Title: Immigration and the political economy of home: West Indian Brooklyn and American Indian Minneapolis, 1945-1992 
Author: Buff, Rachel 1961-
Published: University of California Press,  2001
Subjects: Ethnic Studies | American  Studies | Native American Studies | Native American Ethnicity | United States History
Publisher's Description: Rachel Buff's innovative study of festivals in two American communities launches a substantive inquiry into the nature of citizenship, race, and social power. Drawing on ethnographic fieldwork as well as archival research, Buff compares American Indian powwows in Minneapolis with the West Indian American Day Carnival in New York. She demonstrates the historical, theoretical, and cultural links between two groups who are rarely thought of together and in so doing illuminates our understanding of the meaning of home and citizenship in the post-World War II period. The book also follows the history of federal Indian and immigration policy in this period, tracing the ways that migrant and immigrant identities are created by both national boundaries and transnational cultural memory. In addition to offering fascinating discussions of these lively and colorful festivals, Buff shows that their importance is not just as a form of performance or entertainment, but also as crucial sites for making and remaking meanings about group history and survival. Cultural performances for both groups contain a history of resistance to colonial oppression, but they also change and creatively respond to the experiences of migration and the forces of the global mass-culture industry. Accessible and engaging, Immigration and the Political Economy of Home addresses crucial contemporary issues. Powwow culture and carnival culture emerge as vital, dynamic sites that are central not only to the formation of American Indian and West Indian identities, but also to the understanding modern America itself: the history of its institution of citizenship, its postwar cities, and the nature of metropolitan culture.   [brief]
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Title: Building a better race: gender, sexuality, and eugenics from the turn of the century to the baby boom
Author: Kline, Wendy 1968-
Published: University of California Press,  2001
Subjects: History | United States History | Gender Studies | American  Studies | History and Philosophy of Science
Publisher's Description: Wendy Kline's lucid cultural history of eugenics in America emphasizes the movement's central, continuing interaction with popular notions of gender and morality. Kline shows how eugenics could seem a viable solution to problems of moral disorder and sexuality, especially female sexuality, during the first half of the twentieth century. Its appeal to social conscience and shared desires to strengthen the family and civilization sparked widespread public as well as scientific interest. Kline traces this growing public interest by looking at a variety of sources, including the astonishing "morality masque" that climaxed the 1915 Panama Pacific International Exposition; the nationwide correspondence of the influential Human Betterment Foundation in Pasadena, California; the medical and patient records of a "model" state institution that sterilized thousands of allegedly feebleminded women in California between 1900 and 1960; the surprising political and popular support for sterilization that survived initial interest in, and then disassociation from, Nazi eugenics policies; and a widely publicized court case in 1936 involving the sterilization of a wealthy young woman deemed unworthy by her mother of having children. Kline's engaging account reflects the shift from "negative eugenics" (preventing procreation of the "unfit") to "positive eugenics," which encouraged procreation of the "fit," and it reveals that the "golden age" of eugenics actually occurred long after most historians claim the movement had vanished. The middle-class "passion for parenthood" in the '50s had its roots, she finds, in the positive eugenics campaign of the '30s and '40s. Many issues that originated in the eugenics movement remain controversial today, such as the use of IQ testing, the medical ethics of sterilization, the moral and legal implications of cloning and genetic screening, and even the debate on family values of the 1990s. Building a Better Race not only places eugenics at the center of modern reevaluations of female sexuality and morality but also acknowledges eugenics as an essential aspect of major social and cultural movements in the twentieth century.   [brief]
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Title: Buddha is hiding: refugees, citizenship, the new America
Author: Ong, Aihwa
Published: University of California Press,  2003
Subjects: Anthropology | American  Studies | Asian American Studies | Gender Studies | Urban Studies | Sociology | Immigration
