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Chapter Five Women Friends and Marriage Work
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Emotion Work

There is a type of serf-oriented marriage work that Arlie Hochschild has labeled "emotion management." Emotion management


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(or emotion work) refers to "the act of trying to change in degree or quality an emotion or feeling." Hochschild identifies emotion work in acts upon nonreflective primary emotion, attempts to comply with "feeling rules" that are implicit in authoritative ideologies;[2] an example is the attempt not to be angry when one believes one has "no right" to be. I depart from Hochschild's schema to reserve the term emotion work for work upon the self; I include emotion work upon others in my second category, situation management (my reasons for doing so should become clear by the end of this chapter).

Among Hochschild's techniques of emotion work, I focus on cognitive techniques: "the attempt to change images, ideas, or thoughts in the service of changing feelings associated with them."[3] In women's accounts of discussions among friends we can identify their cooperation in cognitive emotion work. Every woman I spoke to said that talking to a friend had changed her attitude or feelings about her husband or about a disagreement with him. All but one easily produced examples. The most frequent first description of a friend's help with emotion work was just listening, although something more than passive listening was often implied.

I think it helps just to freely say it out loud to someone you earl trust.

I can let out things that have been pent up inside me. I can let them out and forget them.

The best thing is just having someone else to hear it, so that I know I'm not really nuts.

[My friend] just being there if I need to talk to somebody. That kind of emotional support. . .. Sometimes it puts it into perspective just to hear it out loud. Or to hear what someone unbiased thinks about it.

Several women said that the opportunity to think aloud, without getting advice or guidance, allowed them to explore their own minds at some distance from the emotion, confusion, or conflict they felt when examining a marital problem. But whatever the value of "just listening," most of the women added, as did Kay above, that they engaged in a more extensive give-and-take on the subject of each other's marriage problems. "There are times when it's appropriate to listen to someone bitch, and there are times when it's appropriate to give some constructive criticism. Sally and


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I have done both for each other. Nowadays, she tends to come to me for advice and I tend to go to her to listen."

The advice and "constructive criticism" is the end product of a process that involves a woman in actively examining and analyzing her friend's situation, behavior, and emotions. Gail explained: "They showed me ways I hadn't seen before of looking at a situation. They've given me different viewpoints from the ones I was taking. And their views made sense. I'd take Gwen's viewpoint and look at it and think, 'Yeah, this really could be happening for that reason. I hadn't even thought of it!'" The result, Gail went on to explain, is "a better evaluation of a situation," "relief" from anger— new bases of tolerance. Exploring the aims, contents, and effects of emotion-oriented exchanges will take us further into the nature of marriage work among friends.

One mode of emotion work for which friends are frequently credited aims to generate empathy for a woman's husband.

So much of the time I only see my side—I've got blinders on. And June will say, "You know, he's probably feeling real insecure and angry." And for the first time I'll realize there's another human being mixed up in this, instead of just me and my own passions.

Vera could see Hal's problems. She had a brother who was an awful lot like him. She would try to understand him and to help me understand him.

Marla is very positive in her thinking. I might go to her and complain that David did this and I'll have made my mind up why he did it. My explanation will be pretty negative and angry. She'll listen and say, "Maybe he did it because of. . .," and her explanation will be something I never even considered. It's something else for me to think about, and it makes my anger subside.

Emotion work evoking empathy can be followed by situation-changing marriage work. Lynn described how Donna helped her empathize with her husband so that Lynn could improve relations between him and her daughters by a former marriage: "There would be times I'm thinking, 'Poor me, I can't take this,' and blaming it all on Jerry. And Donna will remind me, 'Well, you know, he's never had any children. You have to. . ..' And my feelings about it will really change. . .. I can help them work it out."

Generating empathy to subdue anger or frustration is an ex-


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ample of what Hochschild calls a "frame change," a recodification of a situation that brings (or frees one to adopt) an appropriate emotional response.[4] As women recounted these frame changes, their voices carried awe and appreciation for a friend who moved them through unyielding anger and negativity to affection and hope and set them on a calmer, problem-solving course.

A similar but not identical frame-changing strategy is ennobling the adversary. The pacifying change in perspective occurs here when a friend reveals some brilliant facets of what until then appeared to be a rough, heavy stone.

A lot of time I just looked at the negative. I'd compare Gary to the other husbands. And when you look at someone else's husband, you just see the good side, not the bad one. Jan will point out to me, "You know Gary helps with the dishes"—or does this or that—"and Eddie never does." I'd start to think, "Gee, I really am lucky he does that. He's not all bad."

Occasionally, my friends will say something about Jeff that puts him in a different light and makes me appreciate him more. He impresses people in certain ways that I forget about because I live with it. Like someone will mention something he said that went right past me. And I'll think, "That's kind of nice."

Doreen tells me, "Jesse loves you." And he's this and he's that. She tells me his fine points and puts me in good spirits about him.

Humor is another frame-changing strategy that friends encouraged. A joke, usually self-deprecating, would make a noxious situation seem benign. Humor can instantaneously alter the frame and dissipate unwelcome emotions. "Sometimes when you've talked about something you've been upset about, you feel ridiculous being so upset. I'll just have to laugh. Just by laughing with me, friends have helped me not to worry."

Probing the emotions themselves can change them. This is a direct emotion-changing rather than frame-changing strategy. Anger, jealousy, shame, and other negative feelings are legitimate and acceptable to friends, women reported. These emotions can be expressed before close friends, their roots can be explored, and they can be worked over in cooperative reflection. Rita offered an example:


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Sometimes, if I'm caught up in some emotions about an issue with Lloyd, I don't feel comfortable being there—in that state—right then. I feel a little shame, a little embarrassment. But by talking about it with June, I can bring it out and look at it. Then I don't feel so weird.

I'll even talk a bit about the shame or embarrassment. June's usually a little surprised, because she sees anger, and that sort of feeling, as very common. This just airs it out a little, and then I feel I can take care of it.

All the women without exception said they talked with friends about feelings of anger. Most of the time, the aim of these discussions was explicitly to defuse anger or other volatile emotions. But their method was not simply to suppress emotion. As Rita indicated above, working over emotion with friends enabled women first to express the emotion.

Using anger, we can study how women work over emotion with each another. A friend is not the object of the anger, so she can more easily sympathize, perhaps empathize, even collude: "If I say he's a son of a bitch, Loretta will say, 'You're darn right he is!'" Expressing the anger to an intimate who is not its object permits a woman to experience her feelings without escalating conflict or using strategies she might ultimately regret. Such an exchange empowers her by affirming her interpretation of reality. Its expression feels "safe" because it protects an emotion (and also affirms emotionality) and because it defuses further conflict with the spouse. "I told Gwen, 'I'm not going to take this stuff. I'm going to let him have it!' But when I talked it out with her, it took some of the stress out of it. Whew!"

I heard many examples of collective emotion management in accounts of discussion of marriage among friends. Friend helped friend to suppress unwelcome emotion and evoke desirable emotion for responding to problems in their marriages. Throughout this chapter, I explore these exchanges among friends to interpret the "conventions of feeling" and the conventions of framing marital encounters that emerged in my interviews.[5] The material just reviewed suggests that conducting emotion work with friends helps women to manage emotions within a context that allows them to acknowledge original feeling but to manage it so as to sustain their marriage commitment. There is a paradox here that this chapter also explores.


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