Title: Temples and towns in Roman Iberia: the social and architectural dynamics of sanctuary designs from the third century B.C. to the third century A.D
Author: Mierse, William E
Published: University of California Press,  1999
Subjects: Classics | Archaeology | Art and Architecture | Architectural History | Art History
Publisher's Description: This is the first comparative study of Roman architecture on the Iberian peninsula, covering six centuries from the arrival of the Romans in the third century B.C. until the decline of urban life on the peninsula in the third century A.D. During this period, the peninsula became an influential cultural and political region in the Roman world. Iberia supplied writers, politicians, and emperors, a fact acknowledged by Romanists for centuries, though study of the peninsula itself has too often been brushed aside as insignificant and uninteresting. In this book William E. Mierse challenges such a view.By examining in depth the changing forms of temples and their placement within the urban fabric, Mierse shows that architecture on the peninsula displays great variation and unexpected connections. It was never a slavish imitation of an imported model but always a novel experiment. Sometimes the architectural forms are both new and unexpected; in some cases specific prototypes can be seen, but the Iberian form has been significantly altered to suit local needs. What at first may seem a repetition of forms upon closer investigation turns out to be theme and variation. Mierse brings to his quest an impressive learning, including knowledge of several modern and ancient languages and the archaeology of the Roman East, which allows him a unique perspective on the interaction between events and architecture.   [brief]
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Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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Title: The origins of modernism in Russian architecture 
Author: Brumfield, William Craft 1944-
Published: University of California Press,  1991
Subjects: Architecture | Architectural History | Russian and Eastern European Studies
Publisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.   [brief]
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Title: Renaissance Paris: architecture and growth, 1475-1600 
Author: Thomson, David 1912-
Published: University of California Press,  1985
Subjects: Art | Architecture
Publisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]
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Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs 
Author: Çelik, Zeynep
Published: University of California Press,  1992
Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern History
Publisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.   [brief]
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Title: William Faulkner and the tangible past: the architecture of Yoknapatawpha 
Author: Hines, Thomas S
Published: University of California Press,  1997
Subjects: Architecture | Architectural History | Literature | American Literature | United States History
Publisher's Description: The world of William Faulkner is seen from a new perspective in Thomas Hines's imaginative and many-faceted study. Hines assesses the impact of the built environment on Faulkner's consciousness and shows how the architecture of the writer's fictional county of Yoknapatawpha reflects the actual architecture of Oxford, Mississippi, and neighboring areas. Over 110 distinctive photographs, in both color and black-and-white, beautifully complement the text, making this book both a reading and viewing pleasure.Much has been written on the role of nature in Faulkner's work, but architecture and the built environment - the opposite of nature - have been virtually ignored. Arguing that nature and architecture are of equal importance in Faulkner's cosmos, Hines examines the writer's use of architectural modes - primitive, classical, gothic, and modern - to demarcate caste and class, to convey mood and ambience, and to delineate character. Hines provides not only another way of understanding Faulkner's work but also a means of appreciating the power of architecture to reflect what Faulkner called "the comedy and tragedy of being alive."Hines's gifts as an architectural historian and photographer and his intimate knowledge of Faulkner country are evident throughout this handsome book. Combining cultural, intellectual, architectural, and literary history, William Faulkner and the Tangible Past will take Faulkner lovers, as well as lovers of architecture, on a fascinating tour of Yoknapatawpha County.   [brief]
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Title: Myth, meaning, and memory on Roman sarcophagi 
Author: Koortbojian, Michael
Published: University of California Press,  1995
Subjects: Classics | Art | Art History | Art and Architecture
Publisher's Description: Michael Koortbojian brings a novel approach to his study of the role of Greek mythology in Roman funerary art. He looks at two myths - Aphrodite and Adonis and Selene and Endymion - not only with respect to their appearance on Roman sarcophagi, but also with regard to the myths' significance in the greater fabric of Roman life. Moving beyond the examination of these sarcophagi as artistic achievements, he sets them in their broader historical and social contexts.Remembrance was an important factor in ancient social life and fueled the need for memorials. In helping us to understand the powerful allusions that Greek myths presented for the Romans, and the role of those allusions in preserving the memory of the dead, Koortbojian effectively widens our vision of the ancient world.   [brief]