Publisher's Description: Fleeing the murderous Pol Pot regime, Cambodian refugees arrive in America as at once the victims and the heroes of America's misadventures in Southeast Asia; and their encounters with American citizenship are contradictory as well. Service providers, bureaucrats, and employers exhort them to be self-reliant, individualistic, and free, even as the system and the culture constrain them within terms of ethnicity, race, and class. Buddha Is Hiding tells the story of Cambodian Americans experiencing American citizenship from the bottom-up. Based on extensive fieldwork in Oakland and San Francisco, the study puts a human face on how American institutions - of health, welfare, law, police, church, and industry - affect minority citizens as they negotiate American culture and re-interpret the American dream. In her earlier book, Flexible Citizenship, anthropologist Aihwa Ong wrote of elite Asians shuttling across the Pacific. This parallel study tells the very different story of "the other Asians" whose route takes them from refugee camps to California's inner-city and high-tech enclaves. In Buddha Is Hiding we see these refugees becoming new citizen-subjects through a dual process of being-made and self-making, balancing religious salvation and entrepreneurial values as they endure and undermine, absorb and deflect conflicting lessons about welfare, work, medicine, gender, parenting, and mass culture. Trying to hold on to the values of family and home culture, Cambodian Americans nonetheless often feel that "Buddha is hiding." Tracing the entangled paths of poor and rich Asians in the American nation, Ong raises new questions about the form and meaning of citizenship in an era of globalization.   [brief]
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Title: Gimme some truth: the John Lennon FBI files
Author: Wiener, Jon
Published: University of California Press,  2000
Subjects: American  Studies | Politics | Sociology | Social Problems | Music | Social Theory | Cultural Anthropology | Law
Publisher's Description: When FBI Director J. Edgar Hoover reported to the Nixon White House in 1972 about the Bureau's surveillance of John Lennon, he began by explaining that Lennon was a "former member of the Beatles singing group." When a copy of this letter arrived in response to Jon Wiener's 1981 Freedom of Information request, the entire text was withheld - along with almost 200 other pages - on the grounds that releasing it would endanger national security. This book tells the story of the author's remarkable fourteen-year court battle to win release of the Lennon files under the Freedom of Information Act in a case that went all the way to the Supreme Court. With the publication of Gimme Some Truth , 100 key pages of the Lennon FBI file are available - complete and unexpurgated, fully annotated and presented in a "before and after" format.Lennon's file was compiled in 1972, when the war in Vietnam was at its peak, when Nixon was facing reelection, and when the "clever Beatle" was living in New York and joining up with the New Left and the anti-war movement. The Nixon administration's efforts to "neutralize" Lennon are the subject of Lennon's file. The documents are reproduced in facsimile so that readers can see all the classification stamps, marginal notes, blacked out passages and - in some cases - the initials of J. Edgar Hoover. The file includes lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges.Fascinating, engrossing, at points hilarious and absurd, Gimme Some Truth documents an era when rock music seemed to have real political force and when youth culture challenged the status quo in Washington. It also delineates the ways the Reagan, Bush, and Clinton administrations fought to preserve government secrecy, and highlights the legal strategies adopted by those who have challenged it.   [brief]
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Title: Empire and revolution: the Americans in Mexico since the Civil War
Author: Hart, John M. (John Mason) 1935-
Published: University of California Press,  2002
Subjects: History | Latin American History | United States History | American  Studies | Latin American Studies
Publisher's Description: The deep relationship between the United States and Mexico has had repercussions felt around the world. This sweeping and unprecedented chronicle of the economic and social connections between the two nations opens a new window onto history from the Civil War to today and brilliantly illuminates the course of events that made the United States a global empire. The Mexican Revolution, Manifest Destiny, World War II, and NAFTA are all part of the story, but John Mason Hart's narrative transcends these moments of economic and political drama, resonating with the themes of wealth and power. Combining economic and historical analysis with personal memoirs and vivid descriptions of key episodes and players, Empire and Revolution is based on substantial amounts of previously unexplored source material. Hart excavated recently declassified documents in the archives of the United States government and traveled extensively in rural Mexico to uncover the rich sources for this gripping story of 135 years of intervention, cooperation, and corruption. Beginning just after the American Civil War, Hart traces the activities of an elite group of financiers and industrialists who, sensing opportunities for wealth to the south, began to develop Mexico's infrastructure. He charts their activities through the pivotal regime of Porfirio Díaz, when Americans began to gain ownership of Mexico's natural resources, and through the Mexican Revolution, when Americans