Title: Poets on painters: essays on the art of painting by Twentieth-century poets
Author: McClatchy, J. D 1945-
Published: University of California Press,  1989
Subjects: Literature | Art | Poetry | Art History
Publisher's Description: What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened languag . . . [more]
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Title: Transforming settler states: communal conflict and internal security in Northern Ireland and Zimbabwe 
Author: Weitzer, Ronald John
Published: University of California Press,  1990
Subjects: European Studies | Politics | Sociology | African Studies | European History
Publisher's Description: In the past two decades, several settler regimes have collapsed and others seem increasingly vulnerable. This study examines the rise and demise of two settler states with particular emphasis on the role of repressive institutions of law and order. Drawing on field research in Northern Ireland and Zimbabwe, Ronald Weitzer traces developments in internal security structures before and after major political transitions. He concludes that thoroughgoing transformation of a repressive security apparatus seems to be an essential, but often overlooked, precondition for genuine democracy.In an instructive comparative analysis, Weitzer points out the divergent development of initially similar governmental systems. For instance, since independence in 1980, the government of Zimbabwe has retained and fortified basic features of the legal and organizational machinery of control inherited from the white Rhodesian state, and has used this apparatus to neutralize obstacles to the installation of a one-party state. In contrast, though liberalization is far from complete. The British government has succeeded in reforming important features of the old security system since the abrupt termination of Protestant, Unionist rule in Northern Ireland in 1972. The study makes a novel contribution to the scholarly literature on transitions from authoritarianism to democracy in its fresh emphasis on the pivotal role of police, military, and intelligence agencies in shaping political developments.   [brief]
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Title: Painters and politics in the People's Republic of China, 1949-1979 
Author: Andrews, Julia Frances
Published: University of California Press,  1995
Subjects: Art | Art History | Asian Studies | China
Publisher's Description: Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.   [brief]
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Title: Garrett Eckbo: modern landscapes for living 
Author: Treib, Marc
Published: University of California Press,  1997
Subjects: Architecture | Art History | California and the West
Publisher's Description: One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with social improvement has stayed with Eckbo throughout his life, distinguishing both his intentions and achievements, from his early work for the Farm Security Administration to his partnerships (including one of the most prominent landscape firms in the world, Eckbo, Dean, Austin, and Williams - EDAW) and his years as chair of the Department of Landscape Architecture at the University of California, Berkeley.In an elegant and detailed book that includes more than 100 of Eckbo's designs, Marc Treib examines the aesthetic formation of Eckbo's manner, and by implication the broader field of landscape architecture since the 1930s. Dorothée Imbert writes about Eckbo's social vision, including his belief that ultimately, landscape design is the "arrangement of environments for people ." The book also contains a biographical and professional chronology and a complete bibliography of publications by and about Garrett Eckbo.   [brief]
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Title: The art of Richard Diebenkorn
Author: Livingston, Jane
Published: University of California Press,  1997
Subjects: Art
Publisher's Description: Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalog is the most comprehensive volume on the artist now available. Jane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly self-conscious working methods, as well as his formidable integrity. The Art of Richard Diebenkorn will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: Everyday America: cultural landscape studies after J.B. Jackson
Author: Wilson, Chris 1951 Dec. 23-
Published: University of California Press,  2003
Subjects: Architecture | Landscape Architecture | Geography | American Studies | Urban Studies
Publisher's Description: As old as a roadway that was once a Native trail, as new as the suburban subdivisions spreading across the American countryside, the cultural landscape is endlessly changing. The study of cultural landscapes - a far more recent development - has also undergone great changes, ever broadening, deepening, and refining our understanding of the intricate webs of social and ecological spaces that help to define human groups and their activities. Everyday America surveys the widening conceptions and applications of cultural landscape writing in the United States and, in doing so, offers a clear and compelling view of the state of cultural landscape studies today. These essays - by distinguished journalists, historians, cultural geographers, architects, landscape architects, and planners - constitute a critical evaluation of the field's theoretical assumptions, and of the work of John Brinckerhoff Jackson, the pivotal figure in the emergence of cultural landscape studies. At the same time, they present exemplary studies of twentieth-century landscapes, from the turn-of-the-century American downtown to the corporate campus and the mini-mall. Assessing the field's accomplishments and shortcomings, offering insights into teaching the subject, and charting new directions for its future development, Everyday America is an eloquent statement of the meaning, value, and potential of the close study of human environments as they embody, reflect, and reveal American culture.   [brief]
