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| 161. |  | Title: Bolshevik festivals, 1917-1920 Author: Von Geldern, James Published: University of California Press, 1993 Subjects: History | European History | European Literature | Russian and Eastern European StudiesPublisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles?In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power. [brief]Similar Items | | 162. |  | Title: For love of the automobile: looking back into the history of our desiresAuthor: Sachs, Wolfgang Published: University of California Press, 1992 Subjects: Science | European History | Technology and Society | German StudiesPublisher's Description: In his cultural analysis of the motor car in Germany, Wolfgang Sachs starts from the assumption that the automobile is more than a means of transportation and that its history cannot be understood merely as a triumphant march of technological innovation. Instead, Sachs examines the history of the automobile from the late 1880s until today for evidence on the nature of dreams and desires embedded in modern culture. Written in a lively style and illustrated by a wealth of cartoons, advertisements, newspaper stories, and propaganda, this book explores the nature of Germany's love affair with the automobile. A "history of our desires" for speed, wealth, violence, glamour, progress, and power - as refracted through images of the automobile - it is at once fascinating and provocative.Sachs recounts the development of the automobile industry and the impact on German society of the marketing and promotion of the motor car. As cars became more affordable and more common after World War II, advertisers fanned the competition for status, refining their techniques as ownership became ever more widespread.Sachs concludes by demonstrating that the triumphal procession of private motorization has in fact become an intrusion. The grand dreams once attached to the automobile have aged. Sachs appeals for the cultivation of new dreams born of the futility of the old ones, dreams of "a society liberated from progress," in which location, distance, and speed are reconceived in more appropriately humane dimensions. [brief]Similar Items | | 163. |  | Title: Symptoms of modernity: Jews and queers in late-twentieth-century ViennaAuthor: Bunzl, Matti 1971- Published: University of California Press, 2004 Subjects: Anthropology | Jewish Studies | European History | Sociology | GayLesbian and Bisexual StudiesPublisher's Description: In the 1990s, Vienna's Jews and queers abandoned their clandestine existence and emerged into the city's public sphere in unprecedented numbers. Symptoms of Modernity traces this development in the context of Central European history. Jews and homosexuals are signposts of an exclusionary process of nation-building. Cast in their modern roles in the late nineteenth century, they functioned as Others, allowing a national community to imagine itself as a site of ethnic and sexual purity. In Matti Bunzl's incisive historical and cultural analysis, the Holocaust appears as the catastrophic culmination of this violent project, an attempt to eradicate modernity's abject by-products from the body politic. As Symptoms of Modernity shows, though World War II brought an end to the genocidal persecution, the nation's exclusionary logic persisted, accounting for the ongoing marginalization of Jews and homosexuals. Not until the 1970s did individual Jews and queers begin to challenge the hegemonic subordination - a resistance that, by the 1990s, was joined by the state's attempts to ensure and affirm the continued presence of Jews and queers. Symptoms of Modernity gives an account of this radical cultural reversal, linking it to geopolitical transformations and to the supersession of the European nation-state by a postmodern polity. [brief]Similar Items | | 164. |  | Title: Historical economics: art or science? Author: Kindleberger, Charles Poor 1910- Published: University of California Press, 1990 Subjects: Economics and Business | European History | United States HistoryPublisher's Description: Charles P. Kindleberger's writing has ranged widely in the past, from international economics to such specialized topics as the Marshall Plan. In recent years, however, his perspective has shifted to one that tempers the rigidity of technical economics with the flexibility of the liberal arts. Historical economics, drawing on history, politics, cultural anthropology, sociology, and geography, bridges the gap between abstraction and fact engendered by traditional conceptions of economic science. Inherently interdisciplinary, historical economics ultimately leads to a more meaningful understanding of contemporary economic phenomena.This selection of Kindleberger's work has been carefully culled to illustrate his approach to the subject. The essays cover a range of historical periods and in addition to his well known writing on financial issues also include European history and