City Boundaries: The Boundary-Protecting Goddesses
As we noted in the discussion of the drawing (map 1) of Bhaktapur as an ideal mandala[*] or yantra , there are the shrines of eight goddesses placed at the eight points of the compass at the boundary, and a ninth at the center.[3] The nine goddesses as a set are related to the internal division of the city's space into nine "mandalic[*] areas," and we will discuss this division below. The eight external goddesses preside each over her own area of the city, but together they protect the boundary itself. As a group of eight, they are the Astamatrkas[*] , the "Eight Mothers," whose positions, marked by open, aniconic shrines called pitha s, are conceived to be (although as we have noted, one of them is, "in fact," not) not only exactly at the eight points of the compass (which again they are not "in fact") but just outside the boundary of the city (see map 2). The Astamatrkas[*] are important members of a special class of deities, the "dangerous" deities, and represent a major component of that class, the manifestations of the "dangerous goddess," "the Goddess," Devi. We will return to Devi as a deity in chapter 8, in relation to the specific worship of the dangerous deities and Tantra (chap. 9), and again in that portion of the annual calendrical cycle devoted to her (chap. 15). The group of dangerous deities (who are ritually specified in that they—in contrast to the "benign deities"—receive blood sacrifices and offerings of alcoholic spirits) represent dangerous and at the same time vital forces that lie beyond the city's inner moral organization and also represent the defenses against those dangerous forces through a transformation in which those forces have been tenuously captured and controlled and placed at the service of the city. These particular goddesses ring the entire city and protect it from specific kinds of danger, such as earthquake, disease, and invasion. It is proper for them to be placed to the exterior of a boundary because they are the kinds of deities who are, as we will see, "semantically" proper for their particular job. Their position at the city's boundaries is not only a defense but a reminder of the kind of a world to be encountered there and of the contrast of that world with the interior where—within small protective perimeters of
various kinds also defended by the dangerous deities—a quieter moral order can proceed under the tutelage of other kinds of deities.
As is the case with most of the significant symbolic markers of Bhaktapur's mesocosm, an encounter with the Eight Mothers and the boundary they represent, protect, and characterize is ineluctably brought about in the course of certain necessary symbolic enactments. The protective goddess of a person's particular residential area of the city must be worshiped during the course of certain major rites of passage by the male members of the extended patrilineal family unit, the phuki . Almost all of Bhaktapur's people also visit the boundary shrines (and their central focus), over the course of nine days of the major autumnal harvest festival, Mohani (chap. 15). People visit each one on its particular designated day, proceeding in the course of the nine days in the auspicious clockwise direction from one shrine to the next, finally, in effect, circumambulating the city's borders.[4]