| SINGULAR WOMEN |
| [Dedication] |
| CONTENTS |
| LIST OF ILLUSTRATION |
| ACKNOWLEDGMENTS |
| INTRODUCTION |
| • | NOTES |
| ARTEMISIA'S TRIAL BY CINEMA |
| • | NOTES |
| MARY D. GARRARD, INTERVIEWED BY KRISTEN FREDERICKSON AND SARAH E. WEBB |
| A LIGHT IN THE GALAXY |
| • | EPILOGUE |
| • | NOTES |
| “SO WHAT ARE YOU WORKING ON?” |
| • | NOTES |
| MOTHER LAND MISSED |
| • | NOTES |
| “A SERMON IN PATCHWORK” |
| • | THE QUILT CHANGES HANDS: THE JENNY SMITH CONNECTION |
| • | A BRIEF OVERVIEW OF HARRIET POWERS'S LIFE AND HER ARTISTIC INSPIRATION |
| • | LUCINE FINCH: A SECOND EYEWITNESS |
| • | THE FINCH INTERVIEW AND ITS LIMITATIONS |
| • | HARRIET POWERS DISCUSSES HER QUILT |
| • | A SPIRITUAL CONNECTION |
| • | NOTES |
| A SERMON IN PATCHWORK |
| TWO WAYS OF THINKING ABOUT MARY CASSATT |
| • | ONE WAY |
| • | ANOTHER WAY |
| • | NOTES |
| FLORINE STETTHEIMER |
| • | NOTES |
| WRITING ABOUT FORGOTTEN WOMEN ARTISTS |
| • | NOTES |
| DESIGNING WOMAN |
| • | NOTES |
| ELIZABETH CATLETT |
| • | NOTES |
| SUBJECTIVITY, (AUTO)BIOGRAPHY, AND THE “ARTIST NAMED PEREIRA” |
| • | NOTES |
| CODEX SPERO |
| • | NOTES |
| AT LAST! A GREAT WOMAN ARTIST |
| • | INTRODUCTION |
| • | I |
| • | II |
| • | III |
| • | NOTES |
| EPILOGUE |
| • | FATHER TIME: (M)OTHER TIME |
| • | NOTES |
| BIBLIOGRAPHY |
| ABOUT THE CONTRIBUTORS |
| INDEX |