Title: Poetic garlands: Hellenistic epigrams in context
Author: Gutzwiller, Kathryn J
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Comparative Literature | Literature
Publisher's Description: Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellenistic period as a sophisticated literary form that evinces the period's aesthetic preference for the miniature, the intricate, and the fragmented.Kathryn Gutzwiller offers the first full-length literary study of these important poems by studying the epigrams within the context of the poetry books in which they were originally collected. Drawing upon ancient sources as well as recent papyrological discoveries, Gutzwiller reconstructs the nature of Hellenistic epigram books and interprets individual poems as if they remained part of their original collections. This approach results in illuminating and original readings of many major poets, and demonstrates that individual epigrammatists were differentiated by gender, ethnicity, class status, and philosophical views. In an important final chapter, Gutzwiller reconstructs much of the poetic structure of Meleager's Garland , an ancient anthology of Hellenistic epigrams.   [brief]
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Title: Interstate arbitrations in the Greek world, 337-90 B.C.
Author: Ager, Sheila L 1956-
Published: University of California Press,  1997
Subjects: Classics | Classical History | Ancient History
Publisher's Description: A great deal of information has come to light over the past several decades about the role of arbitration between the Greek states. Arbitration and mediation were, in fact, central institutions in Hellenistic public life. In this comprehensive study, Sheila Ager brings together the scattered body of literary and epigraphical sources on arbitration, together with up-to-date bibliographic references, and commentary.The sources collected here range widely; Ager presents an exhaustive record of documents ranging from the settlement of a minor territorial squabble between two tiny city-states to the resolution of major conflicts separating the great powers of the day. In addition, Ager's introduction sets the documents in historical context and outlines distinctions among categories of arbitration. The work also includes indices to literary passages, inscriptions, persons, places, subjects, and Greek and Latin terms in the documents. This collection of many previously inaccessible texts will become a primary resource for any scholar or student working in the field of Hellenistic history.   [brief]
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Title: Asylia: territorial inviolability in the Hellenistic world
Author: Rigsby, Kent J 1945-
Published: University of California Press,  1997
Subjects: Classics | Ancient History | Politics | Classical History | Classical Religions | Classical Politics
Publisher's Description: In the Hellenistic period certain Greek temples and cities came to be declared "sacred and inviolable." Asylia was the practice of declaring religious places precincts of asylum, meaning they were immune to violence and civil authority. The evidence for this phenomenon - mainly inscriptions and coins - is scattered in the published record. The material has never been collected and presented in one publication until now.Kent J. Rigsby lays out these documents and discusses their historical implications in a substantial introduction. He argues that while a hopeful intention of military neutrality lay behind the institution of asylum, the declarations did not in fact change military behavior. Instead, "declared inviolability" became a civic and religious honor for which cities across the Greek world competed during the third to first centuries B.C.   [brief]
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Title: Thundering Zeus: the making of Hellenistic Bactria
Author: Holt, Frank Lee
Published: University of California Press,  1999
Subjects: Classics | Classical History | Archaeology | Ancient History | History
Publisher's Description: Thundering Zeus uses an innovative, interdisciplinary approach to resolve one of the greatest puzzles in all of Hellenistic history. This book explores the remarkable rise of a Greek-ruled kingdom in ancient Bactria (modern Afghanistan) during the third century B.C. Diodotus I and II, whose dynasty emblazoned its coins with the dynamic image of Thundering Zeus, led this historic movement by breaking free of the Seleucid Empire and building a strong independent state in Central Asia. The chronology and crises that defined their reigns have been established here for the first time, and Frank Holt sets this new history into the larger context of Hellenistic studies.The best sources for understanding Hellenistic Bactria are archaeological, and they include a magnificent trove of coins. In addition to giving a history of Bactria, Thundering Zeus provides a catalog of these coins, as well as an introduction to the study of numismatics itself. Holt presents this fascinating material with the precision and acuity of a specialist and with the delight of an admirer, providing an up-to-date full catalog of known Diodotid coinage, and illustrating twenty-three coins.This succinct, energetic narrative thunders across the history of Hellenistic Bactria, exhuming coins, kingdoms, and customs as it goes. The result is a book that is both a history and a history of discovery, with much to offer those interested in ancient texts, archaeology, and coins.   [brief]
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Title: Staged narrative: poetics and the messenger in Greek tragedy
Author: Barrett, James 1953-
Published: University of California Press,  2002
Subjects: Classics | Classical Literature and Language
Publisher's Description: The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches - narrative theory, genre study, and rhetorical analysis - this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger.   [brief]
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Title: Early Greek law
Author: Gagarin, Michael
Published: University of California Press,  1989
Subjects: Classics | Classical Politics | Law
Publisher's Description: Drawing on the evidence of anthropology as well as ancient literature and inscriptions, Gagarin examines the emergence of law in Greece from the 8th through the 6th centuries B.C., that is, from the oral culture of Homer and Hesiod to the written enactment of codes of law in most major cities.
