| Papal Patronage and the Music of St. Peter's, 1380-15-13 |
| ACKNOWLEDGMENTS |
| ABBREVIATIONS |
| INTRODUCTION |
 | PART ONE— MUSICIANS AT ST PETER'S |
 | Chapter One— Before the Hiring of Northerners: 1380-1447 |
| Chapter Two— Northern Musicians at St. Peter's: 1447-1513 |
| Chapter Three— Organs |
| Chapter Four— SPB80 and the St. Peter's Manuscript Tradition |
| Chapter Five— The Patronage of Northerners at St. Peter's |
| PART TWO— MASSES: ATTRIBUTIONS AND ASSOCIATIONS |
| Chapter Six— Musical Connoisseurship |
| Chapter Seven— Faugues: Attribution and Association |
| Chapter Eight— Caron: Attribution |
| Chapter Nine— Martini: Association and Attribution |
| PART THREE— NORTHERNERS AT ST. PETER'S AND THE CULTURAL POSITION OF POLYPHONY |
| Chapter Ten— Contrapuntal Allusions in Polyphonic Masses |
| Chapter Eleven— Northern Polyphony, Northern Composers, and Humanist Rhetoric |
| Chapter Twelve— The Changing Status of Northerners at St. Peter's |
| • | Appendix One— Archival Records Pertaining to Music at St. Peter's |
| • | Appendix Two— Musical Personnel at St. Peter's, 1421-1508 |
| Appendix Three— Nationality of St. Peter's Singers (1447-1513), Known or Presumed |
| • | Appendix Four— Inventory of SPB80 and List of Manuscript Abbreviations |
| • | Appendix Five— Occurrences of the Motive d-f-e-a' in Works from circa 1430 to 1470 |
| BIBLIOGRAPHY |
| INDEX |