A. Sutzkever |
![]() | PART ONE |
![]() | Blond Dawn (1934–1937) |
• | Away From the Four Walls |
• | Here I Am |
• | In the Knapsack of the Wind |
![]() | from Autumn Dances |
• | I |
• | IV |
• | Gypsy Autumn |
• | A Stack of Hay |
![]() | The Gates of the Ghetto |
• | I |
• | II |
• | III |
• | IV |
![]() | Siberia (1936) |
![]() | In the Hut |
• | I |
• | II |
• | III |
• | Dawn |
![]() | Recognition |
• | I |
• | II |
• | Like a Sled Bedecked with Longing Bells |
• | A Fur of Fire |
![]() | In a Siberian Forest |
• | I |
• | II |
• | III |
• | To Father |
• | Irtysh |
![]() | Snowman |
• | I |
• | II |
![]() | Siberian Spring |
• | I |
• | II |
• | Kirghizes |
![]() | My Childhood Friend Changury |
• | I |
• | II |
• | III |
![]() | At the Bonfire |
• | I |
• | II |
• | The North Star |
![]() | From the Forest (1937–1939) |
• | From the Forest |
• | Lost Nest |
• | Landscape |
![]() | Rain of Colors and Flowers |
• | I |
• | II |
• | Electrical Content |
![]() | In a Summer Morning |
• | I |
• | II |
• | III |
• | IV |
• | Stars Become Sheaves |
• | Sirius |
• | On a Mountaintop |
• | Beyond the Sun |
• | My Temples Are Throbbing |
• | from Ecstasies |
![]() | Epilogue to the Forest (1939–1940) |
• | War |
• | Anthill |
• | Gray Time |
• | Madness |
• | In a Garden |
![]() | Faces in Swamps (June-July 1941) |
![]() | Faces in Swamps |
• | I. Faces in Swamps |
• | II |
• | III. Leaves of Ash |
• | IV |
• | V |
• | The Circus |
![]() | Written in Vilna Ghetto (1941–1943) |
• | They Search |
![]() | A Pack of Music |
• | I |
• | II |
• | III |
• | Execution |
• | Am I Guilty |
![]() | A Day in the Hands of the Stormtroopers |
• | I |
• | II |
• | III |
• | Three Roses |
![]() | From the Poem "Three Roses" |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | VII |
• | VIII |
• | IX |
![]() | My Mother |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | VII |
• | VIII |
• | From a Lost Poem |
• | A Wagon of Shoes |
![]() | On the Anniversary of the Ghetto Theater |
• | I |
• | II |
• | How? |
• | Grains of Wheat |
• | A Moment |
• | Moses |
• | Teacher Mira |
![]() | The Fortress |
• | I |
• | II |
• | On My Thirtieth Birthday |
• | The Lead Plates of the Rom Printers |
![]() | Partisan Forest (1943–1944) |
• | Stalks |
![]() | To My Wife |
• | I |
• | II |
• | III |
• | March Through Swamps |
![]() | Farewell |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | Frozen Jews |
![]() | Clandestine City (1945–1947)— (Episodes from the epic poem) |
• | A Nation of Ten |
• | The Sewers |
• | The House on Vingree |
![]() | Resurrection (1945–1947) |
• | Resurrection |
• | Black Thorns |
• | The Woman of Marble in Père Lachaise |
![]() | In the Chariot of Fire (1947–1951) |
• | Mirrors of Stone |
• | On the Road to the Wailing Wall |
• | A Vision |
• | Shabazi |
• | Yiddish |
• | The Longing of Yehudah Ha-Levi |
• | With Archaeologists |
• | Silences |
• | Poems from the Negev |
• | The Ascent of Scorpions |
• | Red-Headed Cities |
• | Joseph's Bones |
• | And You Don't See the Rain |
• | Deer at the Red Sea |
• | The Last Line |
![]() | Small Hymns to Sodom |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | The Cherry of Remembrance |
• | Self-Portrait |
• | Commentary on a Face in a Mirror |
• | I Had a Neighbor |
• | The Silver Key |
![]() | Eternal Garments |
• | I |
• | II |
• | III |
• | Encounter |
• | Ashamed |
• | Chords from the Proud Forest |
• | Dr. Atlas |
• | Blackberries |
![]() | Elephants at Night (1950–1954) |
• | A Trip Through Africa, 1950 |
• | On the Nile |
• | Rain Dance |
• | Dance of the Pygmies |
• | Oasis |
• | Zunga |
• | Elephants at Night |
• | Elephant Graveyard |
• | The Immortal |
• | The Monkey Merchant |
• | Song of a Sick Girl |
• | Lovesong |
• | Lament of a Young Widow |
• | Bride of the Thunder |
• | Song to the Lord of the Clouds |
