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Your request for similar items found 20 book(s). | Modify Search | Displaying 1 - 20 of 20 book(s) | |
| 1. |  | Title: Black African cinema Author: Ukadike, Nwachukwu Frank Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more] Similar Items |
| 2. |  | Title: A critical cinema 3: interviews with independent filmmakers Author: MacDonald, Scott 1942- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more] Similar Items |
| 3. |  | Title: Bolshevik festivals, 1917-1920  Author: Von Geldern, James Published: University of California Press, 1993 Subjects: History | European History | European Literature | Russian and Eastern European Studies Publisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging . . . [more] Similar Items |
| 4. |  | Title: Overtones and undertones: reading film music Author: Brown, Royal S Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | Film | Music Publisher's Description: Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Ro . . . [more] Similar Items |
| 5. |  | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | Film Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more] Similar Items |
| 6. |  | Title: Redefining Black film Author: Reid, Mark (Mark A.) Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | African American Studies Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous bl . . . [more] Similar Items |
| 7. |  | Title: A critical cinema 2: interviews with independent filmmakers Author: MacDonald, Scott 1942- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Women's Studies Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more] Similar Items |
| 8. |  | Title: Overhearing film dialogue Author: Kozloff, Sarah Published: University of California Press, 2000 Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | Film Publisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more] Similar Items |
| 9. |  | Title: Placing movies: the practice of film criticism Author: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more] Similar Items |
| 10. |  | Title: A certain realism: making use of Pasolini's film theory and practice Author: Viano, Maurizio Sanzio 1950- Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film Publisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more] Similar Items |
| 11. |  | Title: Buñuel and Mexico: the crisis of national cinema Author: Acevedo-Muñoz, Ernesto R 1968- Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | Latin American History | Latin American Studies Publisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more] Similar Items |
| 12. |  | Title: More than night: film noir in its contexts Author: Naremore, James Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | Literature Publisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more] Similar Items |
| 13. |  | Title: Comedy/cinema/theory Author: Horton, Andrew Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more] Similar Items |
| 14. |  | Title: Cinema and the invention of modern life Author: Charney, Leo Published: University of California Press, 1996 Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular Culture Publisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more] Similar Items |
| 15. |  | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film Publisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more] Similar Items |
| 16. |  | Title: The dark mirror: German cinema between Hitler and Hollywood Author: Koepnick, Lutz P. (Lutz Peter) Published: University of California Press, 2002 Subjects: Cinema and Performance Arts | German Studies | Music | Film Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appr . . . [more] Similar Items |
| 17. |  | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's Studies Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more] Similar Items |
| 18. |  | Title: The ciné goes to town: French cinema, 1896-1914 Author: Abel, Richard 1941- Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular Culture Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents. Similar Items |
| 19. |  | Title: First cut: conversations with film editors Author: Oldham, Gabriella Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | Film | Media Studies Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more] Similar Items |
| 20. |  | Title: Window shopping: cinema and the postmodern Author: Friedberg, Anne Published: University of California Press, 1993 Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's Studies Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban st . . . [more] Similar Items |