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Title: Masking the blow: the scene of representation in late prehistoric Egyptian art 
Author: Davis, Whitney
Published: University of California Press,  1992
Subjects: Art | Art History
Publisher's Description: The meaning of late prehistoric Egyptian images has until now been tantalizingly mysterious, as little understood as the circumstances of their production. As a result, analyses of these images have been general and often incorrectly illustrated. Whitney Davis now provides a welcome remedy in this detailed reinterpretation of the images carved on ivory knife handles and schist cosmetic palettes. These images are among the most important documents of early Egyptian history and include the Narmer Palette, often considered the very inception of ancient Egyptian image making.Davis deciphers the intriguing pictorial narratives and complex metaphors of images that are concerned with "masking the blow" of the ruler. "Masking the blow" refers to the ways that the images - from hunted animals to human antagonists - represent, elide, or suppress the depiction of a ruler's violent act of conquering an enemy.Examining late prehistoric Egyptian images in light of contemporary visual theory and illustrating his analyses with excellent reproductions, Davis goes beyond the usual concern for stylistic development and iconographic meanings that characterize prior studies. His work will greatly interest art historians, archaeologists, anthropologists, and students of the visual arts.   [brief]
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Title: Encomium of Ptolemy Philadelphus
Author: Theocritus
Published: University of California Press,  2003
Subjects: Classics | Classical Literature and Language | Poetry
Publisher's Description: Under Ptolemy II Philadelphus, who ruled Egypt in the middle of the third century B.C.E., Alexandria became the brilliant multicultural capital of the Greek world. Theocritus's poem in praise of Philadelphus - at once a Greek king and an Egyptian pharaoh - is the only extended poetic tribute to this extraordinary ruler that survives. Combining the Greek text, an English translation, a full line-by-line commentary, and extensive introductory studies of the poem's historical and literary context, this volume also offers a wide-ranging and far-reaching consideration of the workings and representation of poetic patronage in the Ptolemaic age. In particular, the book explores the subtle and complex links among Theocritus's poem, modes of praise drawn from both Greek and Egyptian traditions, and the subsequent flowering of Latin poetry in the Augustan age. As the first detailed account of this important poem to show how Theocritus might have drawn on the pharaonic traditions of Egypt as well as earlier Greek poetry, this book affords unique insight into how praise poetry for Ptolemy and his wife may have helped to negotiate the adaptation of Greek culture that changed conditions of the new Hellenistic world. Invaluable for its clear translation and its commentary on genre, dialect, diction, and historical reference in relation to Theocritus's Encomium, the book is also significant for what it reveals about the poem's cultural and social contexts and about Theocritus' devices for addressing his several readerships. COVER IMAGE: The image on the front cover of this book is incorrectly identified on the jacket flap. The correct caption is: Gold Oktadrachm depicting Ptolemy II and Arsinoe (mid-third century BCE; by permission of the Museum of Fine Arts, Boston).   [brief]
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Title: The other Greeks: the family farm and the agrarian roots of western civilization
Author: Hanson, Victor Davis
Published: University of California Press,  1999
Subjects: Classics | European History
Publisher's Description: For generations, scholars have focused on the rise of the Greek city-state and its brilliant cosmopolitan culture as the ultimate source of the Western tradition in literature, philosophy, and politics. This passionate book leads us outside the city walls to the countryside, where the vast majority of the Greek citizenry lived, to find the true source of the cultural wealth of Greek civilization. Victor Hanson shows that the real "Greek revolution" was not merely the rise of a free and democratic urban culture, but rather the historic innovation of the independent family farm.The farmers, vinegrowers, and herdsmen of ancient Greece are "the other Greeks," who formed the backbone of Hellenic civilization. It was these tough-minded, practical, and fiercely independent agrarians, Hanson contends, who gave Greek culture its distinctive emphasis on private property, constitutional government, contractual agreements, infantry warfare, and individual rights. Hanson's reconstruction of ancient Greek farm life, informed by hands-on knowledge of the subject (he is a fifth-generation California vine- and fruit-grower) is fresh, comprehensive, and absorbing. His detailed chronicle of the rise and tragic fall of the Greek city-state also helps us to grasp the implications of what may be the single most significant trend in American life today - the imminent extinction of the family farm.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: Out of Eden: essays on modern art 
