Title: The rhetoric of confession: shishōsetsu in early twentieth-century Japanese fiction 
Author: Fowler, Edward
Published: University of California Press,  1988
Subjects: Literature | Japan | Literary Theory and Criticism | Asian Literature
Publisher's Description: The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu , and discusses its linguisti . . . [more]
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Title: The limits of realism: Chinese fiction in the revolutionary period 
Author: Anderson, Marston
Published: University of California Press,  1990
Subjects: Literature | Asian Literature
Publisher's Description: Chinese intellectuals of the early twentieth century were attracted to realism primarily as a tool for social regeneration. Realism encouraged writers to adopt the stance of the independent cultural critic and drew into the compass of serious literature the disenfranchised "others" of Chinese society. As historical pressures forced new ideological commitments in the late twenties and thirties, however, writers grew suspicious both of the "individualism" implicit in the realist model and of the often superficial nature of the sympathies that their fiction evoked in the middle class. Anderson argues that realism must be defined negatively as a "discourse of limitations" and is of minimal utility in the Chinese search for political and cultural empowerment. He shows how hesitations about the realist model affect the fiction of four representative authors, Lu Xun, Ye Shaojun, Mao Dun, and Zhang Tianyi. He also considers the demise of critical realism in the face of a new collectivist understanding of Chinese reality.   [brief]
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Title: The trauma of gender: a feminist theory of the English novel
Author: Moglen, Helene 1936-
Published: University of California Press,  2001
Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English Literature
Publisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.   [brief]
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Title: Mother without child: contemporary fiction and the crisis of motherhood 
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1997
Subjects: Gender Studies | Literature | GayLesbian and Bisexual Studies | Women's Studies | American Literature | Ethnic Studies | American Studies | Literary Theory and Criticism
Publisher's Description: Revealing the maternal as not a core identity but a site of profound psychic and social division, Hansen illuminates recent decades of feminist thought and explores novels by Jane Rule, Alice Walker, Louise Erdrich and Michael Dorris, Marge Piercy, Margaret Atwood, and Fay Weldon. Unlike traditional stories of abandoned children and bad mothers, these narratives refuse to sentimentalize motherhood's losses and impasses. Hansen embraces the larger cultural story of what it means to be a mother and illuminates how motherhood is being reimagined today.   [brief]
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Title: The Lioness in bloom: modern Thai fiction about women
Author: Kepner, Susan Fulop 1941-
Published: University of California Press,  1996
Subjects: Literature | Asian Literature | Fiction | Southeast Asia | Women's Studies
Publisher's Description: Kepner's selection shows the many ways fiction has mirrored the lives of Thai women over the twentieth century. The spectrum is broad, encompassing the young and the old, the rural and the cosmopolitan, the privileged and the poor. Some writers address previously unacceptable themes: female sexuality, spousal abuse, gender oppression. Others display a scintillating sense of humor. They touch on many themes - injustice, the heartlessness of society, loneliness, the difficult choices that life presents. Susan Kepner's lyrical, faithful translations preserve the tenor and resonances of these voices, many of which will be heard for the first time by English-speaking readers.   [brief]
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Title: Encounter: a novel of nineteenth-century Korea
Author: Han, Mu-suk 1918-
Published: University of California Press,  1992
Subjects: Literature | Literature in Translation | Asian Literature | South Asia
