Title: Hollywood in Berlin: American cinema and Weimar Germany 
Author: Saunders, Thomas J
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History
Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.   [brief]
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Title: Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fiction
Author: Marchetti, Gina
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.The author begins with a discussion of D. W. Griffith's Broken Blossoms , then considers later films such as Shanghai Express , Madame Butterfly , and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.   [brief]
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Title: Redefining Black film
Author: Reid, Mark (Mark A.)
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | African American Studies
Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.   [brief]
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Title: Echo and Narcissus: women's voices in classical Hollywood cinema 
Author: Lawrence, Amy
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films.Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase , Sorry,Wrong Number , Notorious , Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image.Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.   [brief]
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Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema 's analysis of key films and issues - the most comprehensive in English - is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.   [brief]
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Title: Colored White: transcending the racial past
Author: Roediger, David R
Published: University of California Press,  2002
Subjects: Ethnic Studies | African American Studies | United States History | Immigration
Publisher's Description: David R. Roediger's powerful book argues that in its political workings, its distribution of advantages, and its unspoken assumptions, the United States is a "still white" nation. Race is decidedly not over. The critical portraits of contemporary icons that lead off the book--Rush Limbaugh, Bill Clinton, O.J. Simpson, and Rudolph Giuliani--insist that continuities in white power and white identity are best understood by placing the recent past in historical context. Roediger illuminates that history in an incisive critique of the current scholarship on whiteness and an account of race-transcending radicalism exemplified by vanguards such as W.E.B. Du Bois and John Brown. He shows that, for all of its staying power, white supremacy in the United States has always been a pursuit rather than a completed project, that divisions among whites have mattered greatly, and that "nonwhite" alternatives have profoundly challenged the status quo. Colored White reasons that, because race is a matter of culture and politics, racial oppression will not be solved by intermarriage or demographic shifts, but rather by political struggles that transform the meaning of race--especially its links to social and economic inequality. This landmark work considers the ways that changes in immigration patterns, the labor force, popular culture, and social movements make it possible--though far from inevitable--that the United States might overcome white supremacy in the twenty-first century. Roediger's clear, lively prose and his extraordinary command of the literature make this one of the most original and generative contributions to the study of race and ethnicity in the United States in many decades.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: The white scourge: Mexicans, Blacks, and poor whites in Texas cotton culture
Author: Foley, Neil
Published: University of California Press,  1998
Subjects: History | Ethnic Studies | American Studies
Publisher's Description: In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations.In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared.Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.   [brief]
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Title: Jewish passages: cycles of Jewish life
Author: Goldberg, Harvey E
Published: University of California Press,  2003
Subjects: Jewish Studies | Middle Eastern Studies | Anthropology
Publisher's Description: American or Middle Eastern, Ashkenazi or Sephardi, insular or immersed in modern life - however diverse their situations or circumstances, Jews draw on common traditions and texts when they mark life's momentous events and rites of passage. The interplay of past and present, of individual practice and collective identity, emerges as a central fact of contemporary Jewish experience in Harvey E. Goldberg's multifaceted account of how Jews celebrate and observe the cycles of life. A leading anthropologist of Jewish culture, Goldberg draws on his own experience as well as classic sources and the latest research to create a nuanced portrait of Jewish rituals and customs that balances the reality of "ordinary Jews" with the authority of tradition. Looking at classic rites of passage such as circumcision and marriage, along with emerging life-milestone practices like pilgrimage and identity-seeking tourism, Jewish Passages aptly reflects the remarkable cultural and religious diversity within Judaism. This work offers a new view of Jewish culture and history with the individual firmly situated at their center by blending anecdote and historical vignettes with rabbinic, midrashic, and anthropological insights; by exploring Sephardi and Ashkenazi traditions as well as modern ideologies; and by bringing into sharp relief the activities of women and relations with Gentile neighbors. As such, this book provides a unique window on the particulars - and the significance - of personal and communal acts of identification among Jews past, present, and future.   [brief]
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Title: Hollywood quarterly: film culture in postwar America, 1945-1957 
Author: Smoodin, Eric Loren
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts
Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer. For this volume, Eric Smoodin and Ann Martin have selected essays that reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films. They have also included articles on radio and television, reflecting the contents of just about every issue of the journal and exemplifying the extraordinary moment in film and media studies that Hollywood Quarterly captured and helped to create. In 1951, Hollywood Quarterly was renamed the Quarterly of Film, Radio, and Television, and in 1958 it was replaced by Film Quarterly, which is still published by the University of California Press. During those first twelve years, the Quarterly maintained an intelligent, sophisticated, and critical interest in all the major entertainment media, not just film, and in issue after issue insisted on the importance of both aesthetic and sociological methodologies for studying popular culture, and on the political significance of the mass media.   [brief]
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Title: Jewish memories 
Author: Valensi, Lucette
Published: University of California Press,  1991
Subjects: Jewish Studies | Postcolonial Studies
Publisher's Description: Collective memory: a living, breathing gift from the past, less fragmentary than the recollections of any one individual, more personal by far than "history." The authors of Jewish Memories saw in the large numbers of Jews who migrated to France during the twentieth century the chance to retrieve a past that might otherwise be lost forever. Through dozens of interviews, they listened to men and women talking of their lives and the places they came from, and found an almost uncanny resonance of individual voices with one another. Individual memories became part of a shared memory, projecting major themes of the Jewish tradition - exile and the sense of loss, the duty to remember, and the transmission of Jewish experience to the next generations.Hélène H. tells of dropping the all-important family teakettle during a terrified race to escape skirmishing soldiers. Charles H. talks about the innocent love he shared with a non-Jewish girl who studied with him. Anna D. describes her wordless reunion with her wounded husband after World War II. From communities now disappeared, scenes of home and family life, occupations, happy times and holidays reinforce one another, and we can feel the painful nostalgia for a kind of existence no longer possible.Two distinct but parallel sets of memories run through the narrative, that of Sephardi and that of Ashkenazi Jews, all of whom found their way to France. They arrived from Tunisia, Turkey, Poland, and Russia, from poor and well-to-do families, almost always driven from their homes by difficult circumstances, often with their most recent memories filled with horror and tragedy. The desire to remember it all and to pass it on to others who will also remember shines from every page, and makes this book as memorable for general readers as it is valuable for anthropologists, sociologists, and historians.   [brief]
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Title: Female subjects in black and white: race, psychoanalysis, feminism
Author: Abel, Elizabeth
Published: University of California Press,  1997
Subjects: Literature | African American Studies | Gender Studies | Literary Theory and Criticism | American Literature | GayLesbian and Bisexual Studies
Publisher's Description: This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities - as well as the transformative possibilities - between white feminist and African American cultural formations.Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism.   [brief]
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Title: Black magic: religion and the African American conjuring tradition
Author: Chireau, Yvonne Patricia 1961-
Published: University of California Press,  2003
Subjects: Religion | African Studies | American Studies | United States History | African American Studies
Publisher's Description: Black Magic looks at the origins, meaning, and uses of Conjure - the African American tradition of healing and harming that evolved from African, European, and American elements - from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.   [brief]
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Title: Diasporas and exiles: varieties of Jewish identity
Author: Wettstein, Howard
Published: University of California Press,  2002
Subjects: Jewish Studies | European History | Social and Political Thought | Sociology | Immigration
Publisher's Description: Diaspora, considered as a context for insights into Jewish identity, brings together a lively, interdisciplinary group of scholars in this innovative volume. Readers needn't expect, however, to find easy agreement on what those insights are. The concept "diaspora" itself has proved controversial; galut, the traditional Hebrew expression for the Jews' perennial condition, is better translated as "exile." The very distinction between diaspora and exile, although difficult to analyze, is important enough to form the basis of several essays in this fine collection. "Identity" is an even more elusive concept. The contributors to Diasporas and Exiles explore Jewish identity - or, more accurately, Jewish identities - from the mutually illuminating perspectives of anthropology, art history, comparative literature, cultural studies, German history, philosophy, political theory, and sociology. These contributors bring exciting new emphases to Jewish and cultural studies, as well as the emerging field of diaspora studies. Diasporas and Exiles mirrors the richness of experience and the attendant virtual impossibility of definition that constitute the challenge of understanding Jewish identity.   [brief]
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Title: Writing the character-centered screenplay
Author: Horton, Andrew
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Writing
Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures.With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and "off-Hollywood" films, as well as television - the book offers creative strategies and essential practical information.Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays. Centering his discussion around four film examples - including Thelma & Louise and The Silence of the Lambs - and the television series, Northern Exposure , he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals.Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.   [brief]
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Title: Jewish life in renaissance Italy
Author: Bonfil, Roberto
Published: University of California Press,  1994
Subjects: Jewish Studies | Renaissance History | European History
Publisher's Description: With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome.After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization.Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay - on whatever terms - with the Other.   [brief]