Author: Di Piero, W. S
Published: University of California Press,  1991
Subjects: Art | Art Criticism
Publisher's Description: Out of Eden presents the rigorous investigations and musings of a poet-essayist on the ways in which modern artists have confronted and transfigured the realist tradition of representation. Di Piero pursues his theme with an autobiographical force and immediacy. He fixes his attention on painters and photographers as disparate as Cezanne, Boccioni, Pollock, Warhol, Edward Weston, and Robert Frank. There is indeed a satisfying sweep to this collection: Matisse, Giacometti, Morandi, Bacon, the Tuscan Macchiaioli of the late nineteenth century, the Futurists of the early modern period, and the American pop painters.Di Piero's analysis of modern images also probes the relation between new kinds of image making and transcendence. The author argues that Matisse and Giacometti, for example, continued to exercise the religious imagination even in a desacralized age. And because Di Piero believes that the visual arts and poetry live intimate, coordinate lives, his essays speak of the relation of poetry to forms in art.   [brief]
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Title: Myth, meaning, and memory on Roman sarcophagi 
Author: Koortbojian, Michael
Published: University of California Press,  1995
Subjects: Classics | Art | Art History | Art and Architecture
Publisher's Description: Michael Koortbojian brings a novel approach to his study of the role of Greek mythology in Roman funerary art. He looks at two myths - Aphrodite and Adonis and Selene and Endymion - not only with respect to their appearance on Roman sarcophagi, but also with regard to the myths' significance in the greater fabric of Roman life. Moving beyond the examination of these sarcophagi as artistic achievements, he sets them in their broader historical and social contexts.Remembrance was an important factor in ancient social life and fueled the need for memorials. In helping us to understand the powerful allusions that Greek myths presented for the Romans, and the role of those allusions in preserving the memory of the dead, Koortbojian effectively widens our vision of the ancient world.   [brief]
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Title: Seeing double: intercultural poetics in Ptolemaic Alexandria
Author: Stephens, Susan A
Published: University of California Press,  2003
Subjects: Classics | Classical Literature and Language | Poetry | Classical Politics
Publisher's Description: When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context - within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands" - no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.   [brief]
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Title: The Hellenistic settlements in Europe, the islands, and Asia Minor
Author: Cohen, Getzel M
Published: University of California Press,  1996
Subjects: Classics | History | Ancient History
Publisher's Description: This compendium provides historical narratives, detailed references, citations, and commentaries on all the cities founded or refounded in Europe, The Islands, and Asia Minor during the Hellenistic period. Organized coherently in more than 180 entries, it is one of the most significant reference wor . . . [more]
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Title: Sappho's lyre: archaic lyric and women poets of ancient Greece
Author: Rayor, Diane J
Published: University of California Press,  1991
Subjects: Classics | Classical Literature and Language | Literature in Translation | Poetry
Publisher's Description: Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets - the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers.Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.   [brief]
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Title: Arete: Greek sports from ancient sources
Author: Miller, Stephen G
Published: University of California Press,  1991
Subjects: Classics | Classical Literature and Language | History | Ancient History | Sports
Publisher's Description: From the informal games of Homer's time to the highly organized contests of the Roman world, Miller has compiled a trove of ancient sources - Plutarch on boxing, Aristotle on the pentathlon, Philostratos on clay dust as an anti-perspirant and on the buying and selling of victories, Vitruvius on literary competitions, Xenophon on female body building. With fully twice as many texts as the highly successful first edition, this new version of Arete offers readers an absorbing lesson in the culture of Greek athletics from the greatest of teachers - the ancients themselves.These sources, which Miller himself has translated, provide unparalleled insights into ancient athletic practices and competitive festivals. They emphasize the fundamental role of athletics in education and shed light on such issues as the role of women in athletics and the politics and economics of the games. Ultimately they demonstrate that the concepts of virtue, skill, pride, valor, and nobility embedded in the word arete and so closely associated in the modern mind with Greek athletics are only part of the story from antiquity.   [brief]
