Title: Revealing masks: exotic influences and ritualized performance in modernist music theater
Author: Sheppard, William Anthony 1969-
Published: University of California Press,  2001
Subjects: Music | American Music | Contemporary Music | Ethnomusicology | Opera | Musicology | Intellectual History
Publisher's Description: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.   [brief]
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Title: Popular theater and society in Tsarist Russia
Author: Swift, Eugene Anthony
Published: University of California Press,  2002
Subjects: History | European History | Russian and Eastern European Studies | Popular Culture | European Literature | European Studies
Publisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.   [brief]
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Title: Senecan drama and stoic cosmology 
Author: Rosenmeyer, Thomas G
Published: University of California Press,  1989
Subjects: Classics | Classical Literature and Language | Classical Philosophy | Theatre
Publisher's Description: Lucius Annaeus Seneca, Nero's tutor and advisor, wrote philosophical essays, some of them in the form of letters, and dramas on Greek mythological topics, which since the early Renaissance have exercised a powerful influence on the European theater. Because in his essays Seneca, in his own eclectic way, subscribes to the philosophy of the Stoic school, scholars and critics have long been asking the question whether the plays, also, could be regarded as transmitters of Stoic thought. Various answers, ranging from a categorical no to an uneasy yes, have been given.With few exceptions, the students who have concerned themselves with this question have looked for their enlightenment in Stoic psychology and Stoic ethics. In this book, Thomas G. Rosenmeyer proposes instead to look at the Stoic science of nature, of the world and human beings in the world, as a more plausible grounding for the difference between Senecan drama and its Greek predecessors. In the process of looking at what the Stoics, especially the early Stoics, had to say about the forces determining natural phenomena, the author uncovers a deeply pessimistic strain in Stoic cosmology, and an interest in physicality and environmental tension, that he finds replicated in the theater, not only of Seneca, but also of the later European tradition indebted to him.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: Grounds for play: the Nauṭaṅkī theatre of North India 
Author: Hansen, Kathryn
Published: University of California Press,  1991
Subjects: Literature | Cultural Anthropology | South Asia
Publisher's Description: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play , Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media - records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.   [brief]
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Title: Inside the drama-house: Rama stories and shadow puppets in South India 
Author: Blackburn, Stuart H
Published: University of California Press,  1996
Subjects: Anthropology | Asian Studies | South Asia | Cinema and Performance Arts | Hinduism
Publisher's Description: Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion - one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience.Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance.While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience - absent or otherwise. Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art.   [brief]
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Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/death
Author: Montano, Linda 1942-
Published: University of California Press,  2001
Subjects: Art | Art History | Cinema and Performance Arts
Publisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.   [brief]
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Title: Revenge in Attic and later tragedy
Author: Burnett, Anne Pippin 1925-
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Literature in Translation
Publisher's Description: Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context.After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey , Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers , Sophocles' Ajax, Electra, and Tereus , and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.   [brief]
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Title: Politics and theater: the crisis of legitimacy in restoration France, 1815-1830
Author: Kroen, Sheryl 1961-
Published: University of California Press,  2000
Subjects: History | European History | French Studies
Publisher's Description: Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.   [brief]
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Title: Ceremonial costumes of the Pueblo Indians: their evolution, fabrication, and significance in the prayer drama 
Author: Roediger, Virginia More
Published: University of California Press,  1991
Subjects: Anthropology | Cultural Anthropology | Dance | Art
Publisher's Description: When the University of California Press first published Roediger's Ceremonial Costumes of the Pueblo Indians in 1941, it was immediately hailed as both a beautiful book and the most comprehensive description ever of the making and meaning of the Pueblo costumes of New Mexico and Arizona. It has been widely acknowledged as a classic and eagerly sought after in antiquarian bookstores.Exactly fifty years after its original publication, here is the book back in print, with a new introduction by the renowned anthropologist Fred Eggan. Roediger's vivid paintings are reproduced once more in full color, capturing the beauty and drama of the Pueblo ceremonies - the turquoise dance moccasins, the tableted headdress of the Zuni corn maidens, the bright-blanketed Kachina maiden, and the buffalo, brilliant eagle, and horned deer costumes.It was Roediger who first viewed the ceremony and ritual of the Pueblo peoples as dramatic performance, a view that has gained great currency since. As a student of drama at Yale University she was fascinated by the intensely theatrical dimension to Pueblo worship, and it is this original perspective that informs and illuminates her study.After a brief survey of the history, location, and life of the Pueblo peoples, Roediger embarks on a thorough analysis of the materials used in the Pueblo costumes. She explains both their symbolic significance and their manufacture - from the weaving of cloth and the tanning of leather to the preparation of birds' feathers, evergreens, paints, and dyes. She then provides a meticulous description of the costumed dancer - body paint, garments, ornaments, accessories, and dance properties such as rattles, headdresses, and masks.In her final section, Roediger explores the relation of the costumes to the prayer dramas, particularly to the reverential, solemn, ecstatic public dance with which these climax. Vivid details emerge here about such rituals as the animal dances from the Rio Grande region and the Rain Dance of the Zuni.Fifty years after its original publication, Virginia Roediger's book remains the most comprehensive study of the ceremonial costumes of the Pueblo peoples. A book of great visual appeal and unrivaled detail, it will be welcomed back by scholars and general readers alike.   [brief]
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Title: Catullan provocations: lyric poetry and the drama of position 