explorations of long-run changes in the American economy. Economists and historians, both the converted and the unconvinced, will want to consult this powerful argument for the importance of historical economics. [brief]Similar Items | | 165. |  | Title: The Gorbachev phenomenon: a historical interpretationAuthor: Lewin, Moshe 1921- Published: University of California Press, 1991 Subjects: History | European History | Sociology | Politics | Russian and Eastern European StudiesPublisher's Description: The "Gorbachev phenomenon" is seen as the product of complex developments during the last seventy years - developments that changed the Soviet Union from a primarily agrarian society into an urban, industrial one. Here, for the first time, a noted authority on Soviet society identifies the crucial h . . . [more]Similar Items | | 166. |  | Title: Between craft and class: skilled workers and factory politics in the United States and Britain, 1890-1922 Author: Haydu, Jeffrey Published: University of California Press, 1991 Subjects: Sociology | United States History | European History | Labor Studies | Technology and SocietyPublisher's Description: Between Craft and Class provides an incisive new look at workers' responses to the momentous economic changes surrounding them in the early years of the twentieth century. In this work, Haydu focuses on the reaction of skilled metal workers to new production methods that threatened time-honored craft traditions. He finds that the workers' responses to industrial change varied - some defended the status quo, while others agreed to trade customary rules for economic rewards. Under some conditions class protest arose, as workers of diverse skills and trades joined to demand a greater voice in the management of industry. Between Craft and Class explores how broadly based movements for workers' control developed during this critical period, and why they ultimately failed.Comparing workers in the United States and Britain, Haydu's scholarship is distinguished by extensive primary source research and provocative theoretical insights. In its scope and depth, this book will revise current notions of craft politics and working-class radicalism during this period. [brief]Similar Items | | 167. |  | | | 168. |  | Title: The waning of the communist state: economic origins of political decline in China and Hungary Author: Walder, Andrew George Published: University of California Press, 1995 Subjects: Politics | Sociology | European History | Asian History | China | European Studies | Economics and BusinessPublisher's Description: This collection of essays offers a compelling explanation for the decline of communism in the two countries that went the furthest with economic reforms - China and Hungary. Articulating a vision of change that serves as a counterpoint to the prevailing emphasis on citizen resistance and protest, the contributors focus instead on the declining organizational integrity of the centralized party-state. The essays illuminate a "quiet revolution from within" that beset the two regimes after they chose to reform their economies and make concessions to the private sector.The nine contributors, three each from the disciplines of sociology, political science, and anthropology, examine key trends that appeared in both countries. The chapters trace political consequences of economic reform that range from the decline of the central state's fiscal dominance to the revitalization of long-suppressed ethnic loyalties. [brief]Similar Items | | 169. |  | Title: Verdi at the Golden Gate: opera and San Francisco in the Gold Rush yearsAuthor: Martin, George Whitney Published: University of California Press, 1993 Subjects: Music | History | Opera | Composers | American Studies | California and the West | European HistoryPublisher's Description: Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide. In the history of the United States there has never been a rougher town than Gold Rush San Francisco, yet there has never been a greater frenzy for opera than developed there in these exciting years.How did this madness for opera take root and grow? Why did the audience's generally drunken, brawling behavior gradually improve? How and why did Verdi emerge as the city's favorite composer? These are the intriguing themes of George Martin's enlightening and wonderfully entertaining story. Among the incidents recounted are the fist fight that stopped an opera performance and ended in a fatal duel; and the brothel madam who, by sitting in the wrong row of a theater, caused a fracas that resulted in the formation of the Vigilantes of 1856.Martin weaves together meticulously gathered social, political, and musical facts to create this lively cultural history. His study contributes to a new understanding of urban culture in the Jacksonian?Manifest Destiny eras, and of the role of opera in cities during this time, especially in the American West. Over it all soars Verdi's somber, romantic music, capturing the melancholy, the