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Kiva.

—In each pueblo there are two or more kivas.[25] A kiva[*] is a chamber or room built especially for the meetings of a group and used by its members as a clubhouse for the men, where they come together to talk and work.[26] It is here that many of the semipublic ceremonies take place. At certain times it can be called the theater for religious entertainment.

At Hopi each village has six kivas, in accordance with the cardinal directions. These are subterranean rooms, sometimes built in the mesa side with one exposed wall in which a small hole admits light and air, the roof being kept level with the mesa top. The rooms are rectangular and measure about twenty-five feet long and some fifteen feet wide.[27] About one-third of the floor space is raised a foot above the rest. This may be reserved for spectators of the indoor performances. In the center of


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the roof is the entrance hatchway, through which the long ladder extends. Directly below this opening is the fireplace, a pit which uses the hatchway as a smoke hole. At the lower end a plank with a tightly plugged hole covers a cavity in the floor which represents the place of emergence from the inner worlds, and through which the prayers of the people are supposed to return to the Great Ones. Along one or more side walls is an earthen ledge which serves as a seat and, at the lower end, provides a shelf upon which religious paraphernalia are placed.

The six ceremonial chambers at Zuñi are square buildings incorporated in the house units. There is a hatchway entrance from above, as well as a communicating door to an adjoining house, and a small wall opening on the street side for air. A covered fireplace is found directly below the hatchway and earth ledges are built out from the walls. However, here there is no hole to the underworld.[28]

At Acoma, also, the seven ceremonial chambers are in the house blocks. They are designated as special buildings by the double ladders which lead to their roofs. The poles of these ladders are longer than ordinary, and the crosspieces at the tops are carved with designs suggestive of lightning symbols.[29] Only one of the Acoma chambers has the planked resonance hole in the floor.

One other kiva form is significant. In the Rio Grande region separate circular buildings may be found beside the dance plaza. They are semisubterrane, and sometimes the tops are built to a considerable height. A fine example at San Ildefonso has an outside stairway leading to the top, where a ladder through a hatchway leads one down into the interior. A small opening on the side provides light and air. At one dance I saw there, the more slender and agile dancers climbed in and out through this opening. In some places these round houses appear to be used by different groups and constitute a dressing room or exhibit space for ceremonies;[30] other rooms or kivas in the various Rio Grande pueblos serve as society


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Plate 4.
Hehea, Hopi mask, with collar of evergreen.


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and moiety headquarters. There may be several different types of kivas in one village; for example, Isleta has two round houses, two detached rectangular houses, and a separate building for general assemblage.[31]


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