Title: Nerves and narratives: a cultural history of hysteria in nineteenth-century British prose 
Author: Logan, Peter Melville 1951-
Published: University of California Press,  1997
Subjects: Literature | History | History and Philosophy of Science | Literary Theory and Criticism | Victorian History | English Literature | Women's Studies
Publisher's Description: The British middle class of the early nineteenth century was defined by its nervous complaints - hysteria, hypochondria, vapours, melancholia, and other maladies. Peter Melville Logan explores the link between medical theories of nervous physiology and narrative issues central to the literary writing of the period. He examines the assumption, implicit in medical thinking at the time, that the nervous body - unlike its non-nervous counterpart - has a narrative inscribed on its nerve fibers. It becomes "the body with a story to tell."Logan takes up several literary works whose nervous narrators connect their present disorder with an unnatural, unhealthy social order. Concentrating on novels by Godwin, Hays, and Edgeworth, and on De Quincey's Confessions of an English Opium-Eater , Logan weaves cultural phenomena such as crowd psychology and attitudes toward opium addiction into the basic paradigm of the nervous narrative. He explains why these social critiques always tended to promote the same distempered civilization that brought them into being. He then looks at the emergence of the working-class body in the 1840s, changing medical theories, and George Eliot's treatment of medicine in Middlemarch .Logan's book is especially valuable for its rethinking of disciplinary categories that separate medicine from literature and for bringing to light lesser-known literary texts. With a foreword by Roy Porter, it will be a welcome addition to literary, gender, and cultural studies.   [brief]
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Title: Speaking the unspeakable: religion, misogyny, and the uncanny mother in Freud's cultural texts 
Author: Jonte-Pace, Diane E. (Diane Elizabeth) 1951-
Published: University of California Press,  2001
Subjects: Religion | Literature | Gender Studies | Jewish Studies | Psychology
Publisher's Description: In this bold rereading of Freud's cultural texts, Diane Jonte-Pace uncovers an undeveloped "counterthesis," one that repeatedly interrupts or subverts his well-known Oedipal masterplot. The counterthesis is evident in three clusters of themes within Freud's work: maternity, mortality, and immortality; Judaism and anti-Semitism; and mourning and melancholia. Each of these clusters is associated with "the uncanny" and with death and loss. Appearing most frequently in Freud's images, metaphors, and illustrations, the counterthesis is no less present for being unspoken--it is, indeed, "unspeakable." The "uncanny mother" is a primary theme found in Freud's texts involving fantasies of immortality and mothers as instructors in death. In other texts, Jonte-Pace finds a story of Jews for whom the dangers of assimilation to a dominant Gentile culture are associated unconsciously with death and the uncanny mother. The counterthesis appears in the story of anti-Semites for whom the "uncanny impression of circumcision" gives rise not only to castration anxiety but also to matriphobia. It also surfaces in Freud's ability to mourn the social and religious losses accompanying modernity, and his inability to mourn the loss of his own mother. The unfolding of Freud's counterthesis points toward a theory of the cultural and unconscious sources of misogyny and anti-Semitism in "the unspeakable." Jonte-Pace's work opens exciting new vistas for the feminist analysis of Freud's intellectual legacy.   [brief]
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Title: Freud and his critics 
Author: Robinson, Paul A 1940-
Published: University of California Press,  1993
Subjects: History | Intellectual History | Autobiographies and Biographies | Psychology | Psychiatry
Publisher's Description: Wars against Freud have been waged along virtually every front during the past decade. Now Paul Robinson takes on three of Freud's most formidable critics, mounting a thoughtful, witty, and ultimately devastating critique of the historian of science Frank Sulloway, the psychoanalyst Jeffrey Masson, and the philosopher Adolf Grünbaum.Frank Sulloway contends that Freud took most of his ideas from Darwin and other contemporary thinkers - that he was something of a closet biologist. Jeffrey Masson charges that Freud caved in to peer pressure when he abandoned his early seduction theory (which Masson believes was correct) in favor of the theory of infantile sexuality. Adolf Grünbaum impugns Freud's claim to have grounded his ideas - especially the idea of the unconscious - on solid empirical foundations.Under Robinson's rigorous cross-examination, the evidence of these three accusers proves ambiguous and their arguments biased by underlying assumptions and ideological commitments. Robinson concludes that the anti-Freudian writings of Sulloway, Masson, and Grünbaum reveal more about their authors' prejudices - and about the Zeitgeist of the past decade - than they do about Freud.Beautifully crafted and full of surprises, Robinson's work is a compelling defense of one of history's most original and powerful minds. Freud and His Critics will earn an enduring place in the raging Freudian debate.   [brief]
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Title: Reshaping the psychoanalytic domain: the work of Melanie Klein, W.R.D. Fairbairn, and D.W. Winnicott
Author: Hughes, Judith M
Published: University of California Press,  1989
Subjects: History | Intellectual History | Psychiatry
Publisher's Description: Tracing the line of succession from Sigmund Freud, through Melanie Klein to Fairbairn and Winnicott, Judith Hughes demonstrates the internal development of the British school of psychoanalysis and the coherence of its legacy. Both lay reader and professional will find the book illuminating.