lost many of their holdings in Mexico. Hart concentrates less on traditional political history in the twentieth century and more on the hidden interactions between Americans and Mexicans, especially the unfolding story of industrial production in Mexico for export to the United States. Throughout, this masterful narrative illuminates the development and expansion of the American railroad, oil, mining, and banking industries. Hart also shows how the export of the "American Dream" has shaped such areas as religion and work attitudes in Mexico. Empire and Revolution reveals much about the American psyche, especially the compulsion of American elites toward wealth, global power, and contact with other peoples, often in order to "save" them. These characteristics were first expressed internationally in Mexico, and Hart shows that the Mexican experience was and continues to be a prototype for U.S. expansion around the world. His work demonstrates the often inconspicuous yet profoundly damaging impact of American investment in the underdeveloped countries of Latin America, Asia, and Africa. Empire and Revolution will be the definitive book on U.S.-Mexico relations and their local and global ramifications.   [brief]
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Title: Caught in the middle: Korean merchants in America's multiethnic cities
Author: Min, Pyong Gap 1942-
Published: University of California Press,  1996
Subjects: Sociology | Ethnic Studies | Urban Studies | American  Studies | California and the West | Social Problems
Publisher's Description: In this unflinching exploration of one of the most politically charged topics of our time, Pyong Gap Min investigates the racial dynamics that exist between Korean merchants, the African American community, and white society in general. Focusing on hostility toward Korean merchants in New York and Los Angeles, Min explains how the "middleman" economic role Koreans often occupy - between low-income, minority customers on the one hand and large corporate suppliers on the other - leads to conflicts with other groups. Further, Min shows how ethnic conflicts strengthen ties within Korean communities as Koreans organize to protect themselves and their businesses.Min scrutinizes the targeting of Korean businesses during the 1992 Los Angeles riots and the 1990 African American boycotts of Korean stores in Brooklyn. He explores Korean merchants' relationships with each other as well as with Latin American employees, Jewish suppliers and landlords, and government agencies. In each case, his nuanced analysis reveals how Korean communities respond to general scapegoating through collective action, political mobilization, and other strategies.Fluent in Korean, Min draws from previously unutilized sources, including Korean American newspapers and in-depth interviews with immigrants. His findings belie the media's sensationalistic coverage of African American-Korean conflicts. Instead, Caught in the Middle yields a sophisticated and clear-sighted understanding of the lives and challenges of immigrant merchants in America.   [brief]
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Title: Japanese American celebration and conflict: a history of ethnic identity and festival, 1934-1990
Author: Kurashige, Lon 1964-
Published: University of California Press,  2002
Subjects: History | American  Studies | Asian American Studies | Californian and Western History | Immigration
Publisher's Description: Do racial minorities in the United States assimilate to American values and institutions, or do they retain ethnic ties and cultures? In exploring the Japanese American experience, Lon Kurashige recasts this tangled debate by examining what assimilation and ethnic retention have meant to a particular community over a long period of time. This is an inner history, in which the group identity of one of America's most noteworthy racial minorities takes shape. From the 1930s, when Japanese immigrants controlled sizable ethnic enclaves, to the tragic wartime internment and postwar decades punctuated by dramatic class mobility, racial protest, and the influx of economic investment from Japan, the story is fraught with conflict. The narrative centers on Nisei Week in Los Angeles, the largest annual Japanese celebration in the United States. The celebration is a critical site of political conflict, and the ways it has changed over the years reflect the ongoing competition over what it has meant to be Japanese American. Kurashige reveals, subtly and with attention to gender issues, the tensions that emerged at different moments, not only between those who emphasized Japanese ethnicity and those who stressed American orientation, but also between generations and classes in this complex community.   [brief]
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Title: Thrown among strangers: the making of Mexican culture in Frontier California
Author: Monroy, Douglas
Published: University of California Press,  1990
Subjects: History | Californian and Western History | Chicano Studies | American  Studies | Native American Ethnicity
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Title: What is this thing called jazz?: African American musicians as artists, critics, and activists
Author: Porter, Eric (Eric C.)