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Title: Strangers at the gates: new immigrants in urban America
Author: Waldinger, Roger David
Published: University of California Press,  2001
Subjects: Sociology | American Studies | Anthropology | Urban Studies | African American Studies | Asian American Studies | Latino Studies | Labor Studies | Social Problems | Immigration
Publisher's Description: Immigration is remaking the United States. In New York, Los Angeles, Miami, San Francisco, and Chicago, the multiethnic society of tomorrow is already in place. Yet today's urban centers appear unlikely to provide newcomers with the same opportunities their predecessors found at the turn of the last century. Using the latest sources of information, this hard-hitting volume of original essays looks at the nexus between urban realities and immigrant destinies in these American cities. Strangers at the Gates tells the real story of immigrants' prospects for success today and delineates the conditions that will hinder or aid the newest Americans in their quest to get ahead. This book stresses the crucial importance of understanding that immigration today is fundamentally urban and the equally important fact that immigrants are now flocking to places where low-skilled workers--regardless of ethnic background--are in particular trouble. These two themes are at the heart of this book, which also covers a range of provocative topics, often with surprising findings. Among the essayists, Nelson Lim enters the controversy over whether and how immigrants affect the employment prospects for African Americans; Mark Ellis investigates whether low immigrant wages depress other workers' salaries; William A.V. Clark contends that immigrants seem to be experiencing downward mobility; and Min Zhou asserts that trends among second-generation immigrants are decidedly more optimistic. These well-integrated and well-organized essays sit squarely at the intersection of sociology and economics, and along the way they point out both the strengths and the weaknesses of these two disciplines in understanding immigration. Providing a theoretically and empirically comprehensive overview of the economic fate of immigrants in major American cities, this book will make a major contribution to debates over immigration and the American future.   [brief]
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Title: Unheroic conduct: the rise of heterosexuality and the invention of the Jewish man
Author: Boyarin, Daniel
Published: University of California Press,  1997
Subjects: Gender Studies | Jewish Studies | Social Theory
Publisher's Description: In a book that will both enlighten and provoke, Daniel Boyarin offers an alternative to the prevailing Euroamerican warrior/patriarch model of masculinity and recovers the Jewish ideal of the gentle, receptive male. The Western notion of the aggressive, sexually dominant male and the passive female reaches back through Freud to Roman times, but as Boyarin makes clear, such gender roles are not universal. Analyzing ancient and modern texts, he reveals early rabbis - studious, family-oriented - as exemplars of manhood and the prime objects of female desire in traditional Jewish society.Challenging those who view the "feminized Jew" as a pathological product of the Diaspora or a figment of anti-Semitic imagination, Boyarin argues that the Diaspora produced valuable alternatives to the dominant cultures' overriding gender norms. He finds the origins of the rabbinic model of masculinity in the Talmud, and though unrelentingly critical of rabbinic society's oppressive aspects, he shows how it could provide greater happiness for women than the passive gentility required by bourgeois European standards.Boyarin also analyzes the self-transformation of three iconic Viennese modern Jews: Sigmund Freud, the father of psychoanalysis; Theodor Herzl, the founder of Zionism; and Bertha Pappenheim (Anna O.), the first psychoanalytic patient and founder of Jewish feminism in Germany. Pappenheim is Boyarin's hero: it is she who provides him with a model for a militant feminist, anti-homophobic transformation of Orthodox Jewish society today.Like his groundbreaking Carnal Israel , this book is talmudic scholarship in a whole new light, with a vitality that will command attention from readers in feminist studies, history of sexuality, Jewish culture, and the history of psychoanalysis.   [brief]
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Title: Hollywood diva: a biography of Jeanette MacDonald
Author: Turk, Edward Baron
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | American Studies | Gender Studies | Autobiographies and Biographies
Publisher's Description: Jeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures.What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond.More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history.   [brief]
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Title: Pseudo-Hecataeus, On the Jews: legitimizing the Jewish diaspora 
Author: Bar-Kochva, Bezalel
Published: University of California Press,  1997
Subjects: Jewish Studies | History | Ancient History | Jewish Studies
Publisher's Description: Debate over the authenticity of "On the Jews" has persisted for nearly 1,900 years. Bezalel Bar-Kochva attempts to overcome this stalemate in his finely detailed and convincingly argued study that proves the forgery of the book and suggests not only a source for the text, but also a social, political, and cultural setting that explains its conception.Bar-Kochva argues that the author of this treatise belonged to the moderate conservative Jews of Alexandria, whose practices were contrary to the contemporary trends of Hellenistic Judaism. They rejected the application of Greek philosophy and allegorical interpretations of the Holy scriptures and advocated the use of Pentateuch Hebrew as the language for educating and for religious services. They showed a keen interest in Judea and identified themselves with the Jews of the Holy Land. "On the Jews," then, was the manifesto of this group and was written at the peak period of the Hasmonean kingdom. Its main purpose was to legitimize Jewish residence in Egypt, despite being explicitly prohibited in the Pentateuch, and to justify the continued residence of Jews there in a time of prosperity and expansion of the Jewish independent state.   [brief]
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