Culture and Power in Banaras

  CONTRIBUTORS
  PREFACE
 expand sectionNOTES ON TRANSLITERATION

 expand sectionINTRODUCTION:  THE HISTORY AND POLITICAL ECONOMY OF BANARAS

 collapse sectionPART ONE—  PERFORMANCE AND PATRONAGE
 expand sectionIntroduction to Part 1—  Performance and Patronage
 expand sectionOne—  Ram's Story in Shiva's City:  Public Arenas and Private Patronage
 expand sectionTwo—  The Birth of Hindi Drama in Banaras, 1868–1885
 expand sectionThree—  The Rise of a Folk Music Genre: Biraha

 collapse sectionPART TWO—  IDENTITY AND CONSTRUCTIONS OF COMMUNITY IN BANARAS
 expand sectionIntroduction to Part 2—  Identity and Constructions of Community in Banaras
 expand sectionFour—  Protection and Identity:  Banaras's Bir Babas as Neighborhood Guardian Deities
 expand sectionFive—  Work and Leisure in the Formation of Identity:  Muslim Weavers in a Hindu City

 collapse sectionPART THREE—  BANARAS IN WIDER ARENAS
 Introduction to Part 3—  Banaras in Wider Arenas
 expand sectionSix—  Forging a New Linguistic Identity:  The Hindi Movement in Banaras, 1868–1914
 expand sectionSeven—  State and Community:  Symbolic Popular Protest in Banaras's Public Arenas
 expand sectionEight—  Land Use and Environmental Change in the Gangetic Plain:  Nineteenth-Century Human Activity in the Banaras Region
 expand sectionNine—  The Ecology and Cosmology of Disease in the Banaras Region

  LIST OF ABBREVIATIONS
 expand sectionBIBLIOGRAPHY
 expand sectionINDEX

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