Traditional Oral Epic

  Preface

 expand sectionOne  Traditional Oral Poetics
 expand sectionTwo  Comparability of the Documents
 expand sectionThree  Comparative Prosody
 expand sectionFour  Traditional Phraseology in the Odyssey
 expand sectionFive  Traditional Phraseology in the Serbo-Croatian Return Song
 expand sectionSix  Traditional Phraseology in Beowulf and Old English Poetry
 expand sectionSeven  Thematic Structure in the Odyssey
 collapse sectionEight  Thematic Structure in the Serbo-Croatian Return Song
 Prior Scholarship
 A Singer's Pause and Thematic Structure
 collapse sectionMultiformity Within the Traditional Theme: "Shouting in Prison"
 expand sectionMujo Kukuruzovic and the Idiolectal Theme
 expand sectionFrom Idiolect to Dialect: The Individual Singers Community
 From Dialect to Language: The Stolac singers and the Epic Tradition
 Conclusion
 expand sectionNine  Thematic Structure in Beowulf and Old English Poetry
 expand sectionTen  Story-Pattern in the Serbo-Croatian Return Song
  Eleven  Conclusion

 expand sectionAppendix
  References
 expand sectionIndex

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