| Hollywood Quarterly |
| Contents |
| Acknowledgments |
| Introduction: The Hollywood Quarterly, 1945–1957 |
| Editorial Statement |
| 4 |  | 1. The Avant-Garde |
| 3 | • | Experimental Cinema in America Part One: 1921–1941 |
| 1 | • | Experimental Cinema in America Part Two: The Postwar Revival |
| • | The Avant-Garde Film Seen from Within |
| • | Cinema 16: A Showcase for the Non fiction Film |
| 2. Animation |
| • | Animation Learns a New Language |
| • | Music and the Animated Cartoon |
| • | Notes on Animated Sound |
| • | Mr. Magoo as Public Dream |
| 3. Documentary |
| • | Postwar Patterns |
| • | The Documentary and Hollywood |
| • | Time Flickers Out: Notes on the Passing of the March of Time |
| 4. Radio |
| The Case of David Smith |
| Introductory Note |
| The Script |
| • | Cast |
| • | Commentary |
| • | Director's Notes |
| Radio's Attraction for Housewives |
| • | Part I. Radio Attractiveness |
| • | Part II. Psychological Reasons for Attractiveness |
| • | A New Kind of Diplomacy |
| 5. Practice |
| • | A Costume Problem |
| • | Performance under Pressure |
| • | Designing The Heiress |
| • | The Limitations of Television |
| 6. Television |
| • | Hollywood in the Television Age |
| • | You and Television |
| • | Children's Television Habits and Preferences |
| How to Look at Television |
| • | Older and Recent Popular Culture |
| • | Multilayered Structure |
| • | Presumptuousness |
| • | Stereotyping |
| 7. The Hollywood Picture |
| • | Why Wait for Posterity? |
| • | Hollywood—Illusion and Reality |
| • | Negro Stereotypes on the Screen |
| • | Today's Hero: A Review |
| • | An Exhibitor Begs for "B's" |
| • | A Word of Caution for the Intelligent Consumer of Motion Pictures |
| • | There's Really No Business Like Show Business |
| • | There's Still No Business Like It |
| • | Hollywood's Foreign Correspondents |
| 8. Scenes from Abroad |
| • | Advanced Training for Film Workers: Russia |
| • | Advanced Training for Film Workers: France |
| • | The Global Film |
| • | The Postwar French Cinema |
| • | When in Rome … |
| 9. Notes and Communications |
| • | J'Accuse |
| • | Je Confirme |
| • | The Cinémathèque Française |
| Jean Vigo |
| Introductory Note |
| • | Jean Vigo |
| Two Views of a Director— Billy Wilder |
| • | I. A Matter of Decadence |
| • | II. A Matter of Humor |
| • | Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau |
| 1 | Selected Names Index |
| Selected Titles Index |
