Cecil B. DeMille and American Culture |
Acknowledgments |
Introduction |
![]() | One The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality |
![]() | Two Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name |
![]() | Three The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape |
![]() | Four The Screen As Display Window: Constructing the "New Woman" |
![]() | Five The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman |
![]() | Six Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films |
![]() | Seven Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923) |
![]() | Filmography |
![]() | Notes |
![]() | Index |