| Fifteen Jugglers, Five Believers |
| Preface |
 | One— Literary Politics and the Poetics of Social Movements |
| • | Reading Theory |
| • | Literary-Textual-Cultural Studies: A Genealogy |
| • | The Poetics of Social Movements |
| • | The Fiction of Postmodernist Realism |
| Two— Aesthetics and the Overprivileged: The Politics and Ethics of Representation in Let Us Now Praise Famous Men |
| • | Allegories |
| • | Themes and Variations |
| • | The Subject of Disciplines |
| • | Beginning to End the Book |
| • | Fict or Faction? |
| • | Cubist Sociology |
| • | Real Photographs |
| • | Reading Relations and Democratic Conventions |
| • | Sonata for Class Struggle |
| Three— Invisible Movements, Black Powers: Double Vision and Trickster Politics in Invisible Man |
| • | White Canons, Black Masks |
| • | Wearing White Face |
| • | Eloquence, Audience, and Rhetorics of Liberation |
| • | Tricksters, Trappers, and Tropesters |
| Four— Disrupting the Theater of War: Armies of the Night and the New Left Siege of the Pentagon |
| • | Doubled Jeopardy |
| • | Hermeneutical Surroundings: The Text as Event |
| • | Novel/History/Epic |
| • | Carnival/Time |
| • | The Cutting Edge of Radical Style: Event as Text |
| • | Prefiguring a New Left Aesthetic |
| Five— Dramatic Ecofeminism: The Women's Pentagon Action as Theater and Theory |
| • | A New Stage of the Movement |
| • | Mobilizing Emotion |
| • | Forging (Collective) Identities |
| • | Strategic Rage |
| • | Defying Consensus |
| • | Dramatic Theories |
| Six— Toward Some Postmodernist Populisms: A Prescriptive Postscript |
| • | W(h)ither Intellectuals? |
| • | Formalisms and Their (Dis)Contents |
| • | Through a Glass Building Darkly |
| • | We Shall Not Be Mauved |
| • | Of Cyborgs and Salt Eaters |
| • | Pop Goes the Avant-Garde |
| • | Beyond Actually Existing Populisms |
| Notes |
| • | One— Literary Politics and the Poetics of Social Movements |
| • | Two— Aesthetics and the Overprivileged: The Politics and Ethics of Representation in Let Us Now Praise Famous Men |
| • | Three— Invisible Movements, Black Powers: Double Vision and Trickster Politics in Invisible Man |
| • | Four— Disrupting the Theater of War: Armies of the Night and the New Left Siege of the Pentagon |
| • | Five— Dramatic Ecofeminism: The Women's Pentagon Action as Theater and Theory |
| • | Six— Toward Some Postmodernist Populisms: A Prescriptive Postscript |
| Works Cited |
| Photo Section |
| Index |
| • | A |
| • | B |
| • | C |
| • | D |
| • | E |
| • | F |
| • | G |
| • | H |
| • | I |
| • | J |
| • | K |
| • | L |
| • | M |
| • | N |
| • | O |
| • | P |
| • | R |
| • | S |
| • | T |
| • | U |
| • | V |
| • | W |
| • | Z |