Publisher's Description: This historical novel, Encounter ( Mannam ), by Hahn Moo-Sook, one of Asia's most honored writers, is a story of the resilience in the Korean spirit. It is told through the experiences of Tasan, a high-ranking official and foremost Neo-Confucian scholar at the beginning of the nineteenth century. Because of Tasan's fascination with Western learning, then synonymous with Catholicism, he is exiled to a remote province for 18 years. In banishment he meets people from various social and religious backgrounds - Buddhist monks, peasants, shamans - whom he would not otherwise have met. The events of Tasan's life are effectively used to depict the confluence of Buddhist, Neo-Confucian, Taoist, and shamanistic beliefs in traditional Korea.A subplot involves three young sisters, the daughters of a prominent Catholic aristocrat, and affords the reader vivid glimpses into Yi-dynasty women's lives, particularly those of palace ladies, scholars' wives, tavern keepers, shamans, and slaves. In contrast to the long-held Confucian stereotype of female subservience, this story illustrates the richness of women's contribution to Korean culture and tradition. Encounter' s detailed narrative provides a broad and informed view of nineteenth-century Korea, making it a highly useful book for courses on Korean literature and society. It will also be an engaging read for lovers of historical fiction.   [brief]
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Title: Late modernism: politics, fiction, and the arts between the world wars 
Author: Miller, Tyrus 1963-
Published: University of California Press,  1999
Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History
Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.   [brief]
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Title: Dwelling in the text: houses in American fiction 
Author: Chandler, Marilyn R
Published: University of California Press,  1991
Subjects: Literature | American Literature
Publisher's Description: What is a house? And what can architecture tell us about individual psychology, national character and aspiration? The house holds a central place in American mythology, as Marilyn Chandler demonstrates in a series of "house tours" through American novels, beginning with Thoreau's Walden and ending with Toni Morrison's Beloved and Marilynne Robinson's Housekeeping .Chandler illuminates the complex analogies between house and psyche, house and family, house and social environment, and house and text. She traces a historical path from settlement to unsettledness in American culture and explores all the rituals in between: of building, decorating, inhabiting, and abandoning houses. She notes the ambivalence between our desire for rootedness and our romanticization of wide open spaces, relating these poles to the tension between materialism and spirituality in our national character.At a time when housing has become a problem of unprecedented dimensions in America, this look at the place of houses and homes in the American imagination reveals some sources of the attitudes, assumptions, and expectations that underlie the designing and building of the homes we buy, sell, and dream about.   [brief]
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Title: Licensing entertainment: the elevation of novel reading in Britain, 1684-1750 
Author: Warner, William Beatty
Published: University of California Press,  1998
Subjects: Literature | European History | Print Media | English Literature
Publisher's Description: Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers.Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.   [brief]
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Title: Golden days
Author: See, Carolyn
Published: University of California Press,  1996
Subjects: Literature | Fiction | California and the West
Publisher's Description: Available again in paperback, Golden Days is a major novel from one of the most provocative voices on the American literary scene. Linking the recent past with an imagined future, Carolyn See captures life in Los Angeles in the 70s and 80s. This marvelously imaginative, hilarious, and original work . . . [more]
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Title: The ford
Author: Austin, Mary Hunter 1868-1934
Published: University of California Press,  1997
Subjects: Literature | Fiction | California and the West
Publisher's Description: Mary Austin's 1917 novel illuminates one of the crucial issues in California history - the usurpation of water from the Owens Valley. Ranging from the eastern Sierra to the financial district in San Francisco, the plot portrays the frenzied speculation in land and resources, labor protests, and femi . . . [more]
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Title: Fiction as history: Nero to Julian 
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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Title: Steps under water: a novel
Author: Kozameh, Alicia
Published: University of California Press,  1996
Subjects: Literature | Latin American Studies | Gender Studies | Literature in Translation | Fiction
Publisher's Description: Steps Under Water is a novel drawn from Alicia Kozameh's experiences as a political prisoner in Argentina during the "Dirty War" of the 1970s.
