| The Royal Image |
| PREFACE |
| ACKNOWLEDGMENTS |
| ABBREVIATIONS |
 | INTRODUCTION— VERNACULAR HISTORY, LATIN HISTORIOGRAPHY, ROYAL PATRONAGE, AND THE GRANDES CHRONIQUES |
 | PART I— THE FIRST ILLUSTRATED COPIES OF THE GRANDES CHRONIQUES |
| Chapter One— Philip III's Grandes Chroniques |
| Chapter Two— Manuscripts Produced during the Reigns of the Last Direct Capetians |
| PART II— DYNASTIC CHANGE AND THE REPRESENTATION OF HISTORY IN THE MID-FOURTEENTH CENTURY |
| Chapter Three— Textual and Pictorial Innovation in John the Good's Grandes Chroniques |
| • | Chapter Four— The Courtly Response in Manuscripts by the Master of the Roman de Fauvel |
| PART III— THE GRANDES CHRONIQUES OF KING CHARLES V |
| Chapter Five— The First Stage of Execution (before 1375) |
| Chapter Six— The Second Stage of Execution (c. 1375—77) |
| Chapter Seven— The Third Stage of Execution (after 1379) |
| PART IV— MANUSCRIPTS PRODUCED DURING THE REIGN OF CHARLES VI |
| • | Chapter Eight— The Legacy of Charles V |
| • | Chapter Nine— Popular Manuscripts and the Religion Royale |
| Chapter Ten— Advice to the Nobility in Manuscripts Produced in the Style of the Master of the Cité des Dames |
| EPILOGUE— THE GRANDES CHRONIQUES IN THE LATE FIFTEENTH CENTURY |
| Notes |
| APPENDIX I— ARTISTS IN GRANDES CHRONIQUES PRODUCED C. 1274–1422 |
| APPENDIX II— SURVIVING MANUSCRIPTS OF THE GRANDES CHRONIQUES AND THEIR PROVENANCE |
| CATALOGUE OF MANUSCRIPTS |
| SELECTED BIBLIOGRAPHY |
| INDEX |