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Title: American urban architecture: catalysts in the design of cities 
Author: Attoe, Wayne
Published: University of California Press,  1992
Subjects: Architecture | Urban Studies
Publisher's Description: Conceiving of urban design in terms of architectural actions and reactions, Attoe and Logan propose a theory of "catalytic architecture" better suited to specifically American circumstances than the largely European models developed in the last thirty years for the remaking of cities.After exploring instances of failed attempts to impose European visions on American cities, the authors examine urban design successes that illustrate the principles and goals of catalytic architecture. With a series of case studies they characterize urban design as a controlled evolution, one that must also be strategic, responding to existing elements and guiding those that follow. The authors argue that the failure of American cities to control and guide the energies released in urban development can be prevented by "design guidance". From their own combined experience as urban architects and scholars, they provide a taxonomy of methods to guide urban design toward higher standards and better results.   [brief]
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Title: Fulk Nerra, the neo-Roman consul, 987-1040: a political biography of the Angevin count
Author: Bachrach, Bernard S 1939-
Published: University of California Press,  1993
Subjects: History | Medieval Studies | Medieval History
Publisher's Description: This is the first comprehensive biography of Fulk Nerra, an important medieval ruler, who came to power in his teens and rose to be master in the west of the French Kingdom. Descendant of warriors and administrators who served the French kings, Fulk in turn built the state that provided a foundation for the vast Angevin empire later constructed by his descendants.Bernard Bachrach finds the terms "constructed" and "built" more than metaphorical in relation to Fulk's career. He shows how Fulk and the Angevin counts who followed him based their long-term state building policy on Roman strategies and fortifications described by Vegetius. This creative adaptation of Roman ideas and tactics, according to Bachrach, was the key to Fulk's successful consolidation of political power. Students of medieval and military history will find here a colorful, impressively researched biography.   [brief]
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Title: From craft to profession: the practice of architecture in nineteenth-century America
Author: Woods, Mary N 1950-
Published: University of California Press,  1999
Subjects: Architecture | Architectural History | United States History
Publisher's Description: This is the first in-depth study of how the architectural profession emerged in early American history. Mary Woods dispels the prevailing notion that the profession developed under the leadership of men formally schooled in architecture as an art during the late nineteenth century. Instead, she cites several instances in the early 1800s of craftsmen-builders who shifted their identity to that of professional architects. While struggling to survive as designers and supervisors of construction projects, these men organized professional societies and worked for architectural education, appropriate compensation, and accreditation.In such leading architectural practitioners as B. Henry Latrobe, Alexander J. Davis, H. H. Richardson, Louis Sullivan, and Stanford White, Woods sees collaborators, partners, merchandisers, educators, and lobbyists rather than inspired creators. She documents their contributions as well as those, far less familiar, of women architects and people of color in the profession's early days.Woods's extensive research yields a remarkable range of archival materials: correspondence among carpenters; 200-year-old lawsuits; architect-client spats; the organization of craft guilds, apprenticeships, university programs, and correspondence schools; and the structure of architectural practices, labor unions, and the building industry. In presenting a more accurate composite of the architectural profession's history, Woods lays a foundation for reclaiming the profession's past and recasting its future. Her study will appeal not only to architects, but also to historians, sociologists, and readers with an interest in architecture's place in America today.   [brief]
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Title: Looking at lovemaking: constructions of sexuality in Roman art, 100 B.C.-A.D. 250
Author: Clarke, John R 1945-
Published: University of California Press,  1998
Subjects: Art | Classics | Art and Architecture | Art History | History | Gender Studies