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Title: The political landscape: constellations of authority in early complex polities
Author: Smith, Adam T
Published: University of California Press,  2003
Subjects: Anthropology | Archaeology | Political Theory | Geography
Publisher's Description: How do landscapes - defined in the broadest sense to incorporate the physical contours of the built environment, the aesthetics of form, and the imaginative reflections of spatial representations - contribute to the making of politics? Shifting through the archaeological, epigraphic, and artistic remains of early complex societies, this provocative and far-reaching book is the first systematic attempt to explain the links between spatial organization and politics from an anthropological point of view. The Classic-period Maya, the kingdom of Urartu, and the cities of early southern Mesopotamia provide the focal points for this multidimensional account of human polities. Are the cities and villages in which we live and work, the lands that are woven into our senses of cultural and personal identity, and the national territories we occupy merely stages on which historical processes and political rituals are enacted? Or do the forms of buildings and streets, the evocative sensibilities of architecture and vista, the aesthetics of place conjured in art and media constitute political landscapes - broad sets of spatial practices critical to the formation, operation, and overthrow of polities, regimes, and institutions? Smith brings together contemporary theoretical developments from geography and social theory with anthropological perspectives and archaeological data to pursue these questions.   [brief]
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Title: Ancient Titicaca: the evolution of complex society in southern Peru and northern Bolivia
Author: Stanish, Charles 1956-
Published: University of California Press,  2003
Subjects: Anthropology | Cultural Anthropology | Archaeology | Latin American Studies
Publisher's Description: One of the richest and most complex civilizations in ancient America evolved around Lake Titicaca in southern Peru and northern Bolivia. This book is the first comprehensive synthesis of four thousand years of prehistory for the entire Titicaca region. It is a fascinating story of the transition from hunting and gathering to early agriculture, to the formation of the Tiwanaku and Pucara civilizations, and to the double conquest of the region, first by the powerful neighboring Inca in the fifteenth century and a century later by the Spanish Crown. Based on more than fifteen years of field research in Peru and Bolivia, Charles Stanish's book brings together a wide range of ethnographic, historical, and archaeological data, including material that has not yet been published. This landmark work brings the author's intimate knowledge of the ethnography and archaeology in this region to bear on major theoretical concerns in evolutionary anthropology. Stanish provides a broad comparative framework for evaluating how these complex societies developed. After giving an overview of the region's archaeology and cultural history, he discusses the history of archaeological research in the Titicaca Basin, as well as its geography, ecology, and ethnography. He then synthesizes the data from six archaeological periods in the Titicaca Basin within an evolutionary anthropological framework. Titicaca Basin prehistory has long been viewed through the lens of first Inca intellectuals and the Spanish state. This book demonstrates that the ancestors of the Aymara people of the Titicaca Basin rivaled the Incas in wealth, sophistication, and cultural genius. The provocative data and interpretations of this book will also make us think anew about the rise and fall of other civilizations throughout history.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
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Title: Nationalism and the Nordic imagination: Swedish art of the 1890s
Author: Facos, Michelle
Published: University of California Press,  1998
Subjects: Art | Art History | European Studies
Publisher's Description: This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siècle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists - among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli - produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists.   [brief]
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Title: The "new woman" revised: painting and gender politics on fourteenth street 
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
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Title: Jewish icons: art and society in modern Europe
Author: Cohen, Richard I
Published: University of California Press,  1998
Subjects: Art | Jewish Studies | European Studies | European History
Publisher's Description: With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.   [brief]
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Title: The wood duck and the mandarin: the northern wood ducks
Author: Shurtleff, Lawton L
Published: University of California Press,  1996
Subjects: Environmental Studies | Zoology | Environmental Studies | Biology