feverish joy, and the idealism of his listeners. [brief]Similar Items | | 170. |  | Title: Hollywood in Berlin: American cinema and Weimar Germany Author: Saunders, Thomas J Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European HistoryPublisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting. [brief]Similar Items | | 171. |  | Title: Languages of community: the Jewish experience in the Czech landsAuthor: Kieval, Hillel J Published: University of California Press, 2000 Subjects: Jewish Studies | European Studies | European History | Russian and Eastern European Studies | JudaismPublisher's Description: With a keen eye for revealing details, Hillel J. Kieval examines the contours and distinctive features of Jewish experience in the lands of Bohemia and Moravia (the present-day Czech Republic), from the late eighteenth to the late twentieth century. In the Czech lands, Kieval writes, Jews have felt the need constantly to define and articulate the nature of group identity, cultural loyalty, memory, and social cohesiveness, and the period of "modernizing" absolutism, which began in 1780, brought changes of enormous significance. From that time forward, new relationships with Gentile society and with the culture of the state blurred the traditional outlines of community and individual identity. Kieval navigates skillfully among histories and myths as well as demography, biography, culture, and politics, illuminating the maze of allegiances and alliances that have molded the Jewish experience during these 200 years. [brief]Similar Items | | 172. |  | Title: The quiet revolution: Hermann Kolbe and the science of organic chemistry Author: Rocke, Alan J 1948- Published: University of California Press, 1993 Subjects: Science | History and Philosophy of Science | Physical Sciences | European HistoryPublisher's Description: Organic chemist Hermann Kolbe (1818-1884) is the subject of this vigorously contextualized biography, which combines the approaches of cognitive and social history of science. Kolbe was one of the most outstanding chemists during the remarkable period in which German science, like the wider manifestations of German industrial and political power, rose to a position of world dominance.Rocke portrays Kolbe as a leading actor in the transformation of the institutional and pedagological dimensions of the physical sciences, as well as in the rapid growth of technologically powerful pure sciences. In all these areas there was a sharp inflection point around 1860 when, as Rocke persuasively argues, the primary discipline in the drama was organic chemistry. [brief]Similar Items | | 173. |  | Title: The rice economies: technology and development in Asian societiesAuthor: Bray, Francesca Published: University of California Press, 1994 Subjects: Asian Studies | European History | Social Theory | Political Theory | Economics and BusinessPublisher's Description: The contrast in the rate of growth between Western and Eastern societies since 1800 has caused Asian societies to be characterized as backward and resistant to change, though until 1600 or so certain Asian states were technologically far in advance of Europe. The Rice Economies , drawing on original . . . [more]Similar Items | | 174. |  | Title: Popular theater and society in Tsarist RussiaAuthor: Swift, Eugene Anthony Published: University of California Press, 2002 Subjects: History | European History | Russian and Eastern European Studies | Popular Culture | European Literature | European StudiesPublisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays. [brief]Similar Items | | 175. |  | Title: The fountain of privilege: political foundations of markets in Old Regime France and England Author: Root, Hilton L Published: University of California Press, 1994 Subjects: History | Politics | Economics and Business | European History | Sociology | French StudiesPublisher's Description: Hilton Root's new book applies contemporary economic and political theory to answer long-standing historical questions about modernization. It contrasts political stability in Georgian England with the collapse of the Old Regime in France. Why did a century of economic expansion rupture France's political foundations while leaving those of Britain intact? Comparing the political and financial institutions of the two states, Root argues that the French monarchy's tight control of markets created unresolvable social conflicts whereas England's broader power base permitted the wider distribution of economic favors, resulting in more flexible and efficient markets. [brief]Similar Items | | 176. |  | Title: An empire on display: English, Indian, and Australian exhibitions from the Crystal Palace to the Great WarAuthor: Hoffenberg, Peter H 1960- Published: University of California Press, 2001 Subjects: History | European History | Victorian History | Asian History | South Asia | Pacific Rim Studies | European StudiesPublisher's Description: The grand exhibitions of the Victorian and