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Your search for
'Cinema and Performance Arts' in subject
found 58 book(s). | Modify Search | Displaying 1 - 20 of 58 book(s) | |
| 1. |  | Title: Six screenplays  Author: Riskin, Robert Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film Publisher's Description: Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected . . . [more] Similar Items |
| 2. |  | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Film Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more] Similar Items |
| 3. |  | Title: Play it again, Sam: retakes on remakes Author: Horton, Andrew Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood . . . [more] Similar Items |
| 4. |  | Title: Hollywood quarterly: film culture in postwar America, 1945-1957 Author: Smoodin, Eric Loren Published: University of California Press, 2002 Subjects: Cinema and Performance Arts Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blac . . . [more] Similar Items |
| 5. |  | Title: Sundance to Sarajevo: film festivals and the world they made Author: Turan, Kenneth Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | Film Publisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more] Similar Items |
| 6. |  | Title: The Magnificent Ambersons: a reconstruction Author: Carringer, Robert L Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film Publisher's Description: Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, " They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive.Now film scholar Rob . . . [more] Similar Items |
| 7. |  | Title: Roberto Rossellini Author: Brunette, Peter Published: University of California Press, 1996 Subjects: Cinema and Performance Arts Publisher's Description: This is the first full-length study in any language of the most significant film director of Italian Neorealism. Peter Brunette combines close analyses of Roberto Rossellini's formal and narrative style with a thorough account of his position in the political and cultural landscape of postwar Italy. . . . [more] Similar Items |
| 8. |  | Title: Placing movies: the practice of film criticism Author: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more] Similar Items |
| 9. |  | Title: The memory of Tiresias: intertextuality and film Author: I︠A︡mpolʹskiĭ, M. B Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Literature | Popular Culture Publisher's Description: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias , Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertex . . . [more] Similar Items |
| 10. |  | Title: Backstory 3: interviews with screenwriters of the 1960s Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters - in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriter . . . [more] Similar Items |
| 11. |  | Title: Black African cinema Author: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more] Similar Items |
| 12. |  | Title: First cut: conversations with film editors Author: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media Studies Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more] Similar Items |
| 13. |  | Title: Movies as politics Author: Rosenbaum, Jonathan Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film | American Studies | Gender Studies Publisher's Description: In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological ident . . . [more] Similar Items |
| 14. |  | Title: Comedy/cinema/theory Author: Horton, Andrew Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more] Similar Items |
| 15. |  | Title: A certain realism: making use of Pasolini's film theory and practice Author: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film Publisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more] Similar Items |
| 16. |  | Title: The films of Oshima Nagisa: images of a Japanese iconoclast Author: Turim, Maureen Cheryn 1951- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Japan Publisher's Description: This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and in . . . [more] Similar Items |
| 17. |  | Title: A heart at fire's center: the life and music of Bernard Herrmann Author: Smith, Steven C Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Contemporary Music | Composers Publisher's Description: No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herr . . . [more] Similar Items |
| 18. |  | Title: Laughing out loud: writing the comedy-centered screenplay Author: Horton, Andrew Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Film | Writing Publisher's Description: Whoever wrote "Make 'em laugh!" knew that it's easier said than done. But people love to laugh, and good comedy will always sell. With the help of this complete and entertaining guide, writers and would-be writers for film and television can look forward to writing comedy that goes far beyond stereo . . . [more] Similar Items |
| 19. |  | Title: A critical cinema 3: interviews with independent filmmakers Author: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more] Similar Items |
| 20. |  | Title: More than night: film noir in its contexts Author: Naremore, James Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Literature Publisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more] Similar Items |