| Ceremonial Costumes of the Pueblo Indians |
| PREFACE |
| AUTHOR'S PREFACE |
| INTRODUCTION |
| NOTE ON PRONUNCIATION OF INDIAN WORDS AND PHRASES |
 | PART ONE THE PUEBLOS, THEIR HISTORY AND PRESENT LIFE |
| • | History |
| Location of Pueblos |
| • | Hopi. |
| • | Zuñi. |
| • | Rio Grande. |
| • | Acoma. |
| • | Laguna. |
| • | San Felipe. |
| • | Santa Ana and Sia. |
| • | Santo Domingo. |
| • | Cochiti. |
| • | Isleta and Sandia. |
| • | Jemez. |
| • | Nambé and Tesuque. |
| • | San Ildefonso. |
| • | Santa Clara. |
| • | San Juan. |
| • | Picuris. |
| • | Taos. |
| • | Climate |
| • | Social Customs |
| • | Architecture |
| • | Agriculture |
| • | Pottery |
| Dress |
| • | Hair arrangement. |
| • | Communal Life |
| • | Government |
| • | Manners |
| Religion |
| • | Pantheon of supernaturals. |
| • | Organizations. |
| • | Kiva. |
| • | Ritual. |
| • | Cults. |
| • | The dance. |
| • | Ceremonial Calendar |
| • | The Influence of the Catholic Church |
| PART TWO COSTUME MATERIALS AND THEIR SIGNIFICANCE |
| Fabrication of Cloth |
| • | Fiber. |
| • | Spinning. |
| • | Weaving. |
| • | Preparation of Skins |
| Feathers |
| • | Macaw. |
| • | Turkey. |
| • | Eagle. |
| • | Duck. |
| • | Crow and owl. |
| Nature Forms |
| • | Evergreen. |
| • | Gourds. |
| • | Yucca. |
| • | Corn. |
| • | Cotton. |
| • | Herbs and flowers. |
| Decoration |
| • | Color. |
| • | Paints and stains. |
| • | Dyes. |
| • | Embroidery. |
| PART THREE DETAILED ANALYSES OF PARTS OF COSTUMES |
| • | Body Paint |
| • | Mantles |
| Body Garments |
| • | Breechclout. |
| • | Kilt. |
| • | Shirt. |
| • | Women's dress. |
| • | Trousers. |
| Leg Coverings |
| • | Leggings. |
| • | Garters. |
| • | Anklets. |
| • | Moccasins. |
| Arm Ornaments |
| • | Arm bands. |
| Accessories |
| • | Sash. |
| • | Belt. |
| • | Foxskin. |
| • | Bandoleers. |
| • | Jewelry. |
| • | Sun-disk ornament. |
| Dance Properties |
| • | Rattles. |
| • | Wands. |
| • | Baskets. |
| • | Make-up |
| • | Headdresses |
| Masks |
| • | Half mask. |
| • | Face mask. |
| • | Helmet mask. |
| • | Ornamentation of masks. |
| PART FOUR COSTUMES IN RELATION TO THE PRAYER DRAMA |
| • | Origin of Ceremonial Costume |
| • | Fundamental Ceremonial Costume |
| Costumes for Impersonations |
| • | Buffalo Dance, San Ildefonso. |
| • | The Buffalo Dance, Tesuque. |
| • | Dance of the Game Animals, San Felipe. |
| • | The Eagle Dance. |
| Comparison of Style |
| • | Taos. |
| • | San Ildefonso. |
| • | San Juan. |
| • | Hopi. |
| • | Ceremonial Powamu, Hopi |
| • | Ceremonial Kokochi, Zuñi |
| Clowns |
| • | "Chiffoneti." |
| • | Mudheads. |
| APPENDIX |
| Notes |
| • | History |
| • | Location of Pueblos |
| • | Social Customs |
| • | Architecture |
| • | Agriculture |
| • | Pottery |
| • | Dress |
| • | Communal Life |
| • | Manners |
| • | Religion |
| • | Ceremonial Calendar |
| • | The Influence of the Catholic Church |
| • | Fabrication of Cloth |
| • | Preparation of Skins |
| • | Feathers |
| • | Nature Forms |
| • | Decoration |
| • | PART THREE DETAILED ANALYSES OF PARTS OF COSTUMES |
| • | Body Paint |
| • | Mantles |
| • | Body Garments |
| • | Leg Coverings |
| • | Arm Ornaments |
| • | Accessories |
| • | Dance Properties |
| • | Make-up |
| • | Headdresses |
| • | Masks |
| • | PART FOUR COSTUMES IN RELATION TO THE PRAYER DRAMA |
| • | Fundamental Ceremonial Costume |
| • | Costumes for Impersonations |
| • | Comparison of Style |
| • | Ceremonial Powamu, Hopi |
| • | Ceremonial Kokochi, Zuñi |
| • | Clowns |
| BIBLIOGRAPHY |
