| Memory and Re-Creation in Troubadour Lyric |
| ACKNOWLEDGMENTS |
| ABBREVIATIONS |
| INTRODUCTION— CRAFT, SENTIMENT, AND MECHANISM IN THE MEDIEVAL LYRIC |
 | PART ONE— MAKING AND SENDING: A VIEW FROM WITHIN THE LITERARY TEXTS |
| • | One— Amar/Trobar : The Vocabulary of Love and Poetics |
 | Two— Writing and Memory in the Creation and Transmission of Troubadour Poetry |
| Three— Song Sheets and Song Books |
| PART TWO— THE VIEW FROM WITHOUT: PERFORMANCE AND POETICS REFLECTED IN THE CHANSONNIERS |
| Four— Mouvance in the Manuscripts |
| Five— Rhyme and Razo : Case Studies |
| PART THREE— POETICS AND THE MEDIUM |
| Six— Nature Enclosed: The "Closed" Style and the "Natural" Poetics |
| Seven— The Metaphorical Vocabulary of Mouvance and Textual Integrity |
| CONCLUSION |
| • | "Adjusting the Ash Heaps": Paper Poetry |
| • | "Her" and "Him": Amor Consists of Language |
| • | A Diversity of Viewpoints on Textual Integrity Versus Mouvance |
| • | Nonsequential Reading, Multiple Reading, and the "Open" Text: Adapting to Medieval Reception of Troubadour Lyric |
| • | "Informed Readers" in Literary Theory |
| APPENDIX A— QUANTITATIVE SURVEY OF MOUVANCE |
| APPENDIX B— A QUICK GUIDE TO RHYME SCHEMES |
| APPENDIX C— LIST OF MANUSCRIPTS |
| Notes |
| WORKS CITED |
| GENERAL INDEX |
| • | A |
| • | B |
| • | C |
| • | D |
| • | E |
| • | F |
| • | G |
| • | H |
| • | I |
| • | J |
| • | K |
| • | L |
| • | M |
| • | N |
| • | O |
| • | P |
| • | R |
| • | S |
| • | T |
| • | U |
| • | V |
| • | W |
| • | Z |
| INDEX OF PROVENÇAL TERMS |