Title: Female subjects in black and white: race, psychoanalysis, feminism
Author: Abel, Elizabeth
Published: University of California Press,  1997
Subjects: Literature | African American Studies | Gender Studies | Literary Theory and Criticism | American Literature | GayLesbian and Bisexual Studies
Publisher's Description: This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities - as well as the transformative possibilities - between white feminist and African American cultural formations.Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism.   [brief]
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Title: The feminine sublime: gender and excess in women's fiction 
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
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Title: Fiction as history: Nero to Julian 
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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Title: Fifteen jugglers, five believers: literary politics and the poetics of American social movements 
Author: Reed, T. V. (Thomas Vernon)
Published: University of California Press,  1992
Subjects: Literature | American Literature | Literary Theory and Criticism
Publisher's Description: T.V. Reed urges an affiliation between literary theory and political action - and between political action and literary theory. What can the "new literary theory" learn from "new social movements"; and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?In strikingly new interpretations of texts in four different genres - Agee and Evans's Let Us Now Praise Famous Men , Ellison's Invisible Man, Mailer's Armies of the Night , and the ecofeminist Women's Pentagon Actions of the early 1980s - Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality.   [brief]
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Title: Flight from Eden: the origins of modern literary criticism and theory 
Author: Cassedy, Steven
Published: University of California Press,  1990
Subjects: Literature | European Literature
Publisher's Description: Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism - from structuralism to postmodern criticism - rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.   [brief]
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Title: The flight of the mind: Virginia Woolf's art and manic-depressive illness 
Author: Caramagno, Thomas C
Published: University of California Press,  1992
Subjects: Literature | English Literature | Autobiographies and Biographies | Women's Studies
Publisher's Description: In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian "family romance," reducing her art to a neurotic evasion of a traumatic childhood.But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.   [brief]
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Title: A flowering tree: and other oral tales from India A.K. Ramanujan ; edited with a preface by Stuart Blackburn and Alan Dundes 
Author: Ramanujan, A. K 1929-
Published: University of California Press,  1997
Subjects: Literature | Fiction | Language and Linguistics | Asian Literature | Folklore and Mythology | South Asia
Publisher's Description: This book of oral tales from the south Indian region of Kannada represents the culmination of a lifetime of research by A. K. Ramanujan, one of the most revered scholars and writers of his time. The result of over three decades' labor, this long-awaited collection makes available for the first time a wealth of folktales from a region that has not yet been adequately represented in world literature. Ramanujan's skill as a translator, his graceful writing style, and his profound love and understanding of the subject enrich the tales that he collected, translated, and interpreted.With a written literature recorded from about 800 A.D., Kannada is rich in mythology, devotional and secular poetry, and more recently novels and plays. Ramanujan, born in Mysore in 1929, had an intimate knowledge of the language. In the 1950s, when working as a college lecturer, he began collecting these tales from everyone he could - servants, aunts, schoolteachers, children, carpenters, tailors. In 1970 he began translating and interpreting the tales, a project that absorbed him for the next three decades. When Ramanujan died in 1993, the translations were complete and he had written notes for about half of the tales.With its unsentimental sympathies, its laughter, and its delightfully vivid sense of detail, the collection stands as a significant and moving monument to Ramanujan's memory as a scholar and writer.   [brief]
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Title: The ford
Author: Austin, Mary Hunter 1868-1934
Published: University of California Press,  1997
Subjects: Literature | Fiction | California and the West
Publisher's Description: Mary Austin's 1917 novel illuminates one of the crucial issues in California history - the usurpation of water from the Owens Valley. Ranging from the eastern Sierra to the financial district in San Francisco, the plot portrays the frenzied speculation in land and resources, labor protests, and femi . . . [more]
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Title: Foregone conclusions: against apocalyptic history 
Author: Bernstein, Michael André 1947-
Published: University of California Press,  1994
Subjects: Philosophy | Jewish Studies | Literature | Literary Theory and Criticism
Publisher's Description: Michael André Bernstein's passionate denunciation of apocalyptic thinking provides a moral, philosophical, and literary challenge to the way most of us make sense of our worlds. In our search for coherence, Bernstein argues, we tend to see our lives as moving toward a predetermined fate. This "foreshadowing" demeans the variety, the richness, and especially the unpredictability of everyday life. Apocalyptic history denies the openness and choice available to its actors.Bernstein chooses the Holocaust as the prime example of our tendency toward foregone conclusions. He argues eloquently against politicians and theologians who depict the Holocaust as foreordained and its victims as somehow implicated in a fate they should have been able to foresee. But his argument ranges wider. From recent biographies of Kafka to the Israeli-P.L.O. peace accords, from campus cultural diversity debates to the Crown Heights riots, Bernstein warns against our passive acceptance of historical or personal victimization.An essential contribution to Holocaust studies, this book is also a lucid call to transform the way we read and write history and the way we make sense of our lives.   [brief]
