Preferred Citation: Hawkeswood, William G. One of the Children: Gay Black Men in Harlem. Berkeley:  University of California Press,  c1996 1996. http://ark.cdlib.org/ark:/13030/ft6t1nb4dd/


 
Notes

5— "Different from Other Colors": Black Culture and Black Identity

1. Here I'm using black as a cultural adjective, not as a racial category. Admittedly, being black, as a political expression, may limit or dictate the adoption of black partners, but being black per se does not. Also, situational preference develops out of residence patterns.

2. Specifically, in anthropological writings that embrace the thesis of a black "culture of poverty." Works of that theoretical persuasion implied that cultural traits associated with poverty in the black community, such as single-parent families, were passed from generation to generation through socialization. See Lewis (1966) and Valentine (1968).

3. It is important to note that this study did not focus on race per se, or on interracial relationships (social or sexual). Also, most of the informants did not discuss race, as it is not an important issue for them in their daily social lives. Yet some social scientists, especially psychologists, would have it that the construction of a positive black identity is the result not only of interracial contact but also of black self-hatred. This may be the case for a few of these informants, but the majority do not and have not experienced any long-term interracial interaction. Moreover, they have been socialized by "black is beautiful" ideologies. Race and interracial conflict, then, are not big issues for these gay black men in their daily lives.

4. These men have a convenient supply of black male sex partners in the black community and rarely interact with men of other races. None rejected men of other races as potential partners, but they often noted that black-on-black relationships are an expression of pride. Gay Men of African Descent (GMAD) members, in particular, frequently stated that they actively sought such relationships as a pro-black statement. However, their choices are not meant as expressions of anti-white sentiment. It was evident from some informants' comments that blacks who have white or Hispanic partners are seen as "different" primarily because they tend to socialize outside of the community.

5. Incomes in this population range from $10,000 to $250,000. For example, Cleveland, with an $85,000 job, rents or leases apartments and land he owns down South, and he has other investments earning hundreds of thou- soft

sands of dollars per year. In contrast, Freddy depends on hustling (not just for sex) and the contributions (money, shelter, meals) of friends and family. His income was difficult to calculate and unreliable. Anyway, income is only one indicator of class. Education, residence, and social contacts, among other variables, need to be considered. Cleveland and Freddy are best friends.

6. Sometimes lesbian friends will accompany gay men to dances and on boat rides. But otherwise their presence in the gay social scene is minimal. It is presumed by these informants that lesbians in Harlem have their own social scene and are more likely to participate in mainstream lesbian and gay life.

7. Until comparable work is carried out with non-gay black men, we can not extend this finding beyond the black gay community. Evidence does exist in my data, however, that non-gay, unmarried black men are also involved in child care.

8. See Martin and Dean (1990).

9. Lewis (1975) stresses the importance given to interpersonal relationships, nurturance, and emotional expression (as well as idiosyncratic behavior and nonconformity) in the socialization of black children, as opposed to the independence, individualism, and conformity stressed in white children's socialization. For further examples of the cultural attributes instilled during socialization in the black community, see Kunkel and Kennard (1971), Lewis (1964), and Young (1970).

10. See Anderson (1987:3-7), Harris (1968:99, 103), Johnson (1968), Lewis (1989:27-28), McKay (1940:18-20), and Osofsky (1971:113-117).

11. For further information on the Nation of Islam, see Lincoln (1961) and Lomax (1963).

12. Kwanzaa is an annual festival celebrating the African roots of black Americans. Held over the Christmas and New Year's season, it features a different theme on each of the eight days of celebration (McClester 1985).

13. "It was inevitable that preachers who had played such an important role in the organized social life of Negroes should become political leaders during the Reconstruction period when the Negro enjoyed civil rights. . . . During the Reconstruction period a number of outstanding leaders in the Baptist and in the other Methodist denominations became outstanding leaders of Negroes in politics. . . . As a result of the elimination of Negroes from the political life of the American community, the Negro Church became the arena of their political activities. . . . The Negro church was not only an arena of political life for the leaders of Negroes, it had a political meaning for the masses. Although they were denied the right to vote in the American community, within their churches, especially the Methodist churches, they could vote and engage in electing their officers" (Frazier 1964:47-49). See also Du Bois (1989).

14. See Anderson (1987), Huggins (1971), Lewis (1989), and Naison (1985).

15. For further information, see Ottley (1968) and Schiffman (1984).

16. See Berry and Blassingame (1982); Breitman, Porter, and Smith (1976); and Harris and Wicker (1988).

17. A "toast" is a "folk poem" usually associated with black hustler culture (Wepman, Newman, and Binderman 1976).

18. Such separatist ideological expression can best explain the racial attitudes statistically accounted for by Schuman, Steeh, and Bobo (1985).

19. See Cromartie and Stack (1990).

20. See Garcia-Barrio (1988).

21. "These hero figures were important. They symbolized the strength, dignity, and courage many Negroes were able to manifest in spite of their confined situation. . . . After slavery Afro-American folklore began to feature other types of heroes as well: secular, human heroes who were not to be contained by the limits of the actual" (Levine 1978:400).

22. John Henry was a black laborer, a big, powerful man of slave ancestry who worked in the mines and on the railroads. He worked harder and faster than any other laborer but was finally defeated in a race against a train, or, in some accounts, from overexertion while steel-driving in competition against a steam drill. The white man's machine finally crushed the honest labor of the black man. The events of John Henry's life have been much embellished over the years, and different storytellers emphasize different attributes of the man and his deeds. Here, many gay informants emphasized the refrains concerning the man's physical strength, his masculine attributes, and his sexual prowess.

23. See Hannerz (1969:94-104); Schulz (1969); and Wepman, Newman, and Binderman (1976:3-4).

24. This may reflect a "negative" respect—that is, respect out of fear. Undoubtedly, many do not respect the church, reflecting a resentment born of the churches' teachings on homosexuality.

25. For an explication of "expressive culture" and its application to aspects of black culture, see Gay and Baber (1987). In their anthology, they have collected papers that discuss the sociocultural aspects of black expressiveness, an "Afro-American ethos" that derives as much from Africa as from slavery, economic deprivation, and inner-city living: "[African-Americans have] created an ethos of expressiveness which was (and is) at once pragmatic and aesthetic, poetic and paradoxical, sustaining and enriching, ironic and incredibly imaginative. Of great importance to this ethos were an aesthetic of style, the spirituality of communal participation, and the power of performance in conveying the essence and vitality of life and culture" (Gay 1987a:2-3).

26. See Anderson (1978), Hannerz (1969), Keiser (1969), Liebow (1967), Stack (1974), and Williams (1981).


Notes
 

Preferred Citation: Hawkeswood, William G. One of the Children: Gay Black Men in Harlem. Berkeley:  University of California Press,  c1996 1996. http://ark.cdlib.org/ark:/13030/ft6t1nb4dd/