| Luminous Debris |
| ACKNOWLEDGMENTS |
| INTRODUCTION |
 | PART I— SILEX |
| • | Terra Amata |
| • | Reading Prehistory: The Search for Antecedents |
 | The First Hunters and the Last |
| • | Neolithicizing Provence: Cardial, a Culture That Came from the Sea |
| • | Archeological Rhetoric |
| • | Moon Goddess: Speculations on a Pictograph |
| • | The Skull with the Seashell Ear |
| • | West-Southwest |
| • | A Twilight Industry |
| • | Stelae: The Emergence of Human Figuration |
| PART II— BRONZE, AND SOON AFTER, IRON |
| • | On a Bronze Age Earring |
| • | Echoes in Clay: Interpreting Pictographs in Late Bronze Age Ceramics |
| • | Baby Burials: Domestic Inhumation in the Iron Age |
| • | Terremare |
| On the Longevity of Toponyms |
| • | The Cult of Skulls: From Severance to Sculpture |
| PART III— UNDER THE RAISED TRELLISES |
| • | Negative Architecture |
| • | Undulant-Oblique: A Study of Wave Patterns on Ionico-Massalian Pottery |
| Tracking Hannibal |
| • | What the Thunder Said |
| • | Aeria the Evanescent |
| • | Votive Mirrors: A Reflection |
| • | Dream Incubation: The Temple at Riez |
| • | Fervor and Residue: Chastelard-Lardiers |
| • | Le Pont Flavien: An Instance of Passage |
| PART IV— AQUAEDUCTUS |
| Aquaeductus |
| Notes |
| INDEX |