country of Memory fills this gap in the literature by addressing the subject of history, memory, and commemoration of the Vietnam War in modern day Vietnam. This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed. Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.   [brief]
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5. cover
Title: The wars we took to Vietnam: cultural conflict and storytelling
Author: Bates, Milton J
Published: University of California Press,  1996
Subjects: American Studies | United States History | Popular Culture | American Literature
Publisher's Description: What Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known - Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives - from the deeply personal to the broadly cultural - for telling war stories.   [brief]
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6. cover
Title: The colonial Bastille: a history of imprisonment in Vietnam, 1862-1940
Author: Zinoman, Peter 1965-
Published: University of California Press,  2001
Subjects: Asian Studies | Asian History | Southeast Asia | Politics
Publisher's Description: Peter Zinoman's original and insightful study focuses on the colonial prison system in French Indochina and its role in fostering modern political consciousness among the Vietnamese. Using prison memoirs, newspaper articles, and extensive archival records, Zinoman presents a wealth of significant ne . . . [more]
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7. cover
Title: Tangled memories: the Vietnam War, the AIDS epidemic, and the politics of remembering
Author: Sturken, Marita 1957-
Published: University of California Press,  1997
Subjects: American Studies | Sociology | Art | Media Studies | Popular Culture
Publisher's Description: Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events.Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall - one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war - is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.   [brief]
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