B

Bach, J. S., 51 -70;

music in The Bridegroom, the Comedienne, and the Pimp,86 -88;

music in The Death of Empedocles,212 ;

music in History Lessons,137 ;

music in Machorka-Muff,75 , 81 -82;

music in Not Reconciled,113

Barthes, Roland, 55

Bazin, André, 16 , 22 , 32

Benjamin, Walter, 4 , 8 , 50 , 133 ;

and cinema, 165 , 236 ;

and translation, 199 -214

Black Sin, 17 , 19 , 50 , 179 , 181 , 183

Böll, Heinrich, 52 -53, 71 , 72 , 73 , 74 , 85 , 96 ;

Billiards at Half Past Nine,72 , 95 -100;

"Bonn Diary," 74 -82

Brecht, Bertolt, 101 ;

Antigone, 215 -232;

and cinema, 236 -238;

and formalism, 33 ;

"learning plays," 206 , 207 ;

and Nazism, 119 , 123 -124;

and novelistic structure, 123 ;

St. Joan of the Stockyards,24 -25, 101

Brechtianism, 4 , 13 , 24 -26, 41 , 42 , 43 , 67 , 90 , 118 , 200 -201, 211 , 224 , 245

Bresson, Robert, 16 , 23 , 84 , 85

The Bridegroom, the Comedienne, and the Pimp,13 , 37 , 38 , 46 , 71 , 85 -94

Bruckner, Ferdinand (Pains of Youth ), 88