Music as Cultural Practice, 1800–1900
  Preface
  Acknowledgments

  1—  Tropes and Windows:  An Outline of Musical Hermeneutics
 expand section2—  Beethoven's Two-Movement Piano Sonatas and the Utopia of Romantic Esthetics
 expand section3—  Impossible Objects:  Apparitions, Reclining Nudes, and Chopin's Prelude in a Minor
 expand section4—  Liszt, Goethe, and the Discourse of Gender
 expand section5—  Musical Form and Fin-De-Siècle Sexuality
 expand section6—  "As If a Voice Were in Them":  Music, Narrative, and Deconstruction

  Appendix:  Texts and Translations
  Textual Sources
 expand sectionIndex
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