Landscapes of Resistance
  Preface and Acknowledgments

  Introduction
 collapse section1—  Straub/Huillet and the Cinema Tradition and Avant-garde
 •Straub/Huillet's Authorship
 •Straub/Huillet and Cinematic Tradition
 •Straub/Huillet and Political Modernism
 collapse section2—  Straub/Huillet, the New Left, and Germany
 •Straub/Huillet and the New Left
 •Straub/Huillet and the New German Cinema
 •Straub/Huillet's Germany
 •Kluge, Reitz, and Syberberg
 •An Alternative Cultural Identity
  3—  Traces of a Life: Chronicle of Anna Magdalena Bach
 collapse section4—  Formal and Political Radicalism in the Short Films of the 1960s
 •Machorka-Muff
 •The Bridegroom, the Comedienne, and the Pimp
 collapse section5—  Time and Memory in Postwar Germany: Not Reconciled
 •Böll's Billiards at Half Past Nine
 •Not Reconciled
 collapse section6— History Lessons and Brecht's The Business Affairs of Mr. Julius Caesar
 •The Business Affairs of Mr. Julius Caesar
 •Brecht's Caesar Novel and History Lessons :  A Common Formal Dilemma
 collapse section7—  Musical Modernism and The Schoenberg Films
 •Moses and Aaron
 •Introduction to Arnold Schoenberg's "Accompaniment to a Cinematographic Scene"
  8—  The Power to Narrate: Class Relations and Kafka's Amerika
 collapse section9—  Language in Exile Hölderlin's The Death of Empedocles
 •Hölderlin and the German Left
 •Language, Nature, and Progress
 •The Paratactics of Cinematic Space
 collapse section10—  Film as "Translation"
 •The Deterritorialization of Language
 •The "Look of the World" and Redemption
  11— Antigone
  12—  Real History and the Nonexistent Spectator—  Brecht, Adorno, and Straub/Huillet

 collapse sectionNotes
 •Introduction
 •1— Straub/Huillet and the Cinema Tradition and Avant-garde
 •2— Straub/Huillet, the New Left, and Germany
 •3— Traces of a Life:Chronicle of Anna Magdalena Bach
 •4— Formal and Political Radicalism in the Short Films of the 1960s
 •5— Time and Memory in Postwar Germany:Not Reconciled
 •6—History Lessons and Brecht's The Business Affairs of Mr. Julius Caesar
 •7— Musical Modernism and The Schoenberg Films
 •8— The Power to Narrate:Class Relations and Kafka's Amerika
 •9— Language in Exile Hölderlin's The Death of Empedocles
 •10— Film as "Translation"
 •11—Antigone
 •12— Real History and the Nonexistent Spectator— Brecht, Adorno, and Straub/Huillet
  Selected Bibliography
 collapse sectionFilmography
 •1962
 •1964–1965
 •1967
 •1968
 •1969
 •1972
 •1972
 •1974–1975
 •1976
 •1977
 •1978
 •1980–1981
 •1982
 •1983
 •1986
 •1988
 •1989
 •1991–1992
 •1994
 collapse sectionIndex
 •A
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 •D
 •E
 •F
 •G
 •H
 •I
 •K
 •L
 •M
 •N
 •O
 •P
 •R
 •S
 •T
 •U
 •V
 •W
 •Y
 •Z
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