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1. | | Title: Acting naturally: Mark Twain in the culture of performance Author: Knoper, Randall K 1953- Published: University of California Press, 1995 Subjects: Literature | American Literature | Literary Theory and Criticism | Twain | American StudiesPublisher's Description: The phenomenon of performance is central to Mark Twain's writing and persona. But Twain's performative aspects have usually been dismissed as theatrical and discounted as lowbrow burlesque. Randall Knoper takes Twain's theatricality seriously and shows how Twain's work both echoes and engages the so . . . [more]Similar Items | 2. | | Title: Black African cinemaAuthor: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | FilmPublisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]Similar Items | 3. | | Title: Sundance to Sarajevo: film festivals and the world they madeAuthor: Turan, Kenneth Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more]Similar Items | 4. | | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | FilmPublisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]Similar Items | 5. | | Title: A critical cinema 3: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | FilmPublisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]Similar Items | 6. | | Title: Redefining Black filmAuthor: Reid, Mark (Mark A.) Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | African American StudiesPublisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous bl . . . [more]Similar Items | 7. | | Title: Placing movies: the practice of film criticismAuthor: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more]Similar Items | 8. | | Title: Overhearing film dialogueAuthor: Kozloff, Sarah Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | FilmPublisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more]Similar Items | 9. | | Title: Overtones and undertones: reading film musicAuthor: Brown, Royal S Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | MusicPublisher's Description: Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Ro . . . [more]Similar Items | 10. | | Title: A certain realism: making use of Pasolini's film theory and practiceAuthor: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more]Similar Items | 11. | | Title: Buñuel and Mexico: the crisis of national cinemaAuthor: Acevedo-Muñoz, Ernesto R 1968- Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | Latin American History | Latin American StudiesPublisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more]Similar Items | 12. | | Title: The memory of Tiresias: intertextuality and film Author: I︠A︡mpolʹskiĭ, M. B Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Literature | Popular CulturePublisher's Description: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias , Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertex . . . [more]Similar Items | 13. | | Title: First cut: conversations with film editorsAuthor: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media StudiesPublisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more]Similar Items | 14. | | Title: More than night: film noir in its contextsAuthor: Naremore, James Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | LiteraturePublisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more]Similar Items | 15. | | Title: A critical cinema 2: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]Similar Items | 16. | | Title: Cinema and the invention of modern lifeAuthor: Charney, Leo Published: University of California Press, 1996 Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular CulturePublisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]Similar Items | 17. | | Title: Comedy/cinema/theoryAuthor: Horton, Andrew Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | FilmPublisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more]Similar Items | 18. | | Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/deathAuthor: Montano, Linda 1942- Published: University of California Press, 2001 Subjects: Art | Art History | Cinema and Performance ArtsPublisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking . . . [more]Similar Items | 19. | | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | FilmPublisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more]Similar Items | 20. | | Title: Hollywood quarterly: film culture in postwar America, 1945-1957 Author: Smoodin, Eric Loren Published: University of California Press, 2002 Subjects: Cinema and Performance ArtsPublisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blac . . . [more]Similar Items |
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