Published: University of California Press,  2002
Subjects: Music | History | United States History | American  Studies | African American Studies | American Music | Contemporary Music | Jazz
Publisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.   [brief]
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Title: Roads to Rome: the antebellum Protestant encounter with Catholicism 
Author: Franchot, Jenny 1953-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | American Literature | American  Studies | United States History | Christianity
Publisher's Description: The mixture of hostility and fascination with which native-born Protestants viewed the "foreign" practices of the "immigrant" church is the focus of Jenny Franchot's cultural, literary, and religious history of Protestant attitudes toward Roman Catholicism in nineteenth-century America.Franchot analyzes the effects of religious attitudes on historical ideas about America's origins and destiny. She then focuses on the popular tales of convent incarceration, with their Protestant "maidens" and lecherous, tyrannical Church superiors. Religious captivity narratives, like those of Indian captivity, were part of the ethnically, theologically, and sexually charged discourse of Protestant nativism.Discussions of Stowe, Longfellow, Hawthorne, and Lowell - writers who sympathized with "Romanism" and used its imaginative properties in their fiction - further demonstrate the profound influence of religious forces on American national character.   [brief]
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Title: Good with their hands: boxers, bluesmen, and other characters from the Rust Belt
Author: Rotella, Carlo 1964-
Published: University of California Press,  2002
Subjects: History | American  Studies | Sociology | Literature | Labor Studies | Urban Studies | Ethnic Studies | Gender Studies
Publisher's Description: This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism. A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work. Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."   [brief]
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Title: Loss: the politics of mourning
Author: Eng, David L 1967-
Published: University of California Press,  2002
Subjects: Literature | American  Studies | History | Philosophy | Ethnic Studies | Gender Studies | Cultural Anthropology | Immigration
Publisher's Description: Taking stock of a century of pervasive loss - of warfare, disease, and political strife - this eloquent book opens a new view on both the past and the future by considering "what is lost" in terms of "what remains." Such a perspective, these essays suggest, engages and reanimates history. Plumbing the cultural and political implications of loss, the authors--political theorists, film and literary critics, museum curators, feminists, psychoanalysts, and AIDS activists--expose the humane and productive possibilities in the workings of witness, memory, and melancholy. Among the sites of loss the authors revisit are slavery, apartheid, genocide, war, diaspora, migration, suicide, and disease. Their subjects range from the Irish Famine and the Ottoman slaughter of Armenians to the aftermath of the Vietnam War and apartheid in South Africa, problems of partial immigration and assimilation, AIDS, and the re-envisioning of leftist movements. In particular, Loss reveals how melancholia can lend meaning and force to notions of activism, ethics, and identity.   [brief]
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Title: Insider/outsider: American Jews and multiculturalism 
Author: Biale, David 1949-
Published: University of California Press,  1998
Subjects: Jewish Studies | American  Studies | Popular Culture | Judaism | Gender Studies | United States History | Literature
Publisher's Description: Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority "white monoculture" and a marginalized "minorities of color multiculture." This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, Insider/Outsider explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of "comparative victimology" and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally.   [brief]
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Title: The erotic Whitman 
Author: Pollak, Vivian R
Published: University of California Press,  2000
Subjects: Literature | American  Studies | Gender Studies | American Literature | Literary Theory and Criticism
Publisher's Description: In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America."   [brief]
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Title: Touching liberty: abolition, feminism, and the politics of the body 
Author: Sánchez-Eppler, Karen
Published: University of California Press,  1993
Subjects: Literature | Literary Theory and Criticism | Women's Studies | United States History | American  Studies
Publisher's Description: In this striking study of the pre-Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood, one in which the racially distinct and physically constrained slave body converged with the sexually distinct and domestically circumscribed female body.Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Sánchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly.Sánchez-Eppler warns against exaggerating the positive links between literature and politics, however. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing "difference," in the nineteenth century as in the twentieth. Her insightful examination of issues that continue to be relevant today will make a distinctive mark on American literary and cultural studies.   [brief]
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Title: Mind games: American culture and the birth of psychotherapy 
Author: Caplan, Eric 1962-
Published: University of California Press,  1998
Subjects: History | United States History | American  Studies | Science | History and Philosophy of Science