Publisher's Description: What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question - and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works - many newly discovered and previously unpublished - in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.Roman artists pictured a great range of human sexual activities - far beyond those mentioned in classical literature - including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.   [brief]
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Title: Roman honor: the fire in the bones
Author: Barton, Carlin A 1948-
Published: University of California Press,  2001
Subjects: Classics | Ancient History | Classical History | Classical Politics | Classical Religions | Comparative Literature
Publisher's Description: This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric. Though thoroughly grounded in the ancient writings - especially the work of Seneca, Cicero, and Livy - this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations. Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.   [brief]
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Title: Urban forms and colonial confrontations: Algiers under French rule 
Author: Çelik, Zeynep
Published: University of California Press,  1997
Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial Studies
Publisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation.   [brief]
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Title: Sanctuaries of Spanish New Mexico/ 
Author: Treib, Marc
Published: University of California Press,  1993
Subjects: Architecture | Architectural History
Publisher's Description: Among the oldest buildings in the United States, the churches of Spanish New Mexico - made of earth, of stone, of wood - are the surprisingly fragile reminders of a unique amalgam of Spanish architectural ideas and native American Pueblo culture. This book surveys the land and rivers, the people and ideas, that led to this compelling religious architecture; it is also a guide to visiting these churches today.In the ninth century the Anasazi, progenitors of the Pueblo peoples, constructed refined architectural complexes at Mesa Verde and Chaco Canyon. Contact with the Spanish in the late 1500s transformed the world of these indigenous peoples, changing their agricultural and living patterns - as well as religious practices. These changes were manifest architecturally in the sanctuaries the Spanish constructed as missions for the Indians or as parish churches for themselves. First built roughly between 1600 and 1829, but continuing to be rebuilt into this century, they were made of the very materials composing the land itself.In Part I, Marc Treib addresses the geographical, anthropological, and architectural aspects of church building in New Mexico and provides background on the church as both an institution and a building type. Part II presents thirty churches in depth and discusses such topics as sitting, construction in adobe and stone, the use of light, ornamentation, and the issues surrounding restoration. Sanctuaries of Spanish New Mexico is the only book in print to include all the major church sites still extant. Richly illustrated, with specially prepared plans of the churches, it will be welcomed by architectural historians and anyone with an interest in the American Southwest.   [brief]
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Title: Final judgments: duty and emotion in Roman wills, 200 B.C.-A.D. 250
Author: Champlin, Edward 1948-
Published: University of California Press,  1991
Subjects: Classics | Ancient History
Publisher's Description: Freed from the familial and social obligations incumbent on the living, the Roman testator could craft his will to be a literal "last judgment" on family, friends, and society. The Romans were fascinated by the contents of wills, believing the will to be a mirror of the testator's true character and opinions. The wills offer us a unique view of the individual Roman testator's world. Just as classicists, ancient historians, and legal historians will find a mine of information here, the general reader will be fascinated by the book's lively recounting of last testaments.Who were the testators and what were their motives? Why do family, kin, servants, friends, and community all figure in the will, and how are they treated? What sort of afterlife did the Romans anticipate? By examining wills, the book sets several issues in a new light, offering new interpretations of, or new insights into, subjects as diverse as captatio (inheritance-seeking), the structure of the Roman family, the manumission of slaves, public philanthropy, the afterlife and the relation of subject to emperor.Champlin's principal argument is that a strongly felt "duty of testacy" informed and guided most Romans, a duty to reward or punish all who were important to them, a duty which led them to write their wills early in life and to revise them frequently.   [brief]
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Title: Comrades and enemies: Arab and Jewish workers in Palestine, 1906-1948 
Author: Lockman, Zachary
Published: University of California Press,  1996
Subjects: History | Middle Eastern History
