SINGULAR WOMEN |
[Dedication] |
CONTENTS |
LIST OF ILLUSTRATION |
ACKNOWLEDGMENTS |
INTRODUCTION |
• | NOTES |
ARTEMISIA'S TRIAL BY CINEMA |
• | NOTES |
MARY D. GARRARD, INTERVIEWED BY KRISTEN FREDERICKSON AND SARAH E. WEBB |
A LIGHT IN THE GALAXY |
• | EPILOGUE |
• | NOTES |
“SO WHAT ARE YOU WORKING ON?” |
• | NOTES |
MOTHER LAND MISSED |
• | NOTES |
“A SERMON IN PATCHWORK” |
• | THE QUILT CHANGES HANDS: THE JENNY SMITH CONNECTION |
• | A BRIEF OVERVIEW OF HARRIET POWERS'S LIFE AND HER ARTISTIC INSPIRATION |
• | LUCINE FINCH: A SECOND EYEWITNESS |
• | THE FINCH INTERVIEW AND ITS LIMITATIONS |
• | HARRIET POWERS DISCUSSES HER QUILT |
• | A SPIRITUAL CONNECTION |
• | NOTES |
A SERMON IN PATCHWORK |
TWO WAYS OF THINKING ABOUT MARY CASSATT |
• | ONE WAY |
• | ANOTHER WAY |
• | NOTES |
FLORINE STETTHEIMER |
• | NOTES |
WRITING ABOUT FORGOTTEN WOMEN ARTISTS |
• | NOTES |
DESIGNING WOMAN |
• | NOTES |
ELIZABETH CATLETT |
• | NOTES |
SUBJECTIVITY, (AUTO)BIOGRAPHY, AND THE “ARTIST NAMED PEREIRA” |
• | NOTES |
CODEX SPERO |
• | NOTES |
AT LAST! A GREAT WOMAN ARTIST |
• | INTRODUCTION |
• | I |
• | II |
• | III |
• | NOTES |
EPILOGUE |
• | FATHER TIME: (M)OTHER TIME |
• | NOTES |
BIBLIOGRAPHY |
ABOUT THE CONTRIBUTORS |
INDEX |