Becoming Chinese |
Contents |
![]() | ILLUSTRATIONS |
ACKNOWLEDGMENTS |
![]() | Introduction |
![]() | 1. The City and the Modern |
![]() | 1. The Cultural Construction of Modernity in Urban Shanghai |
![]() | 2. Marketing Medicine and Advertising Dreams in China, 1900–1950 |
![]() | 3. "A High Place Is No Better Than a Low Place" |
![]() | 4. Engineering China |
![]() | 5. Hierarchical Modernization |
![]() | 6. The Grounding of Cosmopolitans |
![]() | 2. The Nation and the Self |
![]() | 7. Zhang Taiyan's Concept of the Individual and Modern Chinese Identity |
![]() | 8. Crime or Punishment? On the Forensic Discourse of Modern Chinese Literature |
![]() | 9. Hanjian (Traitor)! Collaboration and Retribution in Wartime Shanghai |
![]() | 10. Of Authenticity and Woman |
![]() | 11. Victory as Defeat |
• | THE POSTWAR FILM SCENE |
• | PREWAR CONNECTIONS, WARTIME PASSAGES, AND POSTWAR NETWORKS |
• | FAR AWAY LOVE: A MEANINGFUL FABRICATION |
• | EIGHT THOUSAND MILES OF CLOUDS AND MOON: THE ILLUSION OF REALITY |
• | A SPRING RIVER FLOWS EAST: COMMUNITIES AND IDENTITIES IN FLUX |
• | FAMILY NARRATIVES AS NATIONAL ALLEGORIES |
• | DEFINING THE AUDIENCE AND ITS NEEDS |
• | ISSUES OF CLASS AND GENDER |
• | THE CULTURAL POLITICS OF POSTWAR HOLOCAUST EPICS |
• | DEFEAT AS VICTORY AND VICTORY AS DEFEAT |
• | NOTES |
CONTRIBUTORS |
Index |