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1. | | Title: Hollywood in Berlin: American cinema and Weimar Germany Author: Saunders, Thomas J Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European HistoryPublisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture. . . . [more]Similar Items | 2. | | Title: Black African cinemaAuthor: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | FilmPublisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]Similar Items | 3. | | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more]Similar Items | 4. | | Title: The red rooster scare: making cinema American, 1900-1910Author: Abel, Richard 1941- Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Cultural Anthropology | SociologyPublisher's Description: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial . . . [more]Similar Items | 5. | | Title: The new German cinema: music, history, and the matter of style Author: Flinn, Caryl Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | German Studies | MusicPublisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music . . . [more]Similar Items | 6. | | Title: The dark mirror: German cinema between Hitler and HollywoodAuthor: Koepnick, Lutz P. (Lutz Peter) Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | German Studies | Music | FilmPublisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appr . . . [more]Similar Items | 7. | | Title: Cinema and the invention of modern lifeAuthor: Charney, Leo Published: University of California Press, 1996 Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular CulturePublisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]Similar Items | 8. | | Title: Endless night: cinema and psychoanalysis, parallel historiesAuthor: Bergstrom, Janet 1946- Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Art Theory | PsychologyPublisher's Description: The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical conscious . . . [more]Similar Items | 9. | | Title: The ciné goes to town: French cinema, 1896-1914Author: Abel, Richard 1941- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular CulturePublisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents. Similar Items | 10. | | Title: Buñuel and Mexico: the crisis of national cinemaAuthor: Acevedo-Muñoz, Ernesto R 1968- Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | Latin American History | Latin American StudiesPublisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more]Similar Items | 11. | | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | FilmPublisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more]Similar Items | 12. | | Title: Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fictionAuthor: Marchetti, Gina Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in A . . . [more]Similar Items | 13. | | Title: A critical cinema 2: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]Similar Items | 14. | | Title: A critical cinema 3: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | FilmPublisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]Similar Items | 15. | | Title: First cut: conversations with film editorsAuthor: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media StudiesPublisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more]Similar Items | 16. | | Title: Hitchcock on Hitchcock: selected writings and interviewsAuthor: Hitchcock, Alfred 1899- Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Gathered here for the first time are Alfred Hitchcock's reflections on his own life and work. In this ample selection of largely unknown and formerly inaccessible interviews and essays, Hitchcock provides an enlivening commentary on a career that spanned decades and transformed the history of the ci . . . [more]Similar Items | 17. | | Title: Writing the character-centered screenplayAuthor: Horton, Andrew Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | WritingPublisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on . . . [more]Similar Items | 18. | | Title: Overhearing film dialogueAuthor: Kozloff, Sarah Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | FilmPublisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more]Similar Items | 19. | | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | FilmPublisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]Similar Items | 20. | | Title: Refiguring American film genres: history and theoryAuthor: Browne, Nick Published: University of California Press, 1998 Subjects: American Studies | Film | Cultural AnthropologyPublisher's Description: This collection of essays by leading American film scholars charts a whole new territory in genre film criticism. Rather than assuming that genres are self-evident categories, the contributors offer innovative ways to think about types of films, and patterns within films, in a historical context. Ch . . . [more]Similar Items |
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