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Title: Domestic individualism: imagining self in nineteenth-century America
Author: Brown, Gillian
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | American Literature | Gender Studies | United States History | American Studies
Publisher's Description: Gillian Brown's book probes the key relationship between domestic ideology and formulations of the self in nineteenth-century America. Arguing that domesticity institutes gender, class, and racial distinctions that govern masculine as well as feminine identity, Brown brilliantly alters, for literary critics, feminists, and cultural historians, the critical perspective from which nineteenth-century American literature and culture have been viewed.In this study of the domestic constitution of individualism, Brown traces how the values of interiority, order, privacy, and enclosure associated with the American home come to define selfhood in general. By analyzing writings by Stowe, Hawthorne, Melville, Fern, and Gilman, and by examining other contemporary cultural modes - abolitionism, consumerism, architecture, interior decorating, motherhood, mesmerism, hysteria, and agoraphobia - she reconfigures the parameters of both domesticity and the patterns of self it fashions. Unfolding a representational history of the domestic, Brown's work offers striking new readings of the literary texts as well as of the cultural contexts that they embody.   [brief]
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Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
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Title: Asceticism and society in crisis: John of Ephesus and the Lives of the Eastern saints 
Author: Harvey, Susan Ashbrook
Published: University of California Press,  1990
Subjects: Classics | Classical Religions | Classical History
Publisher's Description: John of Ephesus traveled throughout the sixth-century Byzantine world in his role as monk, missionary, writer and church leader. In his major work, The Lives of the Eastern Saints , he recorded 58 portraits of monks and nuns he had known, using the literary conventions of hagiography in a strikingly personal way. War, bubonic plague, famine, collective hysteria, and religious persecution were a part of daily life and the background against which asceticism developed an acute meaning for a beleaguered populace. Taking the work of John of Ephesus as her guide, Harvey explores the relationship between asceticism and society in the sixth-century Byzantine East.Concerned above all with the responsibility of the ascetic to lay society, John's writing narrates his experiences in the villages of the Syrian Orient, the deserts of Egypt, and the imperial city of Constantinople. Harvey's work contributes to a new understanding of the social world of the late antique Byzantine East, skillfully examining the character of ascetic practices, the traumatic separation of "Monophysite" churches, the fluctuating roles of women in Syriac Christianity, and the general contribution of hagiography to the study of history.   [brief]
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Title: Race, police, and the making of a political identity: Mexican Americans and the Los Angeles Police Department, 1900-1945
Author: Escobar, Edward J 1946-
Published: University of California Press,  1999
Subjects: History | California and the West | Latin American History | Latino Studies | Social Problems | Politics | Californian and Western History | Urban Studies | Criminology | Criminology
Publisher's Description: In June 1943, the city of Los Angeles was wrenched apart by the worst rioting it had seen to that point in the twentieth century. Incited by sensational newspaper stories and the growing public hysteria over allegations of widespread Mexican American juvenile crime, scores of American servicemen, joined by civilians and even police officers, roamed the streets of the city in search of young Mexican American men and boys wearing a distinctive style of dress called a Zoot Suit. Once found, the Zoot Suiters were stripped of their clothes, beaten, and left in the street. Over 600 Mexican American youths were arrested. The riots threw a harsh light upon the deteriorating relationship between the Los Angeles Mexican American community and the Los Angeles Police Department in the 1940s.In this study, Edward J. Escobar examines the history of the relationship between the Los Angeles Police Department and the Mexican American community from the turn of the century to the era of the Zoot Suit Riots. Escobar shows the changes in the way police viewed Mexican Americans, increasingly characterizing them as a criminal element, and the corresponding assumption on the part of Mexican Americans that the police were a threat to their community. The broader implications of this relationship are, as Escobar demonstrates, the significance of the role of the police in suppressing labor unrest, the growing connection between ideas about race and criminality, changing public perceptions about Mexican Americans, and the rise of Mexican American political activism.   [brief]
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Title: Another kind of love: male homosexual desire in English discourse, 1850-1920 
Author: Craft, Christopher 1952-
Published: University of California Press,  1994
Subjects: Literature | Sociology | Literary Theory and Criticism | Gender Studies | GayLesbian and Bisexual Studies
Publisher's Description: In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it?Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam , Wilde's The Importance of Being Earnest , Stoker's Dracula , and Lawrence's Women In Love .   [brief]