• | Song of the Lepers |
• | The Suicide of the Herreros |
• | The Locust |
• | Gray Fire |
• | Farewell to an Arrow |
• | Eulogy for an Ox |
• | To a Tiger |
![]() | Blind Milton (1954–1962) |
![]() | Ode to the Dove |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | VII |
• | VIII |
• | IX |
• | X |
• | Else Lasker-Schüler |
• | My Father |
• | Hours |
• | The Saw |
• | Smoke of Jewish Children |
![]() | Hail |
• | I |
• | II |
• | From Myself to Myself |
• | Trained Animals |
• | The Road to Paradise |
• | A Hundred-Year-Old Woman |
• | Chosen Tree |
• | Blind Milton |
• | The Red Foot |
• | A Winter Night |
• | A Pot from the Attic |
• | Gather Me In |
![]() | Square Letters and Miracles (1964–1967) |
• | What I Wanted to Say and Was Late |
• | First Rain |
• | When the River Overflowed Its Bank |
• | The Ailing Poet to His Friend |
• | With the Hundredth Sense |
• | Zeykher Le-Ghetto |
• | Close the Window |
• | In Blue Gowns |
![]() | The Smile of Maidanek |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | VII |
![]() | Emblem |
• | I |
• | II |
![]() | To Read, To Write |
• | I |
• | II |
• | A Witness |
• | Morning After a Night in Jaffa |
• | The Shard Hunters |
• | With Nostrils of Dogs |
• | Desert Sun |
• | The Third Silence |
• | Covered with Half of Jerusalem |
![]() | Ripe Faces (1968–1970) |
• | Land of My Children |
• | Branch with Last Cherries |
• | Barefoot |
• | My Armor |
• | Falling Water |
• | Signs |
• | Report of a Journey |
• | The Sculptor |
![]() | From Old and Young Manuscripts (1935–1981) |
• | Fragment |
• | Recognition |
• | Subforest Laughter |
![]() | A Bunch of Grapes |
• | I |
• | II |
• | III |
![]() | Winedrops |
• | I |
• | II |
• | Elegy |
• | Divine Comedy |
• | Wooden Steps |
• | Legend |
• | Needleshine |
• | A Prayer |
• | Small Elegy on the Extinction and Resurrection of a Single Word |
• | The Great Silence |
• | To Be Able to Say: I |
![]() | New Poems (1987–1990) |
![]() | Remembrances of Others |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | Paris 1988 |
![]() | Inside Me |
• | I |
• | II |
• | III |
• | IV |
![]() | PART TWO |
![]() | Green Aquarium (1953–1974) |
![]() | Green Aquarium |
• | I |
• | II |
• | III |
• | The Woman in the Panama Hat |
• | Children's Hands |
• | Lady Job |
• | The Last of the Blind |
• | Honey of a Wild Bee |
![]() | Where the Stars Spend the Night (1975–1989) |
![]() | Lupus |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | Where the Stars Spend the Night |
![]() | Faithful Needles |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | The Hunchback |
![]() | The Boot and the Crown |
• | I |
• | IV |
• | V |
• | VI |
![]() | Glikele |
• | I |
• | III |
![]() | The Beggar with Blue Eyeglasses |
• | I |
• | III |
• | IV |
• | V |
• | Slashed Lips |
![]() | The Coin from Heaven |
• | I |
• | IV |
• | V |
• | The Artist |
• | Hanukkah Candles |
![]() | A Black Angel with a Pin in His Hand |
• | I |
• | II |
• | III |
• | IV |
• | V |
• | VI |
• | VII |
• | VIII |
• | IX |
• | X |
![]() | The Gunpowder Brigade |
• | I |
• | II |
• | III |
• | IV |
• | V |
![]() | Postscript (1990) |
• | The Bottom Line |
• | On My Father's Yortsayt |
![]() | Notes |
• | Blond Dawn (1934–1937) |
• | Siberia (1936) |
• | From the Forest (1937–1939) |
• | Epilogue to the Forest (1939–1940) |
• | Faces in Swamps (June-July 1941) |
• | Written in Vilna Ghetto (1941–1943) |
• | Partisan Forest (1943–1944) |
• | Clandestine City (1945–1947)— (Episodes from the epic poem) |
• | Resurrection (1945–1947) |
• | In the Chariot of Fire45 (1947–1951) |
• | Blind Milton58 (1954–1962) |
• | Square Letters and Miracles63 (1964–1967) |
• | From Old and Young Manuscripts (1935–1981) |
• | New Poems (1987–1990) |
• | Green Aquarium (1953–1974) |
• | Where the Stars Spend the Night (1975–1989) |
ABRAHAM SUTZKEVER, |