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Principal References[en4]Principal References[4]

Avril, "Manuscrits ," no. 281, 327; idem, La Librairie , no. 202, 117; idem, Manuscript Painting at the Court of France , no. 33, 105; Bibliothèque Royale de Belgique Albert Ier, La librairie de Philippe le Bon , no. 215; idem, Trésors de la Bibliothèque Royale de Belgique , no. 14; Delaissé, Medieval Miniatures , 78–81; Delisle, Le cabinet des manuscrits , vol. 1, 42; idem, Mélanges de paléographie , 260–64, 269, and 273–75; idem, Recherches , vol. 1, no. 55, 254–55, and vol. 2, no. 481; Dieckhoff, Die Parler und der schöne Stil , vol. 3, 116; Doutrepont, Inventaire de la librairie de Philippe le Bon , no. 91, 51; idem, La littérature française à la cour des ducs de Bourgogne , 121–22; Gaspar and Lyna, Les principaux manuscrits à peintures , vol. 1, no. 148, 354–56; van den Gheyn, Catalogue des manuscrits , no. 2902, 334; Grabmann, "Die mittelalterlichen Kommentare," 47; Hoeber, "Über Stil und Komposition der französischen Miniaturen," 193–94; Knops, Etudes ; Masai and Wittek, Manuscrits datés conservés en Belgique , no. A 66, 70; Meiss, French Painting , vol. 1, 73, and idem, French Painting :


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The Limbourgs , 418; Oresme, Ethiques ; Panofsky, Early Netherlandish Painting , vol. 1, 36; idem, Hercules am Scheidewege , 150–51; Sherman, Portraits , 38–40; idem, "Representations of Charles V," 91–92; idem, "Some Visual Definitions," 320–30; de Winter, La bibliothèque de Philippe le Hardi , 10, 50, 87–88, 141, 222–25, and 263; idem, "The Grandes Heures ," 803 and 807; Wixom, "A Missal for a King," 164, 168, and 173.


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