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Title: Unheroic conduct: the rise of heterosexuality and the invention of the Jewish man
Author: Boyarin, Daniel
Published: University of California Press,  1997
Subjects: Gender Studies | Jewish Studies | Social Theory
Publisher's Description: In a book that will both enlighten and provoke, Daniel Boyarin offers an alternative to the prevailing Euroamerican warrior/patriarch model of masculinity and recovers the Jewish ideal of the gentle, receptive male. The Western notion of the aggressive, sexually dominant male and the passive female reaches back through Freud to Roman times, but as Boyarin makes clear, such gender roles are not universal. Analyzing ancient and modern texts, he reveals early rabbis - studious, family-oriented - as exemplars of manhood and the prime objects of female desire in traditional Jewish society.Challenging those who view the "feminized Jew" as a pathological product of the Diaspora or a figment of anti-Semitic imagination, Boyarin argues that the Diaspora produced valuable alternatives to the dominant cultures' overriding gender norms. He finds the origins of the rabbinic model of masculinity in the Talmud, and though unrelentingly critical of rabbinic society's oppressive aspects, he shows how it could provide greater happiness for women than the passive gentility required by bourgeois European standards.Boyarin also analyzes the self-transformation of three iconic Viennese modern Jews: Sigmund Freud, the father of psychoanalysis; Theodor Herzl, the founder of Zionism; and Bertha Pappenheim (Anna O.), the first psychoanalytic patient and founder of Jewish feminism in Germany. Pappenheim is Boyarin's hero: it is she who provides him with a model for a militant feminist, anti-homophobic transformation of Orthodox Jewish society today.Like his groundbreaking Carnal Israel , this book is talmudic scholarship in a whole new light, with a vitality that will command attention from readers in feminist studies, history of sexuality, Jewish culture, and the history of psychoanalysis.   [brief]
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Title: Mind games: American culture and the birth of psychotherapy 
Author: Caplan, Eric 1962-
Published: University of California Press,  1998
Subjects: History | United States History | American Studies | Science | History and Philosophy of Science
Publisher's Description: Eric Caplan's fascinating exploration of Victorian culture in the United States shatters the myth of Freud's seminal role in the creation of American psychotherapy. Resurrecting the long-buried "prehistory" of American mental therapeutics, Mind Games tells the remarkable story of how a widely assorted group of actors - none of them hailing from Vienna or from any other European city - compelled a reluctant medical profession to accept a new role for the mind in medicine. By the time Freud first set foot on American soil in 1909, as Caplan demonstrates, psychotherapy was already integrally woven into the fabric of American culture and medicine.What came to be known as psychotherapy emerged in the face of considerable opposition, much - indeed most - of which was generated by the medical profession itself. Caplan examines the contentious interplay within the American medical community, as well as between American physicians and their lay rivals, who included faith-healers, mind-curists, Christian Scientists, and Protestant ministers. These early practitioners of alternative medicine ultimately laid the groundwork for a distinctive and much heralded American type of psychotherapy. Its grudging acceptance by both medical elites and rank and file physicians signified their understanding that reliance on physical therapies to treat nervous and mental symptoms compromised their capacity to treat - and compete - effectively in a rapidly expanding mental-medical marketplace. Mind Games shows how psychotherapy came to occupy its central position in mainstream American culture.   [brief]
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Title: The art of living: Socratic reflections from Plato to Foucault
Author: Nehamas, Alexander 1946-
Published: University of California Press,  1998
Subjects: Classics | Classical Philosophy | Classical Literature and Language | Philosophy | Social and Political Thought | Literature
Publisher's Description: For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.Why does each of these philosophers - each fundamentally concerned with his own originality - return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him.This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.   [brief]
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Title: Comedy/cinema/theory
Author: Horton, Andrew
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film
Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together.Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith , as well as the peculiar genre of cynical humor from Eastern Europe.As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.   [brief]
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Title: The family romance of the French Revolution
Author: Hunt, Lynn Avery
Published: University of California Press,  1992
Subjects: History | European History | French Studies | Gender Studies
Publisher's Description: This latest work from an author known for her contributions to the new cultural history is a multidisciplinary investigation of the foundations of modern politics. "Family Romance" was coined by Freud to describe the fantasy of being freed from one's family and joining one of higher social standing. Lynn Hunt uses the term broadly to describe the images of the familial order underlying revolutionary politics. In a wide-ranging account using novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that politics were experienced through the grid of the family romance.   [brief]
