SINGULAR WOMEN |
[Dedication] |
CONTENTS |
LIST OF ILLUSTRATION |
ACKNOWLEDGMENTS |
![]() | INTRODUCTION |
• | NOTES |
![]() | ARTEMISIA'S TRIAL BY CINEMA |
• | NOTES |
MARY D. GARRARD, INTERVIEWED BY KRISTEN FREDERICKSON AND SARAH E. WEBB |
![]() | A LIGHT IN THE GALAXY |
• | EPILOGUE |
• | NOTES |
![]() | “SO WHAT ARE YOU WORKING ON?” |
• | NOTES |
![]() | MOTHER LAND MISSED |
• | NOTES |
![]() | “A SERMON IN PATCHWORK” |
• | THE QUILT CHANGES HANDS: THE JENNY SMITH CONNECTION |
• | A BRIEF OVERVIEW OF HARRIET POWERS'S LIFE AND HER ARTISTIC INSPIRATION |
• | LUCINE FINCH: A SECOND EYEWITNESS |
• | THE FINCH INTERVIEW AND ITS LIMITATIONS |
• | HARRIET POWERS DISCUSSES HER QUILT |
• | A SPIRITUAL CONNECTION |
• | NOTES |
A SERMON IN PATCHWORK |
![]() | TWO WAYS OF THINKING ABOUT MARY CASSATT |
• | ONE WAY |
• | ANOTHER WAY |
• | NOTES |
![]() | FLORINE STETTHEIMER |
• | NOTES |
![]() | WRITING ABOUT FORGOTTEN WOMEN ARTISTS |
• | NOTES |
![]() | DESIGNING WOMAN |
• | NOTES |
![]() | ELIZABETH CATLETT |
• | NOTES |
![]() | SUBJECTIVITY, (AUTO)BIOGRAPHY, AND THE “ARTIST NAMED PEREIRA” |
• | NOTES |
![]() | CODEX SPERO |
• | NOTES |
![]() | AT LAST! A GREAT WOMAN ARTIST |
• | INTRODUCTION |
• | I |
• | II |
• | III |
• | NOTES |
![]() | EPILOGUE |
• | FATHER TIME: (M)OTHER TIME |
• | NOTES |
BIBLIOGRAPHY |
ABOUT THE CONTRIBUTORS |
INDEX |