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1. |  | Title: Laughing out loud: writing the comedy-centered screenplayAuthor: Horton, Andrew Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Film | WritingPublisher's Description: Whoever wrote "Make 'em laugh!" knew that it's easier said than done. But people love to laugh, and good comedy will always sell. With the help of this complete and entertaining guide, writers and would-be writers for film and television can look forward to writing comedy that goes far beyond stereo . . . [more]Similar Items | 2. |  | Title: Black African cinemaAuthor: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | FilmPublisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]Similar Items | 3. |  | Title: A critical cinema 3: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | FilmPublisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]Similar Items | 4. |  | Title: Overhearing film dialogueAuthor: Kozloff, Sarah Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | FilmPublisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more]Similar Items | 5. |  | Title: Redefining Black filmAuthor: Reid, Mark (Mark A.) Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | African American StudiesPublisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous bl . . . [more]Similar Items | 6. |  | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | FilmPublisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]Similar Items | 7. |  | Title: Sundance to Sarajevo: film festivals and the world they madeAuthor: Turan, Kenneth Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more]Similar Items | 8. |  | Title: Buñuel and Mexico: the crisis of national cinemaAuthor: Acevedo-Muñoz, Ernesto R 1968- Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | Latin American History | Latin American StudiesPublisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more]Similar Items | 9. |  | Title: A critical cinema 2: interviews with independent filmmakersAuthor: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]Similar Items | 10. |  | Title: A certain realism: making use of Pasolini's film theory and practiceAuthor: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more]Similar Items | 11. |  | Title: Cinema and the invention of modern lifeAuthor: Charney, Leo Published: University of California Press, 1996 Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular CulturePublisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]Similar Items | 12. |  | Title: The films of Oshima Nagisa: images of a Japanese iconoclastAuthor: Turim, Maureen Cheryn 1951- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | JapanPublisher's Description: This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and in . . . [more]Similar Items | 13. |  | Title: Placing movies: the practice of film criticismAuthor: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more]Similar Items | 14. |  | Title: The dark mirror: German cinema between Hitler and HollywoodAuthor: Koepnick, Lutz P. (Lutz Peter) Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | German Studies | Music | FilmPublisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appr . . . [more]Similar Items | 15. |  | Title: Overtones and undertones: reading film musicAuthor: Brown, Royal S Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | MusicPublisher's Description: Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Ro . . . [more]Similar Items | 16. |  | | 17. |  | Title: Window shopping: cinema and the postmodernAuthor: Friedberg, Anne Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's StudiesPublisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban st . . . [more]Similar Items | 18. |  | Title: The ciné goes to town: French cinema, 1896-1914Author: Abel, Richard 1941- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular CulturePublisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents. Similar Items | 19. |  | Title: The red rooster scare: making cinema American, 1900-1910Author: Abel, Richard 1941- Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Cultural Anthropology | SociologyPublisher's Description: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial . . . [more]Similar Items | 20. |  | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more]Similar Items |
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