| The Boundaries of Humanity |
| ACKNOWLEDGMENTS |
| GENERAL INTRODUCTION |
| PROLOGUE: MAKING SENSE OF HUMANITY |
| PART ONE— HUMANS AND ANIMALS |
| • | One— Introduction |
| • | Two— The Horror of Monsters* |
| • | Three— The Animal Connection* |
| Four— Language and Ideology in Evolutionary Theory: Reading Cultural Norms into Natural Law |
| Five— Human Nature and Culture: Biology and the Residue of Uniqueness |
| • | Six— Reflections on Biology and Culture |
| PART TWO— HUMANS AND MACHINES |
| • | Seven— Introduction |
| • | Eight— The Meaning of the Mechanistic Age |
| Nine— Metaphors for Mind, Theories of Mind: Should the Humanities Mind? |
| Ten— Thinging Machines: Can There Be? Are We? |
| Eleven— Romantic Reactions: Paradoxical Responses to the Computer Presence |
| • | Twelve— Biology, Machines, and Humanity |
| PART THREE— CODA |
| • | Coda |
| Notes |
| • | GENERAL INTRODUCTION |
| • | PROLOGUE: MAKING SENSE OF HUMANITY |
| • | One— Introduction |
| • | Two— The Horror of Monsters* |
| • | Three— The Animal Connection* |
| • | Four— Language and Ideology in Evolutionary Theory: Reading Cultural Norms into Natural Law |
| • | Six— Reflections on Biology and Culture |
| • | Seven— Introduction |
| • | Eight— The Meaning of the Mechanistic Age |
| • | Nine— Metaphors for Mind, Theories of Mind: Should the Humanities Mind? |
| • | Ten— Thinging Machines: Can There Be? Are We? |
| • | Eleven— Romantic Reactions: Paradoxical Responses to the Computer Presence |
| • | Twelve— Biology, Machines, and Humanity |
| • | Coda |
| CONTRIBUTORS |
| INDEX |