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Title: Foundational fictions: the national romances of Latin America
Author: Sommer, Doris 1947-
Published: University of California Press,  1991
Subjects: Literature | Comparative Literature | Latin American Studies | Gender Studies
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Title: From my grandmother's bedside: sketches of postwar Tokyo 
Author: Field, Norma 1947-
Published: University of California Press,  1997
Subjects: Literature | Autobiography | Asian History | Japan | Politics
Publisher's Description: From My Grandmother's Bedside is an experiment in genre, a moving and evocative reflection on contemporary Japan, human desire, family relations, life, and death. Norma Field, the daughter of a Japanese woman and an American G.I., and author of the acclaimed In the Realm of a Dying Emperor , returned to Japan in 1995 to tend to her slowly dying grandmother, who had been rendered speechless by multiple strokes. What she finds - both in the memories of her childhood in her grandmother's household and in the altered face of postmodern Japan - forms the substance of her narrative that transcends both memoir and essay to reveal, through crafted fragments, a refraction of the whole of Japan.Having spent her childhood in Japan and her adulthood in the United States, Field speaks from the position of one who straddles two worlds. Her testimony is highly personal, her voice is intimate, her observations are keen and clear. She juxtaposes details from daily life - conversations overheard on the subway; arguments between her mother and aunts; the struggle to feed, bathe, and care for her grandmother - with observations on the political and social changes that have transformed Japan. She shows how the belated coming to terms with the war and continuing avoidance of the same are intimately related to the look and feel of Japanese society today. She gently folds back the complicated layers of blame and responsibility for the war, touching in the process on subjects as diverse as the effects of the atomic bomb, comfort women, biracial/bicultural families, the farewells of Kamikaze pilots, and the dehumanizing effects of Japan's postwar economic boom. A recurrent theme is the observation of the fiftieth anniversary of the end of the war. From My Grandmother's Bedside is also a contemplation of the many facets of language: the kinds of language with which her grandmother's illness has been negotiated, the wordless language her grandmother speaks, her own relationship to these languages. Through it all runs the realization that the personal and the political are perpetually entangled, that past and present converge and overlap.   [brief]
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Title: Getting to be Mark Twain 
Author: Steinbrink, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | American Literature | Literary Theory and Criticism
Publisher's Description: Mark Twain is one of our most accessible cultural icons, a figure familiar to virtually every American and renowned internationally. But he was not always as we know him today. Mark Twain began life as a loose gathering of postures, attitudes, and voices in the mind of Samuel Clemens. It was some time before he took full possession of the personality the world now recognizes.This is the story of the coming of age of Mark Twain. It begins in 1867, with Clemens stepping off the steamship Quaker City and almost immediately declaring himself "in a fidget to move." It comes to a close in 1871, with Clemens settling in Hartford. Mark Twain was substantially formed during the intervening years, as Clemens came East, gained fame and fortune with the publication of Innocents Abroad , courted and married Olivia Langdon, and established himself as a professional writer. Each of these steps represented a profound change in the former Wild Humorist of the Pacific Slope as he sifted through the elements in his personality and began to assume the qualities we now associate with him. The tale that unfolds here shows how, through that process, the Mark Twain of the late 1860s became the Mark Twain of all time.   [brief]
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Title: The gold standard and the logic of naturalism: American literature at the turn of the century
Author: Michaels, Walter Benn
Published: University of California Press,  1987
Subjects: Literature | American Literature
Publisher's Description: The Gold Standard and the Logic of Naturalism discusses ways of creating value in turn-of-the-century American capitalism. Focusing on such topics as the alienation of property, the invention of masochism, and the battle over free silver, it examines the participation of cultural forms in these phenomena. It imagines a literary history that must at the same time be social, economic, and legal; and it imagines a literature that, to be understood at all, must be understood both as a producer and a product of market capitalism.   [brief]
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Title: Golden days
Author: See, Carolyn
Published: University of California Press,  1996
Subjects: Literature | Fiction | California and the West
Publisher's Description: Available again in paperback, Golden Days is a major novel from one of the most provocative voices on the American literary scene. Linking the recent past with an imagined future, Carolyn See captures life in Los Angeles in the 70s and 80s. This marvelously imaginative, hilarious, and original work . . . [more]
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Title: Good with their hands: boxers, bluesmen, and other characters from the Rust Belt
Author: Rotella, Carlo 1964-
Published: University of California Press,  2002
Subjects: History | American Studies | Sociology | Literature | Labor Studies | Urban Studies | Ethnic Studies | Gender Studies
Publisher's Description: This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism. A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work. Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."   [brief]
