Index
A
Adorno, Theodor W., 58 , 61 -64, 67 , 83 , 129
Afanasiev, Alexander, 14
Agon,3 ;
"Bransle Gay," 97 -99
Après-midi d'un faune, L' (Debussy), 35
Associated Music Publishers, 40 , 54
"Augurs of Spring":
scenario, 3 -4, 5 , 21 , 24 , 27 ;
motto chord, 7 , 54 , 67 -71, 132 , 137 -41;
sketches, 24 -27, 31 , 132 -41, 180 ;
early revisions (Monteux), 37 -38;
pitch relations, 151 -55, 174 , 178 -80, 185 -88;
interval-5 cycle, 178 -79
B
Ballets Russes, 1 , 34 , 35 , 38
Beethoven, Ludwig van, 96
Benois, Alexandre, 139
Berceuses du chat,61
Berlin, Germany, 34 , 36 , 38 , 42 , 44
Boosey and Hawkes, 40 , 43 , 44
Boulez, Pierre, 9 ;
on rhythm in The Rite,66 -69, 94 ;
on pitch structure, 128 -29, 131
Brahms, Johannes, 129 -30
Bullard, Truman, 17
C
Canudo, Ricciotto, 4
Chant funèbre,127
Clarens, Switzerland, 24 , 25 , 34 , 36 , 139
Concertgebouw Orchestra, 44
Concerto in D, 59
on scenario ("Rival Tribes"), 19 ;
on chronology of early sketches, 34 , 138 , 139 , 196 ;
on first rehearsals, 38 ;
on Symphony of Psalms,212
D
"Dance of the Earth":
sketches, 34 ;
rhythmic Type II, 100 ;
pitch relations, 164 , 186 , 187 ;
interval-5 cycle, 186
Daphnis et Chloé (Ravel), 35
Diaghilev, Sergei, 1 , 6 , 22 , 139 ;
sketchbook dedication, 9 ;
"Divination with Twigs," 3 , 5 , 24
D-scale (Dorian), 212 ;
in "Augurs of Spring," 179 -80;
in "Abduction," 181 -83.
See also Tetrachord, (0235)
E
Editions, 39 -44. See also Revisions
Elegy to J.F.K.,58
Erwartung (Schoenberg), 63
Evans, Edwin, 8
"Evocation of the Ancestors," 26 , 58 ;
revised barrings, 40 -41, 44 -51, 86 -94;
rhythmic Type II, 45 -49, 85 -86, 97
F
Faun and Shepherdess,116
Firebird, The,1 , 22 , 35 , 37 ;
scenario compared to The Rite,3 ;
octatonic pitch relations, 120 -23
Forte, Allen, 207 -11
G
Glinka, Mikhail, 116
"Glorification of the Chosen One," 2 , 94 ;
pitch relations, 167 -68, 190 -91
Gorodetsky, Sergei, 10 , 14 -15
Gray, Cecil, 57 , 61 , 73 , 129 ;
on Stravinsky's rhythm, 58 -60, 67 , 83 ;
on "Sacrificial Dance," 59 -60
H
"Soldier's March," 51 , 61 , 80 -84, 86 , 94 , 96
I
Idut-vedut. See "Procession of the Sage"
Imbrie, Andrew, 67
Interpenetration, octatonic-diatonic, 181 -82
Interval-5 cycle, 178 -79, 183 -88
Introduction (Part I), 4 -5;
folksongs, 11 ;
sketches lost, 32 -33;
pitch relations, 149 -50, 174 , 183 -84
Introduction (Part II):
sketches (sketchbook), 23 , 24 , 34 , 137 ;
early sketches (notebook), 32 , 193 -97;
pitch relations, 165 -66, 191 -201;
rhythmic Type II, 199 -201
J
Juszkiewicz, Anton, 10 -12
K
Kalisch, Alfred, 1
Kastchei the Immortal (Rimsky-Korsakov), 119 -22
Khovanshchina (Mussorgsky), 38
Kochno, Boris, 9
L
on Stravinsky's rhythm, 60 -61, 63 , 67 , 83
Linyova, Evgeniia, 14
M
Masque of the Red Death, The (Poe), 22
Meyer, André, 9
Monte Carlo, Monaco, 35
Monteux, Pierre:
and concert performances, 6 , 17 ;
attends audition, 35 ;
suggests revisions, 37 -38
Morton, Lawrence, 10
Mozart, Wolfgang Amadeus, 96
Muzyka, 5
"Mystic Circles of the Young Girls," 2 , 24 , 26 ;
N
Neoclassicism, 211 -13
Newman, Ernest, 1
New York City Ballet, 15
Nijinsky, Vaslav, 2 , 6 , 7 , 8 , 16 , 38
Noces, Les (1st tableau), 58 , 59 , 211 ;
scenario compared to The Rite,3 ;
folksongs, 16 ;
revised barring, 71 -75;
rhythmic analysis, 76 -79, 80 , 86 ;
rhythmic Type I, 71
Nocturnes (Debussy), 116
O
Octatonic Pitch Collection:
Rimsky-Korsakov's use, 119 -23;
in early Stravinsky, 123 -28;
tonal implications, 129 -31;
vocabulary, 140 -43;
in "Ritual Action," 142 ;
interval orderings (scales), 143 -45;
transpositions, 144 ;
partitioning formulae, 145 -48;
in Part I, 148 -89;
in Part II, 190 -211;
in neoclassical works, 211 -13
Octet, 80
Oedipus Rex, 84 -85
One Hundred Russian National Songs (Rimsky-Korsakov), 12
P
Paris, France, 1 , 6 , 22 , 38 , 138
Petrushka, 1 , 17 , 23 , 35 , 37 ;
scenario compared to The Rite,3 ;
folksongs, 20 ;
octatonic pitch relations, 125 -27;
Pierrot Lunaire (Schoenberg), 61
Pitch-class sets, 207 -11
Poe, Edgar Allan, 22
Prélude symphonique (Steinberg), 127
Pribaoutki, 61
Primary Chronicle, The,14
"Procession of the Sage":
sketches, 27 -31;
rhythmic Type II, 100 , 102 , 104 -8;
pitch relations, 163
R
Ravel, Maurice, 35
Renard, 80
Revisions:
early (Monteux), 37 -38;
chronology of, 39 -56.
