Luminous Debris |
ACKNOWLEDGMENTS |
INTRODUCTION |
PART I— SILEX |
• | Terra Amata |
• | Reading Prehistory: The Search for Antecedents |
The First Hunters and the Last |
• | Neolithicizing Provence: Cardial, a Culture That Came from the Sea |
• | Archeological Rhetoric |
• | Moon Goddess: Speculations on a Pictograph |
• | The Skull with the Seashell Ear |
• | West-Southwest |
• | A Twilight Industry |
• | Stelae: The Emergence of Human Figuration |
PART II— BRONZE, AND SOON AFTER, IRON |
• | On a Bronze Age Earring |
• | Echoes in Clay: Interpreting Pictographs in Late Bronze Age Ceramics |
• | Baby Burials: Domestic Inhumation in the Iron Age |
• | Terremare |
On the Longevity of Toponyms |
• | The Cult of Skulls: From Severance to Sculpture |
PART III— UNDER THE RAISED TRELLISES |
• | Negative Architecture |
• | Undulant-Oblique: A Study of Wave Patterns on Ionico-Massalian Pottery |
Tracking Hannibal |
• | What the Thunder Said |
• | Aeria the Evanescent |
• | Votive Mirrors: A Reflection |
• | Dream Incubation: The Temple at Riez |
• | Fervor and Residue: Chastelard-Lardiers |
• | Le Pont Flavien: An Instance of Passage |
PART IV— AQUAEDUCTUS |
Aquaeductus |
Notes |
INDEX |