Preferred Citation: Flinn, Caryl. The New German Cinema: Music, History, and the Matter of Style. Berkeley:  University of California Press,  c2004 2004. http://ark.cdlib.org/ark:/13030/kt9j49q63s/


 


Contents

  Acknowledgments vii
  Introduction: "Strategies of Remembrance" 1
PART I. HISTORICAL PREDECESSORS: MELODRAMA
AND MODERNISM
 
1. Mourning, Melancholia, and "New German
Melodrama"
29
2. Modernism's Aftershocks: Peer Raben's Film
Music for Fassbinder
70
PART II. MUSIC AND THE MATERIALS OF HISTORY:
ALEXANDER KLUGE
 
3. Kluge's Assault on History: Trauma, Testimony,
and Difference in The Patriot
107
4. Undoing Act 5: History, Bodies, and Operatic
Remains: Kluge's The Power of Emotion
138
PART III. QUEERING HISTORY THROUGH CAMP
AND KITSCH
 
5. Restaging History with Fantasy: Body, Camp,
and Sound in the Films of Treut, Ottinger,
and von Praunheim
173
6. Introjecting Kitsch: Werner Schroeter, Music,
and Alterity
231
  Coda: Working the Pieces 267
  Notes 279
  Index 313

 

Preferred Citation: Flinn, Caryl. The New German Cinema: Music, History, and the Matter of Style. Berkeley:  University of California Press,  c2004 2004. http://ark.cdlib.org/ark:/13030/kt9j49q63s/