S
Schoenberg, Arnold: "Accompaniment to a Cinematographic Scene," 139 -140, 154 -163;
Moses and Aaron , 15 , 17 , 139 -154, 182 ;
Von Heute auf Morgen , 14
Screenplays, 17
Semiotic film theory, 55 -57, 62
Semiotics, rejection of, 16
Sex, 78 -79
Shot composition, 57 , 114 -115, 146 , 157 -159, 194 -196.
See also Camera work
Silent cinema. See Early cinema
Sound, 16 , 20 , 22 -24, 59 , 87 -88, 115 -116, 127 , 129 , 157 , 212 , 213 -214
Space, 56 -59, 63 -64, 91 -92, 170 -172, 226 -227, 260 n. 48 ;
treatment of, 20 -23, 92 , 147
Stage plays, in films, 88
Stockhausen, Karlheinz, 73
Straub, Jean-Marie:
biography of, 9 , 40 , 52 , 54 ;
photographs of, 10 , 146 , 157 , 177 , 228 , 230
Straub/Huillet:
collaboration, 8 , 11 -16;
film-making approach of, 15 ;
influence of, on other filmmakers, 38 , 90 ;
as narrators, 160 -161;
residence in Germany, 51
Subtitles, 203 -204
Syberberg, Hans Jürgen (Our Hitler ), 44 -46, 119