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Letter XV
Dear Sir,
I shall now change the subject from grave to gay, and endeavour to entertain you with some account of the dancing girls of this country. At a very youthful time of life, they are regularly trained in all the arts of pleasing, by a hackneyed matron, worn in the campaigns of Venus, whose past experience renders her perfectly adequate to the task of instruction, for which she receives from her pupils a share of the pecuniary favours conferred on them by their gallants, and also procures them every article of dress that can set them off to advantage. They have different places of abode, sometimes occupying the handsomest houses in towns or cities; and in the fine season of the year, they retire to the country, where their villas, gardens, bowers, and every other rural improvement, are laid out in such a manner, as to allure the most unconcerned observer. Hither, some of the principal Nabobs and European Gentlemen of the first distinction, are drawn by the love of pleasure, and lavish immense sums on these creatures, who are generally recruited out of the people of all casts and denominations, though not without a peculiar attention to beauty or agreeableness; yet, even the knowledge of their being so common, is with many totally forgotten in the ravishing display of their natural and acquired charms. They dance to the music of cymbals, fifes, and drums, they term tum-tums, and often represent in pantomime such scenes, as a lover courting his mistress; a procuress, endeavouring to seduce a woman from one gallant to another; and a girl, timorous and afraid of being caught in an intrigue. All these love-scenes, they perform, in gestures, air, and steps, with well-adapted expression. In some of their dances, even in public, modesty is not much respected in the motions of their limbs, the quivering of their hips, and other lascivious attitudes, into which they throw themselves, without exposing any nudity. But in private parties, they introduce other dances, in which, though they never offend delicacy, by discovering any part of their bodies, they betray such fascinating looks and postures, as are probably more dangerous. In short, there is no attraction, of which they are not capable, and by these unfailing arts, they frequently arrive at the temple of fortune. In many parts of India, there are several fine Mahometan chapels built by them, and rich factories established, where various artisans and tradesmen find the greatest encouragement.
The dress of these women, which differs according to the custom of the country, is in all, however, the most splendid conceivable. Their persons glitter with jewels from head to toe, since even on their toes they wear rings. Carcanets adorn their necks, bracelets their arms, and chains of gold and silver, enriched with precious stones, their very ankles. They also wear nose-jewels, to which the familiar eye is soon reconciled. Their breasts are covered with thin muslin, embellished with gems, and the swell of the tempting bosom displayed to such advantage, warms even frigid insensibility with a glow of soft sensations. Their necklaces are composed of flowers strung together, which they call mogrees, resembling Spanish double jessamy, but of a more agreeable odor, and preferable to any perfumes, delighting at once the sight and smell. Their dress consists of a long white muslin gown, extremely clear and fine, with a short body and long sleeves, and the skirt which contains near twenty yards, is ornamented in its train, with silver fringe; a long trousers made of fancy silk, exactly fitted to their shapes, and a large shawl, that covers the head and shoulders, embroidered with a deep silver fringe. On the head they wear jewels and flowers; and their long black hair is generally braided. Many of them, especially those in commerce with the Moguls and Moors, follow the old Eastern custom, of forming a black circle round their eye borders, by drawing a bodkin between them, with their eye-lids shut, that both sides may receive the tint of the stibium, or powder of antimony that sticks to the bodkin. The powder is called by them surma; which they imagine refreshes and cools the eye, besides exciting its lustre, by the ambient blackness. They avoid every degree of affectation in their manners, and copy nature, as their grand original, in the imitation and refinement of which, their art chiefly consists. Besides, they have nothing of that gross impudence which characterises the European prostitutes; their style of seduction being all softness and gentleness: their caresses are not only well managed, but well timed in the cloying minutes of satiety. There are some of them, even amidst their vices and depravity, whose minds are finely impressed with generous sentiments. The following authentic account is a striking proof of it:
One of them lived, some years ago, at a pleasant seat a few miles from Cossumbuzar, where she had been visited by some of the principal men of the country, among whom was a rich factor, whose attachments to her diverted his attention from business, in such a manner, that he became a bankrupt. This misfortune preyed so much on his mind, that his melancholy could not well escape the observation of his mistress, from whom he endeavoured to conceal it as much as possible, dreading to be forsaken by her in his poverty. After repeated entreaties on her part, he, at length, made her acquainted with his situation: she suddenly left him, and to his great astonishment, shortly returned with money and effects, to such an amount as enabled him to conduct his business with more spirit and application than ever.
Here is an instance, that even the human heart plunged in crimes and immorality, may sometimes be roused from its torpor by the voice of humanity.