| Landscapes of Resistance |
| Preface and Acknowledgments |
| Introduction |
 | 1— Straub/Huillet and the Cinema Tradition and Avant-garde |
| 2— Straub/Huillet, the New Left, and Germany |
| 3— Traces of a Life: Chronicle of Anna Magdalena Bach |
| 4— Formal and Political Radicalism in the Short Films of the 1960s |
| 5— Time and Memory in Postwar Germany: Not Reconciled |
| 6— History Lessons and Brecht's The Business Affairs of Mr. Julius Caesar |
| 7— Musical Modernism and The Schoenberg Films |
| 8— The Power to Narrate: Class Relations and Kafka's Amerika |
| 9— Language in Exile Hölderlin's The Death of Empedocles |
| 10— Film as "Translation" |
| 11— Antigone |
| 12— Real History and the Nonexistent Spectator— Brecht, Adorno, and Straub/Huillet |
 | Notes |
| • | Introduction |
| • | 1— Straub/Huillet and the Cinema Tradition and Avant-garde |
| • | 2— Straub/Huillet, the New Left, and Germany |
| • | 3— Traces of a Life:Chronicle of Anna Magdalena Bach |
| • | 4— Formal and Political Radicalism in the Short Films of the 1960s |
| • | 5— Time and Memory in Postwar Germany:Not Reconciled |
| • | 6—History Lessons and Brecht's The Business Affairs of Mr. Julius Caesar |
| • | 7— Musical Modernism and The Schoenberg Films |
| • | 8— The Power to Narrate:Class Relations and Kafka's Amerika |
| • | 9— Language in Exile Hölderlin's The Death of Empedocles |
| • | 10— Film as "Translation" |
| • | 11—Antigone |
| • | 12— Real History and the Nonexistent Spectator— Brecht, Adorno, and Straub/Huillet |
| Selected Bibliography |
| Filmography |
| Index |