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Title: The making of fornication: eros, ethics, and political reform in Greek philosophy and early Christianity
Author: Gaca, Kathy L
Published: University of California Press,  2003
Subjects: Classics | Classical Philosophy | Classical Religions | Classical Politics | Christianity | Ethics | Social and Political Thought | Ancient History | Intellectual History
Publisher's Description: This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory - with their proposed reforms of eroticism, the family, and civic order - as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.   [brief]
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Title: Tragedy and enlightenment: Athenian political thought, and the dilemmas of modernity 
Author: Rocco, Christopher 1958-
Published: University of California Press,  1997
Subjects: Classics | Classical Philosophy | Classical History | Classical Literature and Language | Social and Political Thought | Social Theory
Publisher's Description: Weaving together ancient Greek texts and postmodernist theory, Christopher Rocco addresses the debate between modernity and postmodernity that dominates contemporary theory. Interpreting Greek drama within a critical framework informed by contemporary theorists Foucault, Habermas, Horkheimer and Adorno, Tragedy and Enlightenment makes a sophisticated argument for the continuing relevance of the classical past, focusing on the subject of democracy.The starting point for Rocco's analysis is the impasse in contemporary political and cultural theory over the possibility and desirability of democracy in a postmodern world. After explaining the competing positions in the current debate, Rocco argues that ancient Greek tragedy and dialogue - specifically Sophocles' Oedipus , Plato's Republic and Gorgias , and Aeschylus' Oresteia - suggest alternate constructions for this and other postmodern problems.Rocco gives a detailed analysis of the contemporary divide over the theories of Jürgen Habermas and Michel Foucault and provides a provocative reading of Horkheimer and Adorno's Dialectic of Enlightenment. This original contribution to political and cultural discourse brings us to a new understanding of familiar texts and will alter the grounds of debate for students and scholars of the classical and the contemporary worlds.   [brief]
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Title: Arete: Greek sports from ancient sources
Author: Miller, Stephen G. (Stephen Gaylord) 1942-
Published: University of California Press,  2004
Subjects: Classics | Ancient History | Sports
Publisher's Description: From the informal games of Homer's time to the highly organized contests of the Roman world, Miller has compileda trove of ancient sources: Plutarch on boxing, Aristotle on the pentathlon, Philostratos on the buying and selling of victories, Vitruvius on literary competitions, and Xenophon on female body building. With nearly 50 percent more texts than the highly successful second edition, this new version of Arete offers readers an absorbing lesson in the culture of Greek athletics from the greatest of teachers, the ancients themselves, and demonstrates that the concepts of virtue, skill, pride, valor, and nobility embedded in the word arete are only part of the story from antiquity.   [brief]
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Title: The returns of Odysseus: colonization and ethnicity
Author: Malkin, Irad
Published: University of California Press,  1998
Subjects: Classics | Classical History | Anthropology | Classical Literature and Language
Publisher's Description: This remarkably rich and multifaceted study of early Greek exploration makes an original contribution to current discussions of the encounters between Greeks and non-Greeks. Focusing in particular on myths about Odysseus and other heroes who visited foreign lands on their mythical voyages homeward after the Trojan War, Irad Malkin shows how these stories functioned to mediate encounters and conceptualize ethnicity and identity during the Archaic and Classical periods. Synthesizing a wide range of archaeological, mythological, and literary sources, this exceptionally learned book strengthens our understanding of early Greek exploration and city-founding along the coasts of the Western Mediterranean, reconceptualizes the role of myth in ancient societies, and revitalizes our understanding of ethnicity in antiquity.Malkin shows how the figure of Odysseus became a proto-colonial hero whose influence transcended the Greek-speaking world. The return-myths constituted a generative mythology, giving rise to oral poems, stories, iconographic imagery, rituals, historiographical interpretation, and the articulation of ethnic identities. Reassessing the role of Homer and alternative return-myths, the book argues for the active historical function of myth and collective representations and traces their changing roles through a spectrum of colonial perceptions - from the proto-colonial, through justifications of expansion and annexation, and up to decolonization.   [brief]
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