| Light Moving in Time |
| Preface |
| Acknowledgments |
| Introduction |
 | Chapter 1— The Camera-Eye: Dialectics of a Metaphor |
| • | 1— |
| • | 2— |
| • | 3— |
| • | 4— |
| Chapter 2— The Cinematic Image as a Visualization of Sight |
| • | 1— |
| • | 2— |
| • | 3— |
| • | 4— |
| Chapter 3— "The Untutored Eye" |
| • | 1— |
| • | 2— |
| • | 3— |
| • | 4— |
| • | 5— |
| • | 6— |
| Chapter 4— "Giving Sight to the Medium": Stan Brakhage |
| • | 1— |
| • | 2— |
| • | 3— |
| • | 4— |
| • | 5— |
| Chapter 5— "Working in Light": Kenneth Anger |
| • | 1— |
| • | 2— |
| Chapter 6— Making Films for the Inner Eye: Jordan Belson, James Whitney, Paul Sharits |
| • | 1— |
| • | 2— |
| • | 3— |
| • | 4— |
| Chapter 7— Balancing Eye and Mind: Michael Snow |
| • | 1— |
| • | 2— |
| • | 3— |
| Appendix: Film Sources |
| Notes |
| • | Preface |
| • | Introduction |
| • | Chapter 1— The Camera-Eye: Dialectics of a Metaphor |
| • | Chapter 2— The Cinematic Image as a Visualization of Sight |
| • | Chapter 3— "The Untutored Eye" |
| • | Chapter 4— "Giving Sight to the Medium": Stan Brakhage |
| • | Chapter 5— "Working in Light": Kenneth Anger |
| • | Chapter 6— Making Films for the Inner Eye: Jordan Belson, James Whitney, Paul Sharits |
| • | Chapter 7— Balancing Eye and Mind: Michael Snow |
| Selected Bibliography |
| • | Works on Visual Perception, Art, and Image Making |
| • | Works on Avant-Garde Film |
| Index |
| • | A |
| • | B |
| • | C |
| • | D |
| • | E |
| • | F |
| • | G |
| • | H |
| • | I |
| • | J |
| • | K |
| • | L |
| • | M |
| • | N |
| • | O |
| • | P |
| • | R |
| • | S |
| • | T |
| • | V |
| • | W |
| • | Y |
| • | Z |