Publisher's Description: In Comrades and Enemies Zachary Lockman explores the mutually formative interactions between the Arab and Jewish working classes, labor movements, and worker-oriented political parties in Palestine just before and during the period of British colonial rule. Unlike most of the historical and sociological literature on Palestine in this period, Comrades and Enemies avoids treating the Arab and Jewish communities as if they developed independently of each other. Instead of focusing on politics, diplomacy, or military history, Lockman draws on detailed archival research in both Arabic and Hebrew, and on interviews with activists, to delve into the country's social, economic, and cultural history, showing how Arab and Jewish societies in Palestine helped to shape each other in significant ways. Comrades and Enemies presents a narrative of Arab-Jewish relations in Palestine that extends and complicates the conventional story of primordial identities, total separation, and unremitting conflict while going beyond both Zionist and Palestinian nationalist mythologies and paradigms of interpretation.   [brief]
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Title: On Roman time: the codex-calendar of 354 and the rhythms of urban life in late antiquity
Author: Salzman, Michele Renee
Published: University of California Press,  1991
Subjects: Classics | Religion | Classical History
Publisher's Description: Because they list all the public holidays and pagan festivals of the age, calendars provide unique insights into the culture and everyday life of ancient Rome. The Codex-Calendar of 354 miraculously survived the Fall of Rome. Although it was subsequently lost, the copies made in the Renaissance remain invaluable documents of Roman society and religion in the years between Constantine's conversion and the fall of the Western Empire.In this richly illustrated book, Michele Renee Salzman establishes that the traditions of Roman art and literature were still very much alive in the mid-fourth century. Going beyond this analysis of precedents and genre, Salzman also studies the Calendar of 354 as a reflection of the world that produced and used it. Her work reveals the continuing importance of pagan festivals and cults in the Christian era and highlights the rise of a respectable aristocratic Christianity that combined pagan and Christian practices. Salzman stresses the key role of the Christian emperors and imperial institutions in supporting pagan rituals. Such policies of accomodation and assimilation resulted in a gradual and relatively peaceful transformation of Rome from a pagan to a Christian capital.   [brief]
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Title: King Charles I 
Author: Gregg, Pauline
Published: University of California Press,  1984
Subjects: History | European History
Publisher's Description: This is a lucid, fair-minded account of a difficult and tragic man. Pauline Gregg has drawn heavily on original documents, letters, and speeches to show how Charles's heritage, upbringing, and personality, as well as his relationships with friends, advisors, and favorites, all took place against a b . . . [more]
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Title: Toward a simpler way of life: the arts & crafts architects of California
Author: Winter, Robert
Published: University of California Press,  1997
Subjects: Art | Architecture | Architectural History | Californian and Western History
Publisher's Description: This book celebrates one of the richest and most enduring themes in American architecture - California's Arts and Crafts Movement. Echoing the writings of Helen Hunt Jackson, Charles F. Lummis, and Charles Keeler, this movement represented a retreat into a quieter place from the materialism of American society. Anti-commercial, anti-modern, Arts and Crafts practitioners drew on the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. And if only one word is used to describe virtually every Arts and Crafts house in California, that word is "woodsy": wood shingles outside, wood paneling inside, a wood fire burning in the homey, welcoming fireplace.Most chapters in this impressive and very readable book focus on one building by a particular architect or designer and illustrate that person's development and influences. Familiar architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan are here, but so too are less well-known names who were a vibrant part of the Arts and Crafts Movement. These late Romantics designed houses to complement nature rather than contrast with it. Their eclecticism and historicism reflected a Romantic bent as well, no doubt cultivated by their familiarity with the Ecole des Beaux-Arts in Paris, where, in fact, Howard, Maybeck, and Morgan studied.The book's contributors also give attention to the builders, contractors, and craftsmen whose skills contributed to the lasting impact of the California Arts and Crafts Movement. Superb illustrations provide examples of elevations, composition details, interior fixtures, and gardens, all designed to promote the "simple living and high thinking" of the Craftsman style, an esthetic that continues to influence architecture today.   [brief]
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Title: A critic writes: essays by Reyner Banham
Author: Banham, Reyner
Published: University of California Press,  1997
Subjects: Architecture | Art | American Studies | Popular Culture
Publisher's Description: Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.   [brief]
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