| Constructive Dissonance |
| INTRODUCTION |
 | SOURCE NOTE |
| • | Source Abbreviations |
| CONTEXTS |
| One Music and the Critique of Culture: Arnold Schoenberg, Heinrich Schenker, and the Emergence of Modernism in Fin de Siècle Vienna |
| • | I |
| • | II |
| • | Two Assimilation and the Emancipation of Historical Dissonance |
| • | Three Evolving Perceptions of Kandinsky and Schoenberg: Toward the Ethnic Roots of the "Outsider" |
| • | Four The Émigré Experience: Schoenberg in America |
| CREATIONS |
| • | Five Schoenberg and the Origins of Atonality |
| Six The Refractory Masterpiece: Toward an Interpretation of Schoenberg's Chamber Symphony, op. 9 |
| • | I |
| • | II |
| • | III |
| • | IV |
| • | Seven Whose Idea Was Erwartung? |
| • | Eight "Heart and Brain in Music:" The Genesis of Schoenberg's Die glückliche Hand |
| • | Nine Schoenberg's Incomplete Works and Fragments |
| Ten Schoenberg's Philosophy of Composition: Thoughts on the "Musical Idea and Its Presentation" |
| • | I |
| • | II |
| • | III |
| CONNECTIONS |
| • | Eleven Schoenberg and the Canon: An Evolving Heritage |
| Twelve Schoenberg's Concept of Art in Twentieth-Century Music History |
| • | I |
| • | II |
| • | III |
| • | IV |
| • | Thirteen Schoenberg and Present-Day Theory and Practice |
| Fourteen Schoenberg the Contemporary: A View from Behind |
| • | Schoenberg's Vienna |
| • | Schoenberg in Berlin |
| • | Schoenberg in America |
| Notes |
| • | INTRODUCTION |
| • | One Music and the Critique of Culture: Arnold Schoenberg, Heinrich Schenker, and the Emergence of Modernism in Fin de Siècle Vienna |
| • | Two Assimilation and the Emancipation of Historical Dissonance |
| • | Three Evolving Perceptions of Kandinsky and Schoenberg: Toward the Ethnic Roots of the "Outsider" |
| • | Four The Émigré Experience: Schoenberg in America |
| • | Five Schoenberg and the Origins of Atonality |
| • | Six The Refractory Masterpiece: Toward an Interpretation of Schoenberg's Chamber Symphony, op. 9 |
| • | Seven Whose Idea Was Erwartung? |
| • | Eight "Heart and Brain in Music:" The Genesis of Schoenberg's Die glückliche Hand |
| • | Nine Schoenberg's Incomplete Works and Fragments |
| • | Ten Schoenberg's Philosophy of Composition: Thoughts on the "Musical Idea and Its Presentation" |
| • | Eleven Schoenberg and the Canon: An Evolving Heritage |
| • | Twelve Schoenberg's Concept of Art in Twentieth-Century Music History |
| • | Thirteen Schoenberg and Present-Day Theory and Practice |
| • | Fourteen Schoenberg the Contemporary: A View from Behind |
| CONTRIBUTORS |
| INDEX OF NAMES AND WORKS |
| • | A |
| • | B |
| • | C |
| • | D |
| • | E |
| • | F |
| • | G |
| • | H |
| • | I |
| • | J |
| • | K |
| • | L |
| • | M |
| • | N |
| • | O |
| • | P |
| • | Q |
| • | R |
| • | S |
| • | T |
| • | V |
| • | W |
| • | Z |