Edwardian eras are the lens through which Peter Hoffenberg examines the economic, cultural, and social forces that helped define Britain and the British Empire. He focuses on major exhibitions in England, Australia, and India between the Great Exhibition of 1851 and the Festival of Empire sixty years later, taking special interest in the interactive nature of the exhibition experience, the long-term consequences for the participants and host societies, and the ways in which such popular gatherings revealed dissent as well as celebration. Hoffenberg shows how exhibitions shaped culture and society within and across borders in the transnational working of the British Empire. The exhibitions were central to establishing and developing a participatory imperial world, and each polity in that world provided distinctive information, visitors, and exhibits. Among the displays were commercial goods, working machines, and ethnographic scenes. Exhibits were intended to promote external commonwealth and internal nationalism. The imperial overlay did not erase significant differences but explained and used them in economic and cultural terms. The exhibitions in cities such as London, Sydney, and Calcutta were living and active public inventories of the Empire and its national political communities. The process of building and consuming such inventories persists today in the cultural bureaucracies, museums, and festivals of modern nation-states, the appeal to tradition and social order, and the actions of transnational bodies. [brief]Similar Items | | 177. |  | Title: Dilemmas of enlightenment: studies in the rhetoric and logic of ideology Author: Kenshur, Oscar 1942- Published: University of California Press, 1993 Subjects: Philosophy | Social and Political Thought | Literary Theory and Criticism | European HistoryPublisher's Description: Oscar Kenshur combines trenchant analyses of important early-modern texts with a powerful critique of postmodern theories of ideology. He thereby contributes both to our understanding of Enlightenment thought and to contemporary debates about cultural studies and critical theory.While striving to resolve "dilemmas" occasioned by conflicting intellectual and political commitments, seventeenth- and eighteenth-century writers often relied upon ideas originally used by their enemies to support very different claims. Thus, they engaged in what Kenshur calls "intellectual co-optation." In exploring the ways in which Dryden, Bayle, Voltaire, Johnson, and others used this technique, Kenshur presents a historical landscape distinctly different from the one constructed by much contemporary theory. [brief]Similar Items | | 178. |  | Title: Whose pharaohs?: archaeology, museums, and Egyptian national identity from Napoleon to World War IAuthor: Reid, Donald M. (Donald Malcolm) 1940- Published: University of California Press, 2002 Subjects: History | Middle Eastern History | European History | Middle Eastern Studies | Classics | Art HistoryPublisher's Description: Egypt's rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular "Egyptomania" displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested. [brief]Similar Items | | 179. |  | Title: Politics, death, and the devil: self and power in Max Weber and Thomas MannAuthor: Goldman, Harvey Published: University of California Press, 1992 Subjects: Sociology | Social Theory | European History | Literary Theory and Criticism | Political Theory | PhilosophyPublisher's Description: This sequel to Harvey Goldman's well-received Max Weber and Thomas Mann continues his rich exploration of the political and cultural critiques embodied in the more mature writings of these two authors. Combining social and political thought, intellectual history, and literary interpretation, Goldman examines in particular Weber's "Science as a Vocation" and "Politics as a Vocation" and Mann's The Magic Mountain and Doctor Faustus .Goldman deals with the ways in which Weber and Mann sought an antidote to personal and cultural weakness through "practices" for generating strength, mastery, and power, drawing primarily on ascetic traditions at a time when the vitality of other German traditions was disappearing. Power and mastery concerned both Weber and Mann, especially as they tried to resolve problems of politics and culture in Germany. Although their resolutions of the problems they confronted seem inadequate, they show the significance of linking social and political thought to conceptions of self and active worldly practices.Trenchant and illuminating, Goldman's book is essential reading for anyone interested in political theory, social thought, and the intellectual history of Germany. [brief]Similar Items | | 180. |  | Title: The ciné goes to town: French cinema, 1896-1914Author: Abel, Richard 1941- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular CulturePublisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents. Similar Items |
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