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Title: Fiction as history: Nero to Julian 
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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Title: Melville's anatomies
Author: Otter, Samuel 1956-
Published: University of California Press,  1999
Subjects: American Studies | American Literature | United States History
Publisher's Description: In fascinating new contextual readings of four of Herman Melville's novels - Typee , White-Jacket, Moby-Dick , and Pierre - Samuel Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travelers, seamen, and slaves; racial and aesthetic treatises; fiction; poetry; and essays) in order to flesh out Melville's discursive world.Otter presents Melville's works as "inside narratives" offering material analyses of consciousness. Chapters center on the tattooed faces in Typee , the flogged bodies in White-Jacket , the scrutinized heads in Moby-Dick , and the desiring eyes and eloquent, constricted hearts of Pierre . Otter shows how Melville's books tell of the epic quest to know the secrets of the human body. Rather than dismiss contemporary beliefs about race, self, and nation, Melville inhabits them, acknowledging their appeal and examining their sway.Meticulously researched and brilliantly argued, this groundbreaking study links Melville's words to his world and presses the relations between discourse and ideology. It will deeply influence all future studies of Melville and his work.   [brief]
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Title: Jewish life in renaissance Italy
Author: Bonfil, Roberto
Published: University of California Press,  1994
Subjects: Jewish Studies | Renaissance History | European History
Publisher's Description: With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome.After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization.Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay - on whatever terms - with the Other.   [brief]
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Title: The heart of the pearl shell: the mythological dimension of Foi sociality 
Author: Weiner, James F
Published: University of California Press,  1988
Subjects: Anthropology
Publisher's Description: For the Foi people who live on the edge of the central highlands of Papua New Guinea, the flow of pearl shells is the "heart" of their social life. The pearl shell is the exchange item that mediates the creation of their most important sexual and social roles. The Heart of the Pearl Shell analyzes a number of myths of the Foi people, elegantly bringing together significant ethnographic materials in a way that has important implications for the development of social theory in anthropology and in Melanesian studies. Scholars of semiotic-symbolic anthropology and of comparative religion will also share the author's interest in the meaning and role of mythology in Foi culture.Instead of relying on orthodox methods of Freudian or structuralist interpretation, James Weiner assumes there is a dialectical relationship between the images of Foi myth and the images of the Foi's social world. He demonstrates how each set of these images is dependent upon the other for its creation. This innovative study locates Foi social meaning in the re-creation and attempted solution of the moral dilemmas that are crystallized in mythology and other poetic usages.   [brief]
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Title: The flight of the mind: Virginia Woolf's art and manic-depressive illness 
Author: Caramagno, Thomas C
Published: University of California Press,  1992
Subjects: Literature | English Literature | Autobiographies and Biographies | Women's Studies
Publisher's Description: In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian "family romance," reducing her art to a neurotic evasion of a traumatic childhood.But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.   [brief]
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Title: Family and frontier in colonial Brazil: Santana de Parnaíba, 1580-1822 
Author: Metcalf, Alida C 1954-
Published: University of California Press,  1992
Subjects: History | Latin American History | Latin American Studies
Publisher's Description: Colonial families in the Brazilian town of Santana de Parnaíba lived on the fringe of settlement in a vast and perilous continent. In her revealing community history, Metcalf tells how these settlers pursued family strategies that adapted European custom to the American environment. Turning to recorded events such as marriages, baptisms, and especially inheritances, she discovers that as the newcomers transformed the wilderness into a settled agricultural community, they laid the foundation for a class society of planters, peasants, and slaves. With an engaging description of family life at all three levels of society, the author shows how the families most successful in exploiting and controlling the resources of the wilderness gained wealth, power, and social dominance.Metcalf challenges accepted views by contending that not only external economic forces but also colonial family strategies paved the way for an inegalitarian society in Brazil. Her portrayal of frontier survival and coping, together with the heedless exploitation of wilderness resources, brings a historical perspective to the consideration of Brazil's last frontier, the Amazon.   [brief]
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