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CONTENTS
| List of Illustrations | ix |
| Acknowledgments | xi |
| Introduction: Histories, Silences, and Stories KRISTEN FREDERICKSON | 1 |
| Artemisia's Trial by Cinema MARY D. GARRARD | 21 |
| Mary D. Garrard, Interviewed by Kristen Frederickson and Sarah E. Webb | 30 |
| A Light in the Galaxy: Judith Leyster FRIMA FOX HOFRICHTER | 36 |
| “So What Are You Working On?” Categorizing The Exceptional Woman MARY D. SHERIFF | 48 |
| Mother Land Missed: The Becoming Landscapes of Clementina, Viscountess Hawarden, and Sally Mann CAROL MAVOR | 66 |
| “A Sermon in Patchwork”: New Light on Harriet Powers GLADYS-MARIE FRY | 81 |
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| A Sermon in Patchwork LUCINE FINCH | 95 |
| Two Ways of Thinking about Mary Cassatt ANNE HIGONNET | 100 |
| Florine Stettheimer: Becoming Herself BARBARA J. BLOEMINK | 111 |
| Writing about Forgotten Women Artists: The Rediscovery of Jo Nivison Hopper GAIL LEVIN | 130 |
| Designing Woman: Writing about Eleanor Raymond NANCY GRUSKIN | 146 |
| Elizabeth Catlett MELANIE ANNE HERZOG | 163 |
| Subjectivity, (Auto)Biography, and the “Artist Named Pereira” KAREN A. BEAROR | 179 |
| Codex Spero: Rethinking the Monograph as a Feminist AMY INGRID SCHLEGEL | 200 |
| At Last! A Great Woman Artist: Writing about Carolee Schneemann's Epistolary Practice KRISTINE STILES | 213 |
| Epilogue: Mark Making, Writing, and Erasure SARAH E. WEBB | 238 |
| Bibliography | 251 |
| About the Contributors | 259 |
| Index | 263 |