| On the Edge of America |
| PREFACE |
| INTRODUCTION |
| PART I THE REGIONAL IMAGINATION |
| • | The Elusive Quest of the Moderns |
| Painting Under the Shadow: California Modernism and the Second World War |
| • | Politics and Modernism: The Trial of the Rincon Annex Murals |
| PART 2 SOURCES AND TRADITIONS |
| • | The Impact from Abroad: Foreign Guests and Visitors |
| • | Mexican Art and Los Angeles, 1920-1940 |
| PART 3 EXPRESSING A CULTURAL IDENTITY |
| • | Wood Studs, Stucco, and Concrete: Native and Imported Images |
| • | Early Modernism in Southern California: Provincialism or Eccentricity? |
| Journey Into the Sun: California Artists and Surrealism |
| • | Visual Music and Film-As-An-Art Before 1950 |
| Modernist Photography and the Group f.64 |
| APPENDIX: A CHRONOLOGY OF INSTITUTIONS, EVENTS, AND INDIVIDUALS |
| Notes |
| INDEX |