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Title: Green thoughts, green shades: essays by contemporary poets on the early modern lyric 
Author: Post, Jonathan F. S 1947-
Published: University of California Press,  2002
Subjects: Literature | Poetry | Renaissance Literature
Publisher's Description: Green Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States. This work provides fascinating insights into what today's poets find of special interest in their forebears. In addition, these discussions shed light on the contributors' own poetry and offer compelling clues to how the poetry of the past continues to inform that of the present.   [brief]
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Title: Grounds for play: the Nauṭaṅkī theatre of North India 
Author: Hansen, Kathryn
Published: University of California Press,  1991
Subjects: Literature | Cultural Anthropology | South Asia
Publisher's Description: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play , Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media - records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.   [brief]
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Title: Haiti, history, and the gods
Author: Dayan, Joan 1949-
Published: University of California Press,  1996
Subjects: Literature | History | Folklore and Mythology | Cultural Anthropology
Publisher's Description: In Haiti, History, and the Gods Joan Dayan charts the cultural imagination of Haiti not only by reconstructing the island's history but by highlighting ambiguities and complexities that have been ignored. She investigates the confrontational space in which Haiti is created and recreated in fiction and fact, text and ritual, discourse and practice. Dayan's ambitious project is a research tour de force that gives human dimensions to this eighteenth-century French colony and provides a template for understanding the Haiti of today.In examining the complex social fabric of French Saint-Domingue, which in 1804 became Haiti, Dayan uncovers a silenced, submerged past. Instead of relying on familiar sources to reconstruct Haitian history, she uses a startling diversity of voices that have previously been unheard. Many of the materials recovered here - overlooked or repressed historical texts, legal documents, religious works, secret memoirs, letters, and literary fictions - have never been translated into English. Others, such as Marie Vieux Chauvet's radical novel of vodou, Fonds des Nègres , are seldom used as historical sources.Dayan also argues provocatively for the consideration of both vodou rituals and narrative fiction as repositories of history. Her scholarship is enriched by the insights she has gleaned from conversations and experiences during her many trips to Haiti over the past twenty years. Taken together, the material presented in Haiti, History, and the Gods not only restores a lost chapter of Haitian history but suggests necessary revisions to the accepted histories of the New World.   [brief]
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Title: Henry David Thoreau and the moral agency of knowing 
Author: Tauber, Alfred I
Published: University of California Press,  2001
Subjects: Philosophy | Literature | History and Philosophy of Science | Ethics
Publisher's Description: In his graceful philosophical account, Alfred I. Tauber shows why Thoreau still seems so relevant today - more relevant in many respects than he seemed to his contemporaries. Although Thoreau has been skillfully and thoroughly examined as a writer, naturalist, mystic, historian, social thinker, Transcendentalist, and lifelong student, we may find in Tauber's portrait of Thoreau the moralist a characterization that binds all these aspects of his career together. Thoreau was caught at a critical turn in the history of science, between the ebb of Romanticism and the rising tide of positivism. He responded to the challenges posed by the new ideal of objectivity not by rejecting the scientific worldview, but by humanizing it for himself. Tauber portrays Thoreau as a man whose moral vision guided his life's work. Each of Thoreau's projects reflected a self-proclaimed "metaphysical ethics," an articulated program of self-discovery and self-knowing. By writing, by combining precision with poetry in his naturalist pursuits and simplicity with mystical fervor in his daily activity, Thoreau sought to live a life of virtue - one he would characterize as marked by deliberate choice. This unique vision of human agency and responsibility will still seem fresh and contemporary to readers at the start of the twenty-first century.   [brief]
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Title: High anxieties: cultural studies in addiction 
Author: Brodie, Janet Farrell
Published: University of California Press,  2002
Subjects: Literature | Media Studies | Gender Studies | Cognitive Science | Social and Political Thought | Art | Sociology
Publisher's Description: High Anxieties explores the history and ideological ramifications of the modern concept of addiction. Little more than a century old, the notions of "addict" as an identity and "addiction" as a disease of the will form part of the story of modernity. What is addiction? This collection of essays illuminates and refashions the term, delivering a complex and mature understanding of addiction. Brodie and Redfield's introduction provides a roadmap for readers and situates the fascinating essays within a larger, interdisciplinary framework. Stacey Margolis and Timothy Melley's pieces grapple with the psychology of addiction. Cannon Schmitt and Marty Roth delve into the relationship between opium and the British Empire's campaign to control and stigmatize China. Robyn R. Warhol and Nicholas O. Warner examine accounts of alcohol abuse in texts as disparate as Victorian novels, Alcoholics Anonymous literature, and James Fenimore Cooper's fiction. Helen Keane scrutinizes smoking, and Maurizio Viano turns to the silver screen to trace how the representation of drugs in films has changed over time. Ann Weinstone and Marguerite Waller's essays on addiction and cyberspace cap this impressive anthology.   [brief]
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