See also "Augurs of Spring"; "Evocation of the Ancestors"; "Ritual of Abduction"; "Ritual of the Rival Tribes"; "Sacrificial Dance"
Rhythmic Type I:
in "Evocation," 45 -49, 85 -86;
compared to Type II, 100 -101;
in Agon, 97 -99;
in Les Noces,101 ;
in "Rival Tribes," 101 -4;
in "Abduction," 108 -11;
in "Sacrificial Dance," 201 -3
Rhythmic Type II:
explained 99 -100;
in "Procession," 99 -100, 102 , 104 -8;
in "Dance of the Earth," 100 ;
compared to Type I, 100 -101;
in Introduction to Part II, 199 -201
Rimsky-Korsakov, André, 116
Rimsky-Korsakov, Nicolai Andreevich, 12 , 14 , 20 ;
as Stravinsky's teacher, 115 -16;
use of symmetrical pitch relations, 116 , 119 -23, 131 ;
dedication of Chant funèbre,127 .
See also Kastchei the Immortal; Sadko
"Ritual Action of the Ancestors":
scenario, 27 ;
"Ritual of Abduction":
sketches, 10 , 12 -13, 23 , 24 , 31 -32, 113 -14;
metric disruption, 64 -67;
rhythmic Type I, 108 -14;
pitch relations, 125 -26, 155 -60, 181 -82, 183 -84, 188 -89;
octatonic-diatonic interpenetration, 181 -82;
interval-5 cycle, 183 -84, 185 , 186
"Ritual of the Rival Tribes":
scenario, 5 , 19 , 21 , 25 , 102 ;
sketches, 23 , 24 , 27 -31, 138 ;
revisions,
rhythmic Type I, 101 -4;
pitch relations, 125 -27, 142 , 160 -63, 188 -89
Roerich, Nicolas:
collaboration on scenario, 2 , 3 , 4 , 7 , 14 , 19 , 139 ;
early drawings, 22 -23
Ruslan and Ludmilla (Glinka), 116 -19
Russian Musical Gazette, 4
Russischer Musik Verlag, 34 , 36 , 40 , 42 , 139
S
"Sacrificial Dance":
sketches (sketchbook), 24 , 34 -35, 51 -55, 137 ;
early sketches (notebook), 32 -33, 193 -96;
critical reaction to, 59 -60, 63 -64;
rhythmic analysis, 51 -55, 94 -96, 201 -3;
pitch relations, 170 -73, 179 , 188 , 203 -7;
Forte's pitch-class set analysis, 207 -11
Sadko (Rimsky-Korsakov), 119 -20, 131
"Sage, The":
Scherzo fantastique,123 -25
chronology of, 23 -33;
composition of, 34 -36.
See also "Augurs of Spring"; "Evocation of the Ancestors"; "Glorification of the Chosen One"; "Procession of the Sage"; "Ritual of Abduction"; "Ritual of the Rival Tribes"; "Sacrificial Dance"
"Soldier's March." See Histoire du soldat
"Spring Rounds":
sketches, 10 , 12 -13, 23 , 31 -32, 136 ;
scenario, 27
Staviat Iarilu (Gorodetsky), 10
Steinberg, Maximilian, 127 , 129
Symphony in Three Movements, 125 , 213
Symphony of Psalms,125 , 211 -13
T
Taruskin, Richard, 126 -27;
on borrowed folksongs, 12 , 13 , 16 -17, 20 ;
on scenario, 14
Tetrachord, (0235):
in Kastchei the Immortal (Rimsky-Korsakov), 119 -21;
in Scherzo fantastique,123 -25;
in "Rival Tribes," 125 -27;
as connecting link, 128 -29, 181 -82;
in Part I, 140 -89;
See also Octatonic Pitch Collection
Thomson, Virgil, 58
"Two Melodies of Gorodetsky," 10 , 15
U
Ulysses (Joyce), 3
Z
Zvezdoliki (The King of the Stars), 207