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S

Schoenberg, Arnold: "Accompaniment to a Cinematographic Scene," 139 -140, 154 -163;

Moses and Aaron , 15 , 17 , 139 -154, 182 ;

Von Heute auf Morgen , 14

Screenplays, 17

Semiotic film theory, 55 -57, 62

Semiotics, rejection of, 16

Sex, 78 -79

Shot composition, 57 , 114 -115, 146 , 157 -159, 194 -196.

See also Camera work

Silent cinema. See Early cinema

Sound, 16 , 20 , 22 -24, 59 , 87 -88, 115 -116, 127 , 129 , 157 , 212 , 213 -214

Space, 56 -59, 63 -64, 91 -92, 170 -172, 226 -227, 260 n. 48 ;

treatment of, 20 -23, 92 , 147

Stage plays, in films, 88

Stockhausen, Karlheinz, 73

Straub, Jean-Marie:

biography of, 9 , 40 , 52 , 54 ;

photographs of, 10 , 146 , 157 , 177 , 228 , 230

Straub/Huillet:

collaboration, 8 , 11 -16;

film-making approach of, 15 ;

influence of, on other filmmakers, 38 , 90 ;

as narrators, 160 -161;

residence in Germany, 51

Subtitles, 203 -204

Syberberg, Hans Jürgen (Our Hitler ), 44 -46, 119


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