Publisher's Description: This is a story of conservation told through the natural histories of two of the world's most fascinating birds, the Wood Duck of North America and the Mandarin of Asia. The only two species in their genus ( Aix ), these Northern Wood Ducks are native to different continents but have long been kept together in captivity. Now, for the first time in history, they are also flying side by side in the wild in a small area of northern California. This rare circumstance has given Lawton L. Shurtleff and Christopher Savage the opportunity to observe the Northern Wood Ducks' close relationship and is the starting point of this informative and beautifully rendered book.The opening chapters tell how the Wood Duck and the Mandarin came to inhabit the Pacific Flyway and explain their extraordinary similarities. Subsequent chapters discuss the distinctive histories of the two species and describe the birds throughout the seasons in their native flyways. The Mandarins' place in Asian art and literature is the subject of Chapter Five. The final chapter illuminates the successful work done to protect the North American Wood Duck, which has made a remarkable recovery from near extinction, and the beginning efforts to protect the Mandarin, whose existence in East Asia is seriously threatened.Stunning full-color photographs by renowned wildlife photographers, along with photographs by the authors, capture the exquisite beauty of these much revered birds. Detailed maps show the Wood Ducks' territory in North America and the Mandarins' territory in East Asia and Great Britain. Three appendices - plans for building nestboxes, instructions for banding birds, and lists of books and conservation organizations - and a thorough index are valuable resources in a book that will delight bird-lovers and general readers alike.   [brief]
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Title: A river and its city: the nature of landscape in New Orleans
Author: Kelman, Ari 1968-
Published: University of California Press,  2003
Subjects: History | United States History | Environmental Studies | Technology and Society
Publisher's Description: This engaging environmental history explores the rise, fall, and rebirth of one of the nation's most important urban public landscapes, and more significantly, the role public spaces play in shaping people's relationships with the natural world. Ari Kelman focuses on the battles fought over New Orleans's waterfront, examining the link between a river and its city and tracking the conflict between public and private control of the river. He describes the impact of floods, disease, and changing technologies on New Orleans's interactions with the Mississippi. Considering how the city grew distant - culturally and spatially - from the river, this book argues that urban areas provide a rich source for understanding people's connections with nature, and in turn, nature's impact on human history.   [brief]
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Title: Society and politics in Snorri Sturluson's Heimskringla 
Author: Bagge, Sverre 1942-
Published: University of California Press,  1991
Subjects: Literature | European Literature | Medieval History | Medieval Studies | Sociology
Publisher's Description: Heimskringla is the best known and most important book of Old Norse kings' sagas. A medieval masterpiece, the collection was written by Snorri Sturluson in the first half of the thirteenth century. The sagas have been studied primarily as literary sources and chronicles of specific historical events, but Sverre Bagge, a noted historian, finds in Heimskringla something more: a brimming guidebook to the culture and politics of Icelandic society.What kind of observer was Snorri Sturluson, and how did he see the world he lived in? Bagge concentrates on Snorri the historian, viewing him in the context of European history in general and contemporary Icelandic and Norwegian society in particular. But it is Snorri's perception of events that matters, more than the "real" events or the society that produced them. With chapters on themes such as conflicts and the "game of politics" that pervades the sagas, Bagge's analysis of Heimskringla is a model for contemporary historians now probing the relationship between narrative and history.   [brief]
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Title: The emancipation of writing: German civil society in the making, 1790s-1820s
Author: McNeely, Ian F 1971-
Published: University of California Press,  2003
Subjects: History | European Studies | German Studies | European History | Sociology | Political Theory | Anthropology
Publisher's Description: The Emancipation of Writing is the first study of writing in its connection to bureaucracy, citizenship, and the state in Germany. Stitching together micro- and macro-level analysis, it reconstructs the vibrant, textually saturated civic culture of the German southwest in the aftermath of the French Revolution and Napoleon's invasions. Ian F. McNeely reveals that Germany's notoriously oppressive bureaucracy, when viewed through the writing practices that were its lifeblood, could also function as a site of citizenship. Citizens, acting under the mediation of powerful local scribes, practiced their freedoms in written engagements with the state. Their communications laid the basis for civil society, showing how social networks commonly associated with the free market, the free press, and the voluntary association could also take root in powerful state institutions.   [brief]
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Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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