Author: Fitzgerald, William 1952-
Published: University of California Press,  1996
Subjects: Classics | Comparative Literature | Classical Literature and Language | Poetry
Publisher's Description: Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own consumption as it explores the terms and possibilities of the poet's license. Reading the poetry in relation to the drama of position played out between poet, poem, and reader, the author produces a fresh interpretation of almost all of Catullus's oeuvre. Running through the book is an analysis of the ideological stakes behind the construction of the author Catullus in twentieth-century scholarship and of the agenda governing the interpreter's position in relation to Catullus.   [brief]
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Title: Taming the wind of desire: psychology, medicine, and aesthetics in Malay shamanistic performance
Author: Laderman, Carol
Published: University of California Press,  1991
Subjects: Anthropology | Asian Studies | Medical Anthropology | Psychology | Southeast Asia | Medicine
Publisher's Description: Charged with restoring harmony and relieving pain, the Malay shaman places his patients in trance and encourages them to express their talents, drives, personality traits - the "Inner Winds" of Malay medical lore - in a kind of performance. These healing ceremonies, formerly viewed by Western anthropologists as exotic curiosities, actually reveal complex multicultural origins and a unique indigenous medical tradition whose psychological content is remarkably relevant to contemporary Western concerns.Accepted as apprentice to a Malay shaman, Carol Laderman learned and recorded every aspect of the healing seance and found it comparable in many ways to the traditional dramas of Southeast Asia and of other cultures such as ancient Greece, Japan, and India. The Malay seance is a total performance, complete with audience, stage, props, plot, music, and dance. The players include the patient along with the shaman and his troupe. At the center of the drama are pivotal relationships - among people, between humans and spirits, and within the self. The best of the Malay shamans are superb poets, dramatists, and performers as well as effective healers of body and soul.   [brief]
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Title: Tragedy and enlightenment: Athenian political thought, and the dilemmas of modernity 
Author: Rocco, Christopher 1958-
Published: University of California Press,  1997
Subjects: Classics | Classical Philosophy | Classical History | Classical Literature and Language | Social and Political Thought | Social Theory
Publisher's Description: Weaving together ancient Greek texts and postmodernist theory, Christopher Rocco addresses the debate between modernity and postmodernity that dominates contemporary theory. Interpreting Greek drama within a critical framework informed by contemporary theorists Foucault, Habermas, Horkheimer and Adorno, Tragedy and Enlightenment makes a sophisticated argument for the continuing relevance of the classical past, focusing on the subject of democracy.The starting point for Rocco's analysis is the impasse in contemporary political and cultural theory over the possibility and desirability of democracy in a postmodern world. After explaining the competing positions in the current debate, Rocco argues that ancient Greek tragedy and dialogue - specifically Sophocles' Oedipus , Plato's Republic and Gorgias , and Aeschylus' Oresteia - suggest alternate constructions for this and other postmodern problems.Rocco gives a detailed analysis of the contemporary divide over the theories of Jürgen Habermas and Michel Foucault and provides a provocative reading of Horkheimer and Adorno's Dialectic of Enlightenment. This original contribution to political and cultural discourse brings us to a new understanding of familiar texts and will alter the grounds of debate for students and scholars of the classical and the contemporary worlds.   [brief]
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Title: The tragedy of Mariam, the fair queen of Jewry
Author: Cary, Elizabeth, Lady 1585 or 6-1639
Published: University of California Press,  1994
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and Biographies
Publisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.   [brief]
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Title: Staged narrative: poetics and the messenger in Greek tragedy
Author: Barrett, James 1953-
Published: University of California Press,  2002
Subjects: Classics | Classical Literature and Language
Publisher's Description: The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches - narrative theory, genre study, and rhetorical analysis - this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger.   [brief]
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Title: Loyola's acts: the rhetoric of the self 
Author: Boyle, Marjorie O'Rourke 1943-
Published: University of California Press,  1997
Subjects: Literature | Renaissance History | Christianity | Rhetoric | Art History | Medieval History
Publisher's Description: This revisionist view of Ignatius Loyola argues that his "autobiography" - until now taken to be a literal, documentary account - is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents.Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself.   [brief]
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Title: Polyhymnia: the rhetoric of Horatian lyric discourse
Author: Davis, Gregson
Published: University of California Press,  1991
Subjects: Classics | Classical Literature and Language | Rhetoric
Publisher's Description: Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies - what he calls modes of assimilation, authentication, consolation, and praise and dispraise - Davis produces enlightening, new interpretations of this classic work. Polyhymnia , named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona - the lyric "self" that is constituted in the text - Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.   [brief]
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Title: Chaucer's Dante: allegory and epic theater in The Canterbury tales 
Author: Neuse, Richard
Published: University of California Press,  1991
Subjects: Literature | English Literature | European Literature | Medieval Studies
Publisher's Description: Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales . He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human.Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century.   [brief]
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Title: Takarazuka: sexual politics and popular culture in modern Japan
Author: Robertson, Jennifer Ellen
Published: University of California Press,  1998
Subjects: Anthropology | Japan | Cultural Anthropology | GayLesbian and Bisexual Studies | Women's Studies | Theatre | Popular Culture
Publisher's Description: The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.   [brief]
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Title: Bolshevik festivals, 1917-1920 
Author: Von Geldern, James
Published: University of California Press,  1993
Subjects: History | European History | European Literature | Russian and Eastern European Studies
Publisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles?In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power.   [brief]
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