Publisher's Description: Eric Caplan's fascinating exploration of Victorian culture in the United States shatters the myth of Freud's seminal role in the creation of American psychotherapy. Resurrecting the long-buried "prehistory" of American mental therapeutics, Mind Games tells the remarkable story of how a widely assorted group of actors - none of them hailing from Vienna or from any other European city - compelled a reluctant medical profession to accept a new role for the mind in medicine. By the time Freud first set foot on American soil in 1909, as Caplan demonstrates, psychotherapy was already integrally woven into the fabric of American culture and medicine.What came to be known as psychotherapy emerged in the face of considerable opposition, much - indeed most - of which was generated by the medical profession itself. Caplan examines the contentious interplay within the American medical community, as well as between American physicians and their lay rivals, who included faith-healers, mind-curists, Christian Scientists, and Protestant ministers. These early practitioners of alternative medicine ultimately laid the groundwork for a distinctive and much heralded American type of psychotherapy. Its grudging acceptance by both medical elites and rank and file physicians signified their understanding that reliance on physical therapies to treat nervous and mental symptoms compromised their capacity to treat - and compete - effectively in a rapidly expanding mental-medical marketplace. Mind Games shows how psychotherapy came to occupy its central position in mainstream American culture.   [brief]
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Title: The activist's handbook: a primer for the 1990s and beyond
Author: Shaw, Randy 1956-
Published: University of California Press,  1996
Subjects: Politics | Sociology | California and the West | Urban Studies | American  Studies | Public Policy
Publisher's Description: The Activist's Handbook is a hard-hitting guide to winning social change in the 1990s. Randy Shaw, attorney and longtime activist for urban issues, shows how positive change can still be accomplished despite an increasingly grim political order, if activists employ the strategies set forth in this desperately needed primer.Inspiring "fear and loathing" in politicians, building diverse coalitions, and harnessing the media, the courts, and the electoral process to one's cause are only some of the key tactics Shaw advocates and explains. Central to all social-change activism, Shaw shows, is being proactive: rather than simply reacting to right-wing proposals, activists must develop an agenda and focus their resources on achieving it. The Activist's Handbook details the impact of specific strategies on campaigns across the country: battles over homelessness, the environment, AIDS policies, neighborhood preservation, and school reform among others. Though activist groups can have widely different aims, similar tactics are shown to produce success.Further, the book offers a sophisticated analysis of the American power structure by someone on the front lines. In showing how people can and must make a difference at both local and national levels, this is an indispensable guide not only for activists, but for everyone interested in the future of progressive politics in America.   [brief]
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Title: The poetics of rock: cutting tracks, making records
Author: Zak, Albin
Published: University of California Press,  2001
Subjects: Music | Popular Music | American Music | Musicology | Contemporary Music | American  Studies | Media Studies | Popular Music
Publisher's Description: After a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound.   [brief]
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Title: No there there: race, class, and political community in Oakland
Author: Rhomberg, Chris 1959-
Published: University of California Press,  2004
Subjects: Sociology | Anthropology | American  Studies | Labor Studies | Politics | Ethnic Studies | Urban Studies
Publisher's Description: Challenged by Ku Klux Klan action in the '20s, labor protests culminating in a general strike in the '40s, and the rise of the civil rights and black power struggles of the '60s, Oakland, California, seems to encapsulate in one city the broad and varied sweep of urban social movements in twentieth-century America. Taking Oakland as a case study of urban politics and society in the United States, Chris Rhomberg examines the city's successive episodes of popular insurgency for what they can tell us about critical discontinuities in the American experience of urban political community.   [brief]
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Title: Selected letters
Author: Olson, Charles 1910-1970
Published: University of California Press,  2001
Subjects: Literature | Poetry | Autobiographies and Biographies | American Literature | American  Studies | Letters
Publisher's Description: For Charles Olson, letters were not only a daily means of communication with friends but were at the same time a vehicle for exploratory thought. In fact, many of Olson's finest works, including Projective Verse and the Maximus Poems, were formulated as letters. Olson's letters are important to an understanding of his definition of the postmodern, and through the play of mind exhibited here we recognize him as one of the vital thinkers of the twentieth century. In this volume, edited and annotated by Ralph Maud, we see Olson at the height of his powers and also at his most human. Nearly 200 letters, selected from a known 3,000, demonstrate the wide range of Olson's interests and the depth of his concern for the future. Maud includes letters to friends and loved ones, job and grant applications, letters of recommendation, and Black Mountain College business letters, as well as correspondence illuminating Olson's poetics. As we read through the letters, which span the years from 1931, when Olson was an undergraduate, to his death in 1970, a fascinating portrait of this complex poet and thinker emerges.   [brief]
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