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Title: Foundational fictions: the national romances of Latin America
Author: Sommer, Doris 1947-
Published: University of California Press,  1991
Subjects: Literature | Comparative Literature | Latin American Studies | Gender Studies
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Title: Chaucer and the fictions of gender 
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1992
Subjects: Literature | English Literature | Gender Studies | Medieval Studies
Publisher's Description: Hansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship.Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness.   [brief]
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Title: Aunt Safiyya and the monastery: a novel 
Author: Ṭāhir, Bahāʾ 1935-
Published: University of California Press,  1996
Subjects: Literature | Middle Eastern Studies | Literature in Translation | Fiction
Publisher's Description: This brief, beautifically crafted novel introduces one of the finest contemporary Arab novelists to English-speaking audiences. In it, Bahaa' Taher, one of a group of Egyptian writers - including the Nobel Laureate Naguib Mahfouz - noted for their revealing portraits of Egyptian life and society, tells the dramatic story of a young Muslim who, when his life is threatened, finds sanctuary in a community of Coptic monks. It is a tale of honor and of the terrible demands of blood vengeance; it probes the question of how a people or nation can become divided against itself.Taher has a magical gift for evoking the village life of Upper Egypt - a vastly different setting than urban Cairo and a landscape that tourists usually glimpse only from the windows of trains and buses taking them to the Pharaonic sites. Here, where Christians and Muslims have coexisted peacefully for centuries, where the traditions of the Coptic Church are as powerful as those of the Muslims, Taher crafts an intricate and compelling tale of far-reaching implications. With a powerful narrative voice and a genius for capturing the complex nuances of human interaction, Taher brilliantly depicts the poignant drama of a traditional society caught up in the process of change.   [brief]
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Title: Chinese femininities, chinese masculinities: a reader
Author: Brownell, Susan
Published: University of California Press,  2002
Subjects: Gender Studies | Cultural Anthropology | Asian History | China
Publisher's Description: The past two centuries have witnessed tremendous upheavals in every aspect of Chinese culture and society. At the level of everyday life, some of the most remarkable transformations have occurred in the realm of gender. Chinese Femininities/Chinese Masculinities is a mix of illuminating historical and ethnographic studies of gender from the 1700s to the present. The essays in this highly creative collection are organized in pairs that alternate in focus between femininity and masculinity, between subjects traditionally associated with feminism (such as family life) and those rarely considered from a gendered point of view (like banditry). The chapters provide a wealth of interesting detail on such varied topics as court cases involving widows and homosexuals; ideal spouses of early-twentieth-century radicals; changing images of prostitutes; the masculinity of qigong masters; sexuality in the era of reform; and the eroticization of minorities. While most of the essays were specifically written for this volume, a few are reprinted as a testament to their enduring value. Exploring the central role of gender as an organizing principle of Chinese social life, Chinese Femininities/ Chinese Masculinities is an innovative reader that will spark new debate in a wide range of disciplines.   [brief]
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Title: Caught in the act: theatricality in the nineteenth-century English novel 
Author: Litvak, Joseph
Published: University of California Press,  1992
Subjects: Literature | English Literature | Literary Theory and Criticism | GayLesbian and Bisexual Studies
Publisher's Description: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introdu . . . [more]
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Title: Women and the war story 
Author: Cooke, Miriam
Published: University of California Press,  1997
Subjects: Literature | Gender Studies | Middle Eastern Studies | Literary Theory and Criticism | European History
Publisher's Description: In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative - and with it the way we think about and conduct war - can be changed.As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions - home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat - that have framed, and ultimately promoted, war.   [brief]
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Title: The Irish Ulysses 
Author: Tymoczko, Maria
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | English Literature
Publisher's Description: In a radical new reading of Ulysses , Maria Tymoczko argues that previous scholarship has distorted our understanding of Joyce's epic novel by focusing on its English and continental literary sources alone. Challenging conventional views that Joyce rejected Irish literature, Tymoczko demonstrates how he used Irish imagery, myth, genres, and literary modes. For the first time, Joyce emerges as an author caught between the English and Irish literary traditions, one who, like later postcolonial writers, remakes English language literature with his own country's rich literary heritage.The author's exacting scholarship makes this book required reading for Joyce scholars, while its theoretical implications - for such issues as canon formation, the role of criticism in literary reception, and the interface of literary cultures - make it an important work